Voix intimes, Op.45 (Vieuxtemps, Henri)

Movements/SectionsMov'ts/Sec's 6 pieces
First Publication 1876 – Paris: Brandus & Cie.
Genre Categories Pieces; For violin, piano; Scores featuring the violin; Scores featuring the piano; For 2 players; For viola, piano (arr); Scores featuring the piano (arr); Scores featuring the viola (arr); For 2 players (arr)

Contents

Performances

Recordings

 Partial recording (Nos.1, 2, 6)
#407009 - 16.89MB - 13:59 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 270×⇩ - MP3 - Dsoslglece

MP3 file (audio)
Dsoslglece (2016/1/13)

Publisher Info. Jean-Claude Féret, Christine Féret
Performers Jean-Claude Féret (violin), Christine Féret (piano)
Copyright
Creative Commons Attribution-ShareAlike 4.0 [tag/del]
Misc. Notes Live recording in a castle on an old cassette (1981). Some of the last pieces written by Vieuxtemps unable then to play, Ysaÿe did it for him, and said about those pieces that they are pure music and emotion.
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Sheet Music

Scores and Parts

 Complete Score
#22624 - 5.66MB, 32 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 859×⇩ - Dsoslglece

PDF scanned by Dsoslglece
Dsoslglece (2008/10/4)

 Violin Part
#22622 - 2.23MB, 13 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1653×⇩ - Dsoslglece

PDF scanned by Dsoslglece
Dsoslglece (2008/10/4)

Publisher. Info. Paris: Brandus et Cie, n.d.[1876]. Plate B. & Cie. 12161.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes 300dpi bitmap, good quality. Violin part for No.6 (Contemplation) is from a new typeset made with Finale. - Publication noted in the Bibliographie de la France 2e série, 65e année, Nº 28, 8 Juillet 1876, p.390, r.2321.
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Heft 1 (Nos.1-3)

 Complete Score
#775733 - 2.20MB, 20 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 9×⇩ - Afp0815

PDF scanned by afp0815
Afp0815 (2022/4/13)

 Violin Part
#775734 - 0.78MB, 7 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 13×⇩ - Afp0815

PDF scanned by afp0815
Afp0815 (2022/4/13)

Publisher. Info. Mainz: Schott, n.d.[1876]. Plate 22057.1.
Copyright
Public Domain [tag/del/mrg]
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Sérénité (No.5)

 Complete Score
#204267 - 0.44MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 178×⇩ - Aldona Jones

PDF scanned by US-R
Aldona Jones (2012/4/15)

 Violin Part
#204268 - 0.18MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 250×⇩ - Aldona Jones

PDF scanned by US-R
Aldona Jones (2012/4/15)

Publisher. Info. Mainz: Schott’s Söhne, n.d.[1876]. Plate 22057-2.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes This file is part of the Sibley Mirroring Project.
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 Complete Score and Violin Part
#181990 - 0.45MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 235×⇩ - Cypressdome

PDF scanned by H-DRe
Cypressdome (2012/2/26)

Editor Hans Sitt (1850-1922)
Publisher. Info. Vieuxtemps-Album, Heft 1.
Leipzig: Ernst Eulenburg, n.d.(ca.1912). Plate E.E. 3943.
Copyright
Public Domain [tag/del]
Misc. Notes Original images: 300dpi, grayscale jpg files approx. 2500 by 3445 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins.
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Arrangements and Transcriptions

L'espoir (No.2)

For Viola and Piano (Sitt)

 Piano Score and Viola Part
#108976 - 0.37MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 672×⇩ - WiliamBunting

PDF scanned by RUS-Mrg
WiliamBunting (2011/7/13)

Arranger Hans Sitt (1850-1922)
Publisher. Info. Sammlung Klassischer und Moderner Stücke für Bratsche und Klavier, Vol.2 (No.4)
Leipzig: Steingräber, (1919). Plate 2067.
Copyright
Public Domain [tag/del]
Misc. Notes transposed to D-flat major
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General Information

Work Title Voix intimes
Alternative. Title Six pensées mélodiques
Composer Vieuxtemps, Henri
Opus/Catalogue NumberOp./Cat. No. Op.45
I-Catalogue NumberI-Cat. No. IHV 46
Movements/SectionsMov'ts/Sec's 6 pieces:
  1. Douleur (Grief)
  2. Espoir (Hope)
  3. Foi (Faith)
  4. Déception (disappointment)
  5. Sérénité (serenity)
  6. Contemplation (Contemplation)
First Publication. 1876 – Paris: Brandus & Cie.
Dedication Madame Léon van Hennebryck
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation violin, piano
Extra Information One of Vieuxtemps works from the last period, at a time where he didn't use virtuosity anymore... it is composed of 6 pieces, each one describing an emotion. He said what he had to say, simply but profoundly, without pathos nor effect, but with the deepness of sincerity... Ysaÿe considered those as little gems.
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