Tristia, H 119 (Berlioz, Hector)

Movements/SectionsMov'ts/Sec's 3 (2) sections
Composition Year 1849, revised 1851
Genre Categories Secular cantatas; Cantatas; For mixed chorus, orchestra; Scores featuring mixed chorus; Scores featuring the orchestra; For chorus with orchestra; For female chorus, orchestra; Scores featuring female chorus; French language; For mixed chorus, violin, cello, piano (arr); Scores featuring mixed chorus (arr); Scores featuring the violin (arr); Scores featuring the cello (arr); Scores featuring the piano (arr); For chorus with solo instruments (arr)

Contents

Performances

Sheet Music

Full Scores

Revised version (1851)

 Complete Score
#515590 - 3.59MB, 48 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 77×⇩ - Music Addict

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Music Addict (2018/3/15)

 1. Méditation religieuse, H 56B
#255953 - 0.68MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 779×⇩ - Emblyadell

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Emblyadell (2012/10/25)

 2. La mort d’Ophélie, ballade, H 92B
#255954 - 1.42MB, 10 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 739×⇩ - Emblyadell

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Emblyadell (2012/10/25)

 3. Marche funèbre pour la dernière scène d’Hamlet, H 103
#255955 - 1.66MB, 10 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 578×⇩ - Emblyadell

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Emblyadell (2012/10/25)

Editor First edition (later printing)
Publisher. Info. Paris: Richault et Cie., n.d.[1852]. Plate 11,220-222 R.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes This file is part of the Sibley Mirroring Project.
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 Complete Score
#515591 - 10.82MB, 36 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 62×⇩ - Music Addict

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Music Addict (2018/3/15)

 1. Méditation religieuse, H 56B
#26470 - 2.06MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 2157×⇩ - Philip Legge

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Philip Legge (2009/1/9)

 2. La mort d’Ophélie, ballade, H 92B
#55723 - 3.47MB, 14 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 3120×⇩ - Daphnis

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Daphnis (2010/2/11)

 3. Marche funèbre pour la dernière scène d’Hamlet, H 103
#58510 - 5.35MB, 16 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 2012×⇩ - Daphnis

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Daphnis (2010/3/8)

Editor Charles Malherbe (1853-1911)
Felix Weingartner (1863-1942)
Translator F. Graf Sporck, Emma Klingenfeld, German text
Percy Edward Pinkerton (1855–1946), English text
Publisher. Info. Hector Berlioz Werke, Serie VI, III, Band 14, 7
Leipzig: Breitkopf und Härtel, 1903, 1902. Plate H.B. 34, 38, 21.
Copyright
Public Domain [tag/del/mrg]
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 Complete Score (EU)
#731016 - 2.86MB, 50 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 204×⇩ - Madcapellan

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Madcapellan (2021/9/12)

Editor David Charlton (b. 1946*)
Publisher. Info. New Edition of the Complete Works, Vol.12b (pp.69-118)
Kassel: Bärenreiter-Verlag, 1993. Plate BA 5452/II.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

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Copyright
Public Domain - See notes on copyright status for urtext editions [tag/del]
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Selections

 2. La mort d’Ophélie, ballade, H 92B
#26466 - 1.23MB, 55 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1947×⇩ - Pml

PDF typeset by PML
Pml (2009/1/9)

Editor Philip Legge (1972*)
Publisher. Info. Choral Public Domain Library, 2001
Copyright
Creative Commons Attribution Share Alike 3.0 [tag/del]
Misc. Notes See Creative Commons Attribution Share Alike 2.5 Australia for precise copyright terms. Based on Old Berlioz Edition above. File also includes vocal score and orchestral parts. Erratum: the word “melodiense” should be “melodieuse”.
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 3. Marche funèbre pour la dernière scène d’Hamlet, H 103
#26481 - 4.79MB, 19 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 2263×⇩ - Pml

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Pml (2009/1/9)

Editor First edition (later printing)
Publisher. Info. Paris: Simon Richault, n.d.(1852). Plate 11,222.R.
Copyright
Public Domain [tag/del]
Misc. Notes Impr. G. Mergault
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Parts

