Movements/SectionsMov'ts/Sec's | 4 sections
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Composition Year | 1989 |
Genre Categories | Trios; For 3 flutes; Scores featuring the flute; For 3 players |
Related Works | Adaptation of Homm-Ages |
Contents |
Full recording with two versions for Crossnotes
*#378966 - 32.17MB - 23:26 - -) ( - !N/!N/!N - 1969×⇩ - MP3 - SalvaTorre
MP3 file (audio)
SalvaTorre (2015/5/23)
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PDF typeset by composer
SalvaTorre (2015/4/2)
PDF typeset by composer
SalvaTorre (2015/4/2)
PDF typeset by composer
SalvaTorre (2015/4/2)
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PDF typeset by composer
SalvaTorre (2015/4/2)
PDF typeset by composer
SalvaTorre (2015/4/2)
PDF typeset by composer
SalvaTorre (2015/4/2)
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Flute 1 and 2
*#372122 - 0.06MB, 1 pp. - -) (- !N/!N/!N - 179×⇩ - SalvaTorre
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SalvaTorre (2015/4/2)
PDF typeset by composer
SalvaTorre (2015/4/2)
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PDF typeset by composer
SalvaTorre (2015/4/2)
Flute 2, option 1
*#372125 - 0.04MB, 1 pp. - -) (- !N/!N/!N - 117×⇩ - SalvaTorre
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SalvaTorre (2015/4/2)
Flute 2, option 2
*#372126 - 0.04MB, 1 pp. - -) (- !N/!N/!N - 113×⇩ - SalvaTorre
PDF typeset by composer
SalvaTorre (2015/4/2)
PDF typeset by composer
SalvaTorre (2015/4/2)
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Work Title | Trio de flautas No.2 |
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Alternative. Title | Trio pour flûtes No.2 |
Composer | Torre, Salvador |
I-Catalogue NumberI-Cat. No. | IST 24 |
Movements/SectionsMov'ts/Sec's | 4 sections
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Year/Date of CompositionY/D of Comp. | 1989 |
Dedication | To Cage, Schoenberg, Varèse, Boulez, Messiaen, Berio, Beethoven, Webern, Berg, Bartók, Bach, Reich, Africa.. |
Average DurationAvg. Duration | variable |
Composer Time PeriodComp. Period | Modern |
Piece Style | Modern |
Instrumentation | Piccolo, Flute in C, Alto Flute in G, Bassflute |
Related Works | Adaptation of Homm-Ages |
Flute Trio Nr. 2 is made by a very flexible material who generates many kind of music ensembles. The musicians have to be spatialized in the concert hall. This Trio is a several tributes to the twentieth century composers who were pioneers of various musical revolutions. They are little musical pieces each one devoted to one or more composers and applying the technique that each composer utilized, for example: Cage utilized star maps to compose, hence a constellation is formed, Messiaen was inspired by the birds singing and their intricate rhythms, Berio used a novel space-time writing but that space-time was already inherent in musical notation invented by Guido D'Arezzo in the year one thousand. Reich uses a melodic cell repeated ad infinitum. Each musician plays 'independent' so that each piece or movement is a kind of "collage" in which the piece overlaps itself, this overlap must be set to the sound space thanks to which musicians are placed in different parts of the concert-hall spreading sounds among the public providing distance and location of sound sources in three dimensional space