Vergnügte Ruh beliebte Seelenlust, GWV 1147/11 (Graupner, Christoph)

Sheet Music

• Scores and Parts (4)
• Vocal Scores (1)
• Arrangements and Transcriptions (0)
• Libretti (0)
• Other (0)
• Source Files (0)

Scores and Parts

 Complete score and parts
*#67171 - 10.70MB, 44 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/C - 366×⇩ - Boccaccio

PDF scanned by D-DS
Boccaccio (2010/6/10)

Publisher. Info. Autograph manuscript, July 1711 Copyright Public Domain [tag/del] Purchase Javascript is required for this feature.

 Complete Score (urtext)
*#246359 - 0.49MB, 29 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 587×⇩ - Richard Kram

PDF typeset by Richard Kram
Richard Kram (2012/8/12)

 Complete Score (with viola clefs & reduction)
*#246360 - 0.49MB, 26 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 230×⇩ - Richard Kram

PDF typeset by Richard Kram
Richard Kram (2012/8/12)

 Complete Parts
*#246376 - 0.74MB, 33 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 267×⇩ - Richard Kram

PDF typeset by Richard Kram
Richard Kram (2012/8/12)

Editor Richard Kram Publisher. Info. Richard Kram Copyright Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del/mrg] Misc. Notes New versions now posted correcting numerous text errors. Purchase Javascript is required for this feature.

Vocal Scores

 Complete Score
*#246361 - 0.31MB, 18 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 396×⇩ - Richard Kram

PDF typeset by Richard Kram
Richard Kram (2012/8/12)

Arranger Richard Kram, keyboard reduction Publisher. Info. Richard Kram Copyright Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del] Purchase Javascript is required for this feature.

General Information

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About the Kram Editions

Three versions are posted. The first is true to the original (though the violetta line is transcribed into treble clef). Movements 1 and 5 use two viols notated in alto and tenor clefs, though the parts (which might have been written later) say viola. The second complete orchestral version places the two viols as violas and notates them both in alto clef. A piano reduction is also included to assist in easily creating your own continuo part (though some continuo is added where only continuo was present). The final version is a piano vocal score on the Arrangements and Transcriptions tab. The continuo part at the end of the original scan contains figures which obviously were written in at a later date. For the most part they seem reasonable so I kept them. Very interesting comparing this with Bach's Cantata on the same text (BWV170, written in 1726).