Revised version (1851)

 Complete Parts
#568754 - 5.41MB, 107 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 14×⇩ - Sallen112

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Sallen112 (2019/4/17)

⇒ 15 more: Flute 1, 2 • Oboe 1, 2, English Horn • Clarinet 1, 2 (C/B♭) • Bassoon 1, 2, 3, 4 • Horn (A♭) • Horn 1, 2, 3, 4 (D/E♭/F) • Cornet 1, 2 (A) • Trumpet 1, 2 (D) • Trombone 1, 2, 3, Tuba • Timpani • Snare Drums, Bass Drum, Cymbals/Tam-Tam • Violins I • Violins II • Violas • Cellos/Basses

 Flute 1, 2
#568755 - 0.72MB, 14 (8, 6) pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 14×⇩ - Sallen112

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 Oboe 1, 2, English Horn
#568756 - 0.42MB, 8 (2x2, 4) pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 13×⇩ - Sallen112

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Sallen112 (2019/4/17)

 Clarinet 1, 2 (C/B♭)
#568757 - 0.72MB, 16 (8, 8) pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 14×⇩ - Sallen112

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Sallen112 (2019/4/17)

 Bassoon 1, 2, 3, 4
#568758 - 0.58MB, 12 (4x2, 2x2) pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 11×⇩ - Sallen112

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 Horn (A♭)
#568759 - 0.12MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 15×⇩ - Sallen112

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Sallen112 (2019/4/17)

 Horn 1, 2, 3, 4 (D/E♭/F)
#568760 - 0.68MB, 16 (6x2, 2x2) pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 11×⇩ - Sallen112

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Sallen112 (2019/4/17)

 Cornet 1, 2 (A)
#568761 - 0.16MB, 4 (2, 2) pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 12×⇩ - Sallen112

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Sallen112 (2019/4/17)

 Trumpet 1, 2 (D)
#568762 - 0.12MB, 2 (1, 1) pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 10×⇩ - Sallen112

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 Trombone 1, 2, 3, Tuba
#568763 - 0.37MB, 8 (2x4) pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 14×⇩ - Sallen112

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Sallen112 (2019/4/17)

 Timpani
#568764 - 0.07MB, 1 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 10×⇩ - Sallen112

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 Snare Drums, Bass Drum, Cymbals/Tam-Tam
#568765 - 0.18MB, 4 (2, 1, 1) pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 10×⇩ - Sallen112

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Sallen112 (2019/4/17)

 Violins I
#568766 - 0.28MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 23×⇩ - Sallen112

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Sallen112 (2019/4/17)

 Violins II
#568767 - 0.28MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 14×⇩ - Sallen112

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 Violas
#568768 - 0.30MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 15×⇩ - Sallen112

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Sallen112 (2019/4/17)

 Cellos/Basses
#568769 - 0.47MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 11×⇩ - Sallen112

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Sallen112 (2019/4/17)

Publisher. Info. Manuscript, n.d. (Woodwind, Brass, Percussion)
Paris: Richault, n.d.[1852]. Plate R. 11264. (Strings)
Reprinted New York: E.F. Kalmus, n.d.(1933–70).
Copyright
Public Domain [tag/del/mrg]
Misc. Notes 600 dpi. Page size is 9.33 x 12.55 inches. There may be a few cue markings in the parts, but those I think were printed in these parts as is.
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Vocal Scores

Original Version (1849)

 2. La mort d’Ophélie, H 92A
#19750 - 1.79MB, 9 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 3954×⇩ - sjs1104

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sjs1104 (2008/7/28)

Publisher. Info. Paris: Costallat & Cie., n.d.(ca.1900). Plate C. & C. 708.
Copyright
Public Domain [tag/del]
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Revised version (1851)

 2. La mort d’Ophélie, H 92B
#64221 - 2.80MB, 12 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/17* - 1974×⇩ - Daphnis

PDF scanned by Unknown
Daphnis (2010/5/14)

