Movements/SectionsMov'ts/Sec's
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2 parts, several items
- A manuscript with 2 "parts" and several scribes (probably: ff.55r-60r,65v-72r,77v-81r: Montbuysson; 81v-89v,100r [,23v-51v]: Schimmelpfennig; 21v-23r,92v-100r: Elisabeth von Hessen-Kassel)
- Watermarks recognized by Clytus Gottwald as being from 1609/10/11
- Januier 1611, notice f.54r
- The character of the manuscript is best to be seen by leaving the pages unchanged, despite a great amount of empty pages and a doublet (the original scan is a bit bumpy): f.89r; Courrente Gautier, f.89v; f.90r; f.89a (ripped out); f.90r; same Courrente Gautier, but partly masked, f.90v; f.90r, ...
- At the beginning 1 folio is missing, might have had a title (surely will have been different to the one given at f.54r)
- Montbuysson, 1598-1627 lutenist in Kassel, teacher of Elisabeth von Hessen-Kassel and of Schimmelpfennig, who later on seems to have been Montbuysson's assistant and also Elisabeth's teacher
- Info, see Clytus Gottwald: Manuscripta musica, 1997, pp.618-631
- Go frome Winde etc: [Go from my window] [John Dowland], f.1r
- ./., f.1r
- Ballet, f.1r
- Paduana [John Dowland], f.1v
- Ballet, f.1v
- Allemande, f.1v
- Gagliarda [Can she excuse] [John Dowland], f.2r
- Branle, f.2r
- ./., f.2v
- Amarilli mia bella [Giulio Caccini, Giovanni Battista Guarini], f.2v; cp f.31v
- Fragment, f.3r
- Ballet, f.3v
- Schön wehr ich gern, f.3v
- Courante, f.4r
- Paduana, f.4r
- Par che chel brami [Par che'l ciel brami] [Giovanni Giacomo Gastoldi], f.4v
- Pavana lacrima[e] [John Dowland], f.5r
- Courrente nouelle, f.6r
- Courrente, f.6v
- Courr[ente]:, f.7r
- Intrada, f.7v
- Ballet, f.7v
- Courrente, f.8r
- ./., f.8v
- Gagliard Spavento [Scipione Spaventa?], f.9r
- Fuga, f.9v
- Ballet [John Dowland?], f.11v
- ./., f.12v
- Courrente (M.L.H. [Moritz Landgraf von Hessen-Kassel]), f.12v
- Courrente, accordetur 4 chorus ad notam g. sol. re. ut, f.13r
- Bransle gay, f.13v
- Prelude, f.14v
- Courrente, f.15r
- Courrente de Mad[ame]. la premiere fille d'Hessen [Elisabeth von Hessen-Kassel] (M.L.H. [Moritz Landgraf von Hessen-Kassel]), f.15v
- Courrente Blanche et bleuue (M.L.H. [Moritz Landgraf von Hessen-Kassel]), f.15v; cp f.17v
- Volte, f.16r
- Volte, f.16v
- Courrente, f.16v
- Bransle, f.17r
- ./. [Volte], f.17v
- Courrente Blanche et bleuue (M.L.H. [Moritz Landgraf von Hessen-Kassel]), f.17v; cp f.15v
- Ballet (G.S. [Georg Schimmelpfennig]), f.18r
- Courrente, f.18v
- Courrente, f.18v
- Praeludium [Lorenzino], f.19v
- Vollte, f.21v
- Volte, f.22r
- Preludam [sic!] [Elias Mertel], f.22r
- Courante, f.22v
- Volte, f.23r
- Courante, f.23v
- Orlando Furioso [John Dowland], f.23v
- Inglesa, f.24r
- Bespersch Dantz, f.24r
- Courante, f.24v
- Ballett (at first "Galliarde", crossed out), f.25r
- ./., [Exercises] f.25r
- ./., f.25v
- Mag nicht aus Venus Schoß, f.25v; cp f.27v
- Courante Es wolt ein Megtlein Hochzeit (M.L.H. [Moritz Landgraf von Hessen-Kassel]), f.26r
- Ach wie Soll ich doch in freuden [leben], f.26r
- Landtgraues Alman [Allemande] [Moritz Landgraf von Hessen-Kassel], f.26v
- ./., f.26v
- ./., f.27r
- Mag nicht [aus Venus Schoß], f.27v; cp f.25v
- Mein Gmuett [ist mir verwirret], f.27v
- Sehr grosse Klag [führt Orpheus der Zeit], f.28r
- Der liebste mein, f.28r
- Euch ihr götter [groß], f.28v
- Amore Cieco [Amor cieco m'offese], f.28v
- Schaw an diß biltt, f.29r
- Vidi una past[orella], f.29r
- Jungfrewelein. Mi parto, f.29v
- Ach ach ich arme Sehl, f.29v
- Est-ce Mars, f.30r
- Amor gieng aus, f.30v
- Ach gott wie, f.30v
- Amarilli mia bella [Giulio Caccini, Giovanni Battista Guarini], f.31v, +Sopran; cp f.2v
- In me non è piu vita [John Dowland] [Text: Elisabeth von Hessen-Kassel?], f.32v, +Sopran
- Donna gentil saper [Enrico Radesca], f.33r, +Sopran
- Duro mio cor che non, f.33v, +Sopran
- Chi mi sente cantar [Enrico Radesca], f.34r, +Sopran
- Morirò di dolor [Enrico Radesca], f.34v, +Sopran
- O welch ein grosse [composed for the marriage of Elisabeth von Hessen-Kassel?; marriage cantata, f.37v: "Vier mahl" (4 times)], f.35v
- Ritornello, f.37v
- Courrente, f.38r
- Prelude, f.38v
- Volte, f.39v
- ./., f.40r
- Courrente, f.40r
- Volte Romana, f.40v
- Io disleale? ah cruda [Enrico Radesca], f.41v, Sopran, B.C.
