Click on the column headings to sort by opus/catalogue numbers, or year of composition, or alphabetically by title.
Opus
|
TrV
|
AV
|
Title
|
Year
|
—
|
TrV 001
|
AV 001
|
Schneiderpolka, for piano
- Also arranged for string ensemble (1873?)
|
1870
|
—
|
TrV 002
|
AV 002
|
Weinachtslied ("Schlaf wohl, dun Himmelsknabe du"), song for voice and piano
|
1870
|
—
|
TrV 003
|
AV 003
|
Einkehr ("Bei einem Wirte wundermild"), song for voice and piano
|
1871
|
—
|
TrV 004
|
AV 004
|
Winterreise ("Bei diesem kalten Wehen"), song for voice and piano
|
1871
|
—
|
TrV 005
|
AV 005
|
Waldkonzert, song for voice and piano
|
1871?
|
—
|
TrV 006
|
AV 006
|
Der weiße Hirsch, song for alto, tenor and bass voices with piano
|
1871?
|
—
|
TrV 007
|
AV 007
|
Der böhmische Musikant, song for voice and piano
|
1871?
|
—
|
TrV 008
|
AV 008
|
Herz, mein Herz, song for voice and piano
|
1871?
|
—
|
TrV 009
|
AV 009
|
Moderato in C major, for piano
- Incomplete.
|
1871?
|
—
|
TrV 010
|
AV 193
|
Gute Nacht, song for voice and piano
- Incomplete.
|
1871
|
—
|
TrV 011
|
AV 010
|
Panzenburg-Polka, for piano
|
1872
|
—
|
TrV 012
|
AV 011
|
Langsamer Satz in G major, for piano
|
1872?
|
—
|
TrV 013
|
AV 151
|
Des Alpenhirten Abschied, song for voice and piano
|
1872?
|
—
|
TrV 014
|
AV 152
|
Polka, Walzer und andere kleinere Kompositionen, for piano
- Lost.
|
1872?
|
—
|
TrV 015
|
AV 012
|
Etüden (2), for solo horns in E♭ and E
|
1873?
|
—
|
TrV 016
|
AV 013
|
Der müde Wanderer ("Schon sank die Sonne nieder"), song for voice and piano
|
1873?
|
—
|
TrV 017
|
AV 015
|
Ouvertüre zum Singspiel "Hochlands Treue", for orchestra
|
1872–73?
|
—
|
TrV 018
|
AV 016
|
Kleine Stücke (5), for piano:
- Allegretto
- Moderato
- Allegretto
- Larghetto
- Allegro
|
1873?
|
—
|
TrV 019
|
AV 153
|
Sonatina in C major, for piano
- Lost.
|
1873?
|
—
|
TrV 020
|
AV 154
|
Sonatina in E major, for piano
- Lost.
|
1873?
|
—
|
TrV 021
|
AV 194
|
Kleine Stücke (2), for violin and piano
- Moderato
- Largo
- Incomplete.
|
1873
|
—
|
TrV 022
|
AV 017
|
Sonatina No.1 in C major, for piano
|
1874
|
—
|
TrV 023
|
AV 018
|
Sonatina No.2 in F major, for piano
|
1874
|
—
|
TrV 024
|
AV 019
|
Sonatina No.3 in B♭ major, for piano
|
1874
|
—
|
TrV 025
|
AV 195
|
Sonatina No.4 in E major, for piano
- Incomplete.
|
1874
|
—
|
TrV 026
|
AV 155
|
Sonatina No.5 in E♭ major, for piano
|
1874
|
—
|
TrV 027
|
AV 156
|
Sonatina No.6 in D major, for piano
- Lost.
|
1874
|
—
|
TrV 028/1
|
AV 197
|
Sonatina No.7 in G minor
- Incomplete.
|
1873-74
|
—
|
TrV 028/2
|
AV 198
|
Sonatina No.8 in G major
- Incomplete.
|
1873-74
|
—
|
TrV 028/3
|
AV 199
|
Sonatina No.9 in C minor
- Incomplete.
|
1873-74
|
—
|
TrV 028/4
|
AV 200
|
Sonatina in E♭ major
- Incomplete.
|
1873-74
|
—
|
TrV 028/5
|
AV 201
|
Sonatensatz in D major
- Incomplete.
