Apparato musicale, Op.5 (Franzoni, Amante)

Movements/SectionsMov'ts/Sec's 13 pieces
First Publication 1613
Genre Categories Masses; Religious works; Sinfonias; Canzonas; Motets; Litanies; For treble, alto, tenor, bass instruments, continuo; Scores with basso continuo; Scores with open instrumentation; For 4 players with continuo; For 4 voices, continuo; For voices with continuo; Scores featuring the voice; For mixed chorus, continuo; Scores featuring mixed chorus; For chorus with continuo; For 8 voices, organ; For voices with keyboard; Scores featuring the organ; For 2 mixed choruses, organ; For chorus with keyboard; Latin language

Contents

Performances

Sheet Music

Scores and Parts

 Canto I
#412998 - 12.08MB, 15 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 63×⇩ - Feduol

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⇒ 8 more: Alto I • Tenor I • Basso I • Canto II • Alto II • Tenor II • Basso II • Partitura

 Alto I
#412999 - 12.06MB, 15 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 25×⇩ - Feduol

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 Tenor I
#413000 - 11.97MB, 15 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 29×⇩ - Feduol

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 Basso I
#413001 - 12.08MB, 15 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 30×⇩ - Feduol

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Feduol (2016/2/26)

 Canto II
#413002 - 8.80MB, 11 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 29×⇩ - Feduol

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 Alto II
#413003 - 7.99MB, 11 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 26×⇩ - Feduol

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Feduol (2016/2/26)

 Tenor II
#413004 - 8.40MB, 11 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 26×⇩ - Feduol

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 Basso II
#413005 - 8.52MB, 12 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 31×⇩ - Feduol

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Feduol (2016/2/26)

 Partitura
#413006 - 28.59MB, 28 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 60×⇩ - Feduol

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Publisher. Info. Venice: Ricciardo Amadino, 1613.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes RISM A/I: F 1813
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 Complete Score
#941593 - 0.92MB, 168 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 7×⇩ - Girodo

PDF typeset by editor
Girodo (2024/11/13)

Editor Lorenzo Girodo
Publisher. Info. Lorenzo Girodo, 2023.
Copyright
Creative Commons Attribution-ShareAlike 4.0 [tag/del]
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General Information

Work Title Apparato musicale
Alternative. Title Apparato musicale di messa, sinfonie, canzoni, motetti, & letanie della Beata Vergine. A otto voci. Con la partitura de bassi, & un novo ordine, con che si mostra, come, & con l'stromenti, & senza si possa a nell'organo rappresentare. Opera quinta.
Composer Franzoni, Amante
Opus/Catalogue NumberOp./Cat. No. Op.5
I-Catalogue NumberI-Cat. No. IAF 2
Movements/SectionsMov'ts/Sec's 13 pieces:
I. Messa del Sesto Tuono (Choro I: SATB voices ; Choro II: SATB voices ; SATB instruments)
II. 'La Conzaga' Canzon Francese a quattro (SATB instruments)
III. Laudemus Domini a 8 (Choro I: SATB voices ; Choro II: SATB voices ; SSAATTBB instruments)
IV. Aperi Oculos Tuos a 4 (SATB)
V. Canzon Francese a quattro (SATB)
VI. Duo Seraphim (SSTB ; SATB)
VII. Cantatibus Organis (SATB ; SATB)
VIII. Sancta Maria, Concerto a cinque (S voice, 4 trombones [TBBB])
IX. Catharina Virgo (SATB ; SATB)
X. Letanie della Beata Vergine (SATB ; SATB)
First Publication. 1613
Language Latin
Dedication Cardinal Gonzaga
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation voices, [4 trombones], continuo (or organ)

Navigation etc.

"Bassi per l'organo"

Con la partitura de bassi, & un novo ordine, con che si mostra, come, & con l'stromenti, & senza si possa a nell'organo rappresentare. - With a score for the basses, and a new ordinance, which shows how one can play in on the organ, both with or without instruments.

A paraphrase of the ordinance; To begin with the Mass; the Intrata should be played twice with the instruments. Always lifting the hands off the organ (stop playing?) when there is the sign *hand with pointing finger*. When the first Kyrie & Christe are finished, their ritornelli are repeated straight away. To the score of the Canzone is put the Basso Continuo to be played by the organist as he sees fit (ad arbitrio). The Motetti can be performed on the organ with all their parts and the missing instruments can be supplied by the solo voices and the organ.

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