Golden Childhood, Op.124 (Dulcken, Ferdinand Quentin)

Sheet Music

Scores

PDF scanned by US-Wc
Schissel (2012/3/5)

7 more: 2. The Nurse's Song (Moderato) • 3. Heigho! Heigho! Heigho! (Presto scherzando) • 4. "I must not teaze my mother." (Moderato) • 5. The Honorable Mrs Bond. Adapted to an old English ditty (Animato) • 11. The building of the nest. (Allegro moderato) • 12. The Meadows (Tempo di Minuetto) • 13. Prelude and chorale. (Lento - poco più mosso)

PDF scanned by US-Wc
Schissel (2012/3/6)

PDF scanned by US-Wc
Schissel (2012/3/6)

PDF scanned by US-Wc
Schissel (2012/3/6)

PDF scanned by US-Wc
Schissel (2012/3/6)

PDF scanned by US-Wc
Schissel (2012/3/6)

PDF scanned by US-Wc
Schissel (2012/3/6)

PDF scanned by US-Wc
Schissel (2012/3/6)

Publisher. Info. New York: Edward Schuberth & Co., 1879, 1877.
Copyright
Misc. Notes 1877 copyright to Schuberth on cover, 1879 to composer inside for file 1 ; files 2 to 8 belong to an 1877 edition of all 13 songs. (If 1879 is a revised edition, no.1 is taken from the revised edition, nos. 2-5, 11-13 from 1877, but if so will post all of both or as much of 1879 as is available.)
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General Information

Work Title Golden Childhood
Alternative. Title A collection of juvenile (childrens') songs with accompaniment of the pianoforte
Composer Dulcken, Ferdinand Quentin
Opus/Catalogue NumberOp./Cat. No. Op.124
I-Catalogue NumberI-Cat. No. IFD 5
Movements/SectionsMov'ts/Sec's 13:
  1. Twinkle twinkle little star
  2. The Nurse's Song
  3. Heigho', Heigho'
  4. I must not tease my mother
  5. The honorable Mrs. Bond
  6. Welcome little Robin
  7. There was a little man
  8. Barcarolle
  9. Children go to and fro
  10. There was an old woman
  11. The Building of the Nest
  12. The Meadows
  13. Prelude and Chorale
First Publication. 1877 – New York: Edward Schuberth & Co.

Revised 1879?

Librettist Various:
1. Jane Taylor (1783–1824)
Language English
Dedication To Mrs. Charles F. Tretbar (Helen D. Tretbar)
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Voice, Chorus (in at least one song), and Piano

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No.13 creates a 4-staff piano sound with much use of pedals (and quasi arpa and quasi organo sound) but despite surface appearances the accompaniment (though difficult?) is for one player at one piano, accompanying unison chorus ad libitum (sacred chorus).

Possibly revised in 1879 (LoC has a 1877 edition with all 13 songs, and separate issues copyright 1879 individually of most of the first 12 - haven't compared the musical content yet to see if there are any differences in the individual songs between 1877 and 1879. If so, will upload both as possible.)