|
1873-74
|
—
|
TrV 028/6
|
AV 202
|
Sonatina in E minor
- Incomplete.
|
1873-74
|
—
|
TrV 029
|
AV 020–21
|
Fantasie in C major, for piano
|
1874?
|
—
|
TrV 030
|
AV 022
|
Kleine Stücke (2), for piano:
- Moderato
- Andante
|
1875
|
—
|
TrV 031
|
AV 023
|
Vierstimmiger Satz, exercise in B♭ major
|
1875?
|
—
|
TrV 032
|
AV 024
|
Vierstimmiger Choralsatz, exercise in B♭ major
|
1875?
|
—
|
TrV 033
|
AV 157
|
Concertante for 2 violins, cello and piano
|
1875
|
—
|
TrV 034
|
AV 203
|
Allegro assai in B♭ major, for piano
- Incomplete.
|
1875
|
—
|
TrV 035
|
AV 204
|
String Quartet in C minor
- Incomplete (one movement only).
|
1875
|
—
|
TrV 036
|
AV 196
|
Vorstudien zu Harmonielehre und Kontrapunkt, for piano
|
1875-76
|
—
|
TrV 037
|
AV 025
|
Lieder (2), for mixed chorus:
- Morgengesang
- Frühlingsnacht
|
1876
|
—
|
TrV 038
|
AV 026
|
Vierstimmiger Satz, exercise in D minor
|
1876
|
—
|
TrV 039
|
AV 027
|
Vierstimmiger Satz, exercise in A♭ major
|
1876
|
—
|
TrV 040
|
AV 028, 205
|
Szenen zu einem Singspiel (4), for voices and piano:
- Gnomenchor
- Lied Mariechens
- Ensemble mit Arie und Rezitativ des Wurzel
- Arie des Wurzel und Szenenmusik
|
1876
|
—
|
TrV 041
|
AV 030
|
Concertouvertüre in B minor, for orchestra
|
1876
|
—
|
TrV 042
|
AV 014
|
Husarenlied ("Husaren müssen reiten"), song for voice and piano
|
1876
|
Op.01
|
TrV 043
|
—
|
Festmarsch in E♭ major, for orchestra
|
1876
|
—
|
TrV 044
|
AV 206
|
Der Kampf mit dem Drachen, music for a Singspiel
- Unrealized project.
|
1876
|
—
|
TrV 045
|
AV 207
|
Overture in E minor, for orchestra
- For a projected opera Ein Studentenstreich. Incomplete.
|
1876
|
—
|
TrV 046
|
AV 208
|
Overture in E♭ major, for piano
- For a projected opera Dom Sebastian. Incomplete.
|
1876
|
—
|
TrV 047
|
AV 038
|
Piano Sonata No.1 in E major
|
1877
|
—
|
TrV 048
|
AV 033
|
Der Fischer ("Das Wasser rauscht', das Wasser schwoll"), song for voice and piano
|
1877
|
—
|
TrV 049
|
AV 034
|
Die Drossel ("Ich will ja nicht in Garten geh'n"), song for voice and piano
|
1877
|
—
|
TrV 050
|
AV 035
|
Lass ruhn die Toten ("Es steht ein altes Gemäuer"), song for voice and piano
|
1877
|
—
|
TrV 051
|
AV 036
|
Lust und Qual ("Knabe sass ich Fischerknabe"), song for voice and piano
|
1877
|
—
|
TrV 052
|
AV 032
|
Serenade in G major, for orchestra
|
1877
|
—
|
TrV 053
|
AV 037
|
Piano Trio No.1 in A major, for violin, cello and piano
|
1877
|
—
|
TrV 054
|
AV 031
|
Mass in D major, four movements for mixed chorus
- Kyrie
- Sanctus
- Benedictus
- Agnus Dei
|
1877
|
—
|
TrV 055
|
AV 209
|
Andante cantabile in D major, for orchestra
- Incomplete.
|
1877
|
—
|
TrV 056
|
AV 210
|
Andante in B♭ major, for orchestra.