- Con sorrisi cortesi [Enrico Radesca], f.42v, Sopran, B.C.
- Donò Filli partendo [Enrico Radesca], f.43v, Sopran, B.C.
- Mi lasci ingrata solo [Enrico Radesca], f.44v, Sopran, B.C.
- Margarita, voi fior'e perla sete [Enrico Radesca], f.45v, Sopran, B.C.
- T'amo mia vita [Enrico Radesca], f.46v, Sopran, B.C.
- Un bacio sol à tante pene [Enrico Radesca], f.47v, Sopran, B.C.
- Poi che non mi credete [Enrico Radesca], f.48v, Sopran, B.C.
- Sì mi dicesti [Enrico Radesca], f.49v, Sopran, B.C.
- Chi non sà come si dipinga [Enrico Radesca], f.50v
- ./., f.51v
- Quel espoir, f.52r
- Liure de tableture de lhut pour Madame Elisabett princesse de hessen / Commençé par victor de montbuysson; le dernier Janviér 1611, f.54r
- Prelude, f.55r
- Pavana lacrima[e]: [John Dowland], f.55v
- ./., f.56r
- Intrada hasler[i] [Hans Leo Hassler], f.56v
- daulant Gagliarde [Can she excuse] [John Dowland], f.56v
- ./., f.57r
- Courente, f.57v
- Courente de madame la princesse de condé, f.58r
- La boumiane oder zigainerin, f.58r
- Vollte, f.58v
- Jaymeray tousiours ma phillis, f.59r
- Si ie puys une foys, f.59r
- Ballett angloys, f.59v
- Ballett de la déesse diane, f.60r
- Ballett, f.60v
- ./., f.61r
- Tenez Nimphes pour admirer. Air à la royne, f.61v, Sopran, B.C.
- Donques à cest heureux retour. Air nouveau, f.62r, Sopran, B.C.
- Dedans ce val plaisant. Air de Cour, f.62v, Sopran, B.C.
- Le berger plein d'amour [Fragment, Text], f.63r
- Si ie puys une foys, f.63v, +Sopran
- ./., f.64v
- Paduana Anglois, f.64v
- Courentte de la durette, f.65v
- ./., f.65v
- ./., f.66r
- Courente, f.66r
- Courente de [Victor de Montbuysson], f.66v
- Ballet de mercure [Mercure d' Orléans], f.66v
- Englische Dantz tiledilerei genandt, f.67r
- Ballett, f.67r
- Prelude [Lorenzino], f.67v
- Branle de la Royne 1, f.68v
- Branle de la Royne 2, f.68v
- Branle de la Royne 3, f.69r
- Volte, f.69v
- Vilanella, f.69v
- Ballet angloys, f.70r
- Pipers Paduan [John Dowland], f.70v
- Volte puys que vos ieulx [Nicolas Vallet?], f.71r
- Bransle simple 1 [Pierre-Francisque Caroubel], f.71v
- Bransle simple 2 [Pierre-Francisque Caroubel], f.71v
- Bransle gay 1 [Pierre-Francisque Caroubel], f.72r
- Bransle gay 2 [Pierre-Francisque Caroubel], f.72r
- Finale, f.72v
- [Fantasia?], f.73r
- Au paravant que ie vi [fragment/abortive attempt, s.b. f.75v], f.74v
- Au paravant que ie vi [Gabriel Bataille?], f.75v, +Sopran
- Volte, f.77v
- Balett, f.78r
- ./., f.78r
- Courente, f.78v
- Volte des exclave [esclaves] [Robert Ballard II], f.79r
- Philips Paduan [Peter Philips], f.79v
- Courente, f.81r
- [Courrente mesta] "1", f.81v
- Courrente nesta [sic!] "2", f.81v
- [Courrenta brava] "1", f.82v
- Courr[ente]: Brava "2", f.82v
- [Courrente] "1", f.83r
- Courrente "2", f.83v
- [Praeludium, Fantasia?], f.84r
- [Ballett] "1", f.84v
- Ballett "2", f.85r
- [Courrente fiorita] "1", f.85v
- Courrente fiorita "2", f.85v
- Ecco il bel Maggio, f.86v, +Sopran (2x), B.C.
- Piu non amo piu non ard'iniquo Amore, f.88v, +Sopran (2x), B.C.
- Courrente Gautier [Ennemond Gaultier?], f.89v
- Pavana dullande [Tobias Kühn] [response to Dowland's lachrimae], f.92v
- Courente, f.93r
- Courente, f.93v
- Ballett, f.94r
- Galliard Dullande [John Dowland], f.94v
- ./., f.95v
- ./., f.96r
- ./., f.96v
- ./., f.96v
- ./., f.97r
- Ballet, f.97v
- Ballet, f.98r
- Sarabande, f.98v
- Galliard (P.R. [Philip Rosseter?]), f.99r
- Spangeola [L'Espagnola], f.99v
- [La Valetta] [Nicolas Vallet], f.99v
- Finale [Georg Schimmelpfennig?], f.100r
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