Viola Trio (Sydeman, William Jay)

Movements/SectionsMov'ts/Sec's 1 piece
Composition Year 1985 ca.
Genre Categories Trios; For 3 violas; Scores featuring the viola; For 3 players

Contents

Performances

Recordings

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Synthesized/MIDI

 Complete Performance
#492431 - 6.34MB - 4:37 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 376×⇩ - MP3 - Rickshinozaki

MP3 file (audio)
Rickshinozaki (2017/9/10)

Publisher Info. William Jay Sydeman
Performers Realization by the composer
Copyright
Creative Commons Attribution-NonCommercial-NoDerivs 4.0 [tag/del]
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Sheet Music

Scores and Parts

 Complete Score (Preview)
#492419 - 0.52MB, 14 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1984×⇩ - Rickshinozaki

PDF typeset by composer
Rickshinozaki (2017/9/10)

 Viola 1 (Preview)
#492420 - 0.11MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 430×⇩ - Rickshinozaki

PDF typeset by composer
Rickshinozaki (2017/9/10)

 Viola 2 (Preview)
#492421 - 0.12MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 257×⇩ - Rickshinozaki

PDF typeset by composer
Rickshinozaki (2017/9/10)

 Viola 3 (Preview)
#492422 - 0.12MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 247×⇩ - Rickshinozaki

PDF typeset by composer
Rickshinozaki (2017/9/10)

Publisher. Info. Arts Aeturnum Productions, 2011.
Copyright
Performance Restricted Attribution-NonCommercial-NoDerivs 3.0 [tag/del/mrg]
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General Information

Work Title Trio for Three Violas
Alternative. Title
Composer Sydeman, William Jay
I-Catalogue NumberI-Cat. No. IWS 34
Movements/SectionsMov'ts/Sec's 1 piece
Year/Date of CompositionY/D of Comp. 1985 ca.
Average DurationAvg. Duration 5 minutes
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation 3 violas

Navigation etc.

What do three violists do after their third beer? Why naturally, play the Sydeman. Well, best played before the beer, as it is quite a demanding work. With the exception of a long ostinato in violas one and three (hooray, viola two gets the tune), the parts are quite independent and challenging. The work has a somewhat motoristic quality with lyric and intense interludes in-between. Accurate playing of the dynamics is extremely important to shape the piece properly. This piece attempts to fill a semi-void and is fun to play.

– W. Jay Sydeman

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