- Incomplete.
|
1877
|
—
|
TrV 057
|
AV 039
|
Kontrapunkt-Studien I, imitative exercises and canons for piano
|
1877-78
|
—
|
TrV 058
|
AV 040
|
Spielmann und Zither ("Der Spielmann sass am Felsen"), song for voice and piano
|
1878
|
—
|
TrV 059
|
AV 041
|
Wiegenlied ("Die Ähren nur noch nicken"), song for voice and piano
|
1878
|
—
|
TrV 060
|
AV 042
|
Abend- und Morgenrot ("Die Mücke sitzt am Fenster"), song for voice and piano
|
1878
|
—
|
TrV 061, 177
|
AV 044–45, 221
|
Lila, Singspiel after Goethe
- Incomplete.
|
1878
|
—
|
TrV 062
|
AV 043
|
Im Walde ("Im Walde im hellen Sonnenschein"), song for voice and piano
|
1878
|
—
|
TrV 063
|
AV 046
|
Ein Spielmann und sein Kind, song for voice and piano
- Also arranged for soprano and orchestra (1878).
|
1878
|
—
|
TrV 064
|
AV 029
|
Alphorn ("Ein Alphorn hör' ich schallen"), song for voice, horn and piano
|
1878
|
—
|
TrV 065
|
AV 047
|
Nebel ("Du trüber Nebel hüllst mir das Tal"), song for voice and piano
|
1878
|
—
|
TrV 066
|
AV 048
|
Soldatenlied ("Die Trommeln und Pfeifen, die schallen in's Haus"), song for voice and piano
|
1878
|
—
|
TrV 067
|
AV 049
|
Ein Röslein zog ich mir im Garten, song for voice and piano
|
1878
|
—
|
TrV 068
|
AV 050
|
Variations (12) in D major, for piano
|
1878
|
—
|
TrV 069
|
AV 051
|
Overture in E major, for orchestra
|
1878
|
—
|
TrV 070
|
AV 052
|
Introduction, Theme and Variations in E♭ major, for horn and piano
|
1878
|
—
|
TrV 071
|
AV 053
|
Piano Trio No.2 in D major, for violin, cello and piano
|
1878
|
—
|
TrV 072
|
AV 057
|
Aus alter Zeit, eine kleine gavotte. for piano
|
1879
|
—
|
TrV 073
|
AV 058
|
Andante in C minor, for piano
|
1879
|
—
|
TrV 074
|
AV 158
|
Für Musik, song for voice and piano
|
1879
|
—
|
TrV 075
|
AV 055, 159, 160
|
Lieder (3), for voice and piano:
- Waldgesang ("Die Liebe Sass als Nachtigall")
- O schneller mein Roß
- Die Lilien glühn in Düften
|
1879
|
—
|
TrV 076
|
AV 056
|
Introduction, Theme and Variations in G major, for flute and piano
|
1879
|
—
|
TrV 077
|
AV 162
|
Frühlingsanfang, for voice and piano
|
1879
|
—
|
TrV 078
|
AV 161
|
Das rote Laub, for voice and piano
|
1879
|
—
|
TrV 079
|
AV 060
|
Piano Sonata No.2 in C minor ("Grosse Sonate")
|
1879
|
—
|
TrV 080
|
AV 061
|
Romanze in E♭ major, for clarinet and orchestra
|
1879
|
—
|
TrV 081
|
AV 054
|
Kontrapunkt-Studien II, 9 fugues for piano
|
1878-79
|
—
|
TrV 082
|
AV 059
|
Skizzen, pieces (5) for piano
|
1879
|
—
|
TrV 083
|
AV 062
|
Overture in A minor, for orchestra
|
1878-79
|
—
|
TrV 084
|
AV 163
|
Hochzeitsmusik (Wedding Music), for piano and toy instruments
- Lost.
|
1879
|
—
|
TrV 085
|
AV 211
|
String Quartet in E♭ major
- Incomplete; Allegro moderato only.
|
1879
|
—
|
TrV 086
|
AV 063
|
Scherzo in B minor, for piano
|
1879
|
—
|
TrV 087
|
AV 164
|
Die drei Lieder, for voice and piano
- Lost.
|
1879
|
—
|
TrV 088
|
AV 064
|
Im Vaters Garten heimlich steht ein Blümlein, song for voice and piano
|
1879
|
—
|
TrV 089
|
AV 165
|
Der Morgen, for voice and piano
- Lost.