Editor Charles Malherbe (1853-1911)
Felix Weingartner (1863-1942)
Translator Emma Klingenfeld, German text
Percy Edward Pinkerton (1855–1946), English text
Publisher. Info. Hector Berlioz Werke, Serie VII, Band 16
Leipzig: Breitkopf und Härtel, 1904. Plate H.B. 60.
Copyright
Public Domain [tag/del]
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Arrangements and Transcriptions

Méditation religieuse, H 56B

For Mixed chorus, Violin, Cello and Piano (Matteman)

 Complete Score
#165263 - 0.46MB, 7 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 262×⇩ - Massenetique

PDF scanned by US-R
Massenetique (2011/12/18)

Arranger Mlle. Matteman
Publisher. Info. Collection de mélodies, No.20 (pp.162-68)
Paris: S. Richault, n.d.[1864]. Plate R. 13682.
Copyright
Public Domain [tag/del]
Misc. Notes This file is part of the Sibley Mirroring Project.
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General Information

Work Title Tristia
Alternative. Title
Name Aliases Tristia (Berlioz)
Authorities Wikipedia
Composer Berlioz, Hector
Opus/Catalogue NumberOp./Cat. No. Op.18 ; H 119
I-Catalogue NumberI-Cat. No. IHB 64
Key see below
Movements/SectionsMov'ts/Sec's 3 (originally 2) sections:
  • Original version (chorus and piano), H 119A
  1. Méditation religieuse, H 56B (G major, 55 bars)
  2. La mort d’Ophélie, H 92A (A-flat major, 160 bars)
  • Revised version (chorus and orchestra), H 119B
  1. Méditation religieuse, H 56B (G major, 55 bars)
  2. La mort d’Ophélie, H 92B (A-flat major, 160 bars)
  3. Marche funèbre pour la dernière scène d’Hamlet, H 103 (A minor, 118 bars)
Year/Date of CompositionY/D of Comp. 1849, revised 1851
First Publication. 1849 (H 119A), 1852 - Paris: Richault (H 119B, full score, parts)
Librettist 1. Anne-Louise Swanton-Belloc (1796–1881)
2. Ernest Legouvé (1807–1903)
Language French
Dedication à Prince Eugen von Sayn-Wittgenstein (1825–1886)
Average DurationAvg. Duration 16 minutes
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation mixed chorus (SATB), orchestra
InstrDetail
2 flutes, 2 oboes (2nd also English horn), 2 clarinets, 4 bassoons
4 horns, 2 trumpets, 2 cornets, 3 trombones, tuba, ophicleide (or tuba)
timpani, 6 percussion (bass drum, cymbals, snare drum, tam-tam), strings
External Links Wikipedia article
On-line score (Scorch format) of No.3
Extra Information This work is an 1852 compilation by the composer of three works first composed between 1831 and 1848. For additional details including a publication history, see here.

Navigation etc.

Compositions and Literary Works by Hector Berlioz
Operas

Les francs-juges, H 23 · Benvenuto Cellini, H 76 · Les Troyens, H 133 · Béatrice et Bénédict, H 138

Symphonies

Symphonie fantastique, H 48 · Harold en Italie, H 68 · Roméo et Juliette, H 79 · Grande symphonie funèbre et triomphale, H 80

Concert Overtures

Grande ouverture de Waverley, H 26 · Grande ouverture du Roi Lear, H 53 · Intrata di Rob-Roy MacGregor, H 54 · Le carnaval romain, H 95 · Le Corsaire, H 101

Liturgical works

Messe solennelle, H 20 · Grande messe des morts, H 75 · Te Deum, H 118

Other choral works

Lélio, ou le retour à la vie, H 55 · La damnation de Faust, H 111 · Tristia, H 119 · Vox populi, H 120 · L’enfance du Christ, H 130

Songs and cantatas

Herminie, H 29 · Cléopâtre, H 36 · Irlande, H 38 · Les nuits d’été, H 81 · Feuillets d’album, H 121 · Fleurs des landes, H 124

Writings

Grand traité d’instrumentation et d’orchestration modernes · Les Soirées de l’Orchestre · Les Grotesques de la Musique · À Travers Chants · Mémoires

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