|
1880
|
—
|
TrV 090
|
AV 066, 180
|
Die erwachte Rose ("Die Knospe träumte von Sonnenschein"), song for voice and piano
|
1880
|
—
|
TrV 091
|
AV 065
|
Kontrapunkt-Studien III, 3 fugues for piano
|
1879-80
|
—
|
TrV 092
|
AV 067
|
Lieder (7), for mixed chorus or 4 solo voices:
- Winterlied
- Spielmannsweise
- Pfingsten
- Käferlied
- Waldessang
- Schneeglöcklein
- Trüb blinken nur die Sterne
|
1880
|
—
|
TrV 093
|
AV 068
|
Kleine Stücke (2), for piano
|
1879-80
|
—
|
TrV 094
|
AV 069
|
Symphony No.1 in D minor
|
1880
|
Op.02
|
TrV 095
|
—
|
String Quartet in A major
|
1880
|
—
|
TrV 096
|
AV 070
|
Scherzando in G major, for piano
|
1880
|
—
|
TrV 097
|
AV 166
|
Immer leiser wird mein Schlummer, song for voice and piano
|
1880
|
—
|
TrV 098
|
AV 072
|
Begegnung ("Die Treppe hinunter gesprungen"), song for voice and piano
|
1880
|
—
|
TrV 099
|
AV 071
|
Fugue on 4 Themes in C major, for piano
|
1880
|
—
|
TrV 100
|
AV 167
|
Mutter, o sing mich zur Ruh, for voice and piano
- Lost.
|
1880
|
—
|
TrV 101
|
AV 073
|
John Anderson ("John Anderson, mein Lieb"), song for voice and piano
|
1880
|
—
|
TrV 102
|
AV 169
|
Festchor, for chorus and piano
- Lost.
|
1880?
|
Op.05
|
TrV 103
|
—
|
Piano Sonata in B minor
|
1880–81
|
—
|
TrV 104
|
AV 074
|
Chor aus Elektra von Sophokles, for male chorus and orchestra
|
1881
|
Op.03
|
TrV 105
|
—
|
Klavierstücke (5), for piano
|
1880–81
|
Op.07
|
TrV 106
|
—
|
Serenade in E♭ major, for 13 wind instruments
|
1881
|
—
|
TrV 107
|
AV 170
|
Geheiligte Stätte, for voice and piano
- Lost.
|
1881
|
—
|
TrV 108
|
AV 183
|
Nonett in F major, for piano 4-hands
- Arrangement of the work by Ferdinand Lachner. .
|
1881
|
—
|
TrV 109
|
—
|
Variations on a Bavarian Folksong ("Dirndl is haub auf mi' "), for string trio
|
1882
|
Op.08
|
TrV 110
|
—
|
Violin Concerto in D minor
|
1880–82
|
—
|
TrV 111
|
AV 171
|
Albumblatt in F major, for piano
|
1882
|
—
|
TrV 112
|
AV 172
|
Waldesgang, for voice and piano
- Lost.
|
1882
|
—
|
TrV 113
|
AV 173
|
Ballade (Jung Friedel wallte am Rheinesstrand), for voice and piano
- Lost.
|
1882
|
—
|
TrV 114
|
AV 168
|
Ständchen in G major, for piano quartet
|
1882
|
Op.06
|
TrV 115
|
—
|
Cello Sonata in F major, for cello and piano
|
1880–83
|
—
|
TrV 116
|
—
|
Fantasie über ein Thema von Giovanni Paisiello, for bassoon, flute, and guitar
|
1883
|
Op.11
|
TrV 117
|
—
|
Horn Concerto No.1 in E♭ major
- Also arranged for horn and piano (1883).
|
1882–83
|
—
|
TrV 118
|
AV 075
|
Romance in F major, for cello and orchestra
|
1883
|
—
|
TrV 119
|
AV 076
|
Rote Rosen ("Weisst Du die Rose, die Du mir gegeben?"), song for voice and piano
|
1883
|
—
|
TrV 120
|
AV 077
|
Largo in A minor, for piano
|
1883
|
—
|
TrV 121
|
AV 078
|
Stiller Waldespfad in A minor, for piano
|
1883
|
—
|
TrV 122
|
—
|
Melodie (Ruhig) in G♭ major, for piano
|
1883
|
—
|
TrV 123
|
AV 174
|
Variationen über eine Tanzweise von Cesare Negri, for string quartet
|
1883
|
—
|
TrV 124
|
AV 079
|
Lied ohne Worte in E♭ major, for orchestra
|
1883
|
—
|
TrV 125
|
AV 080
|
Concert Overture in C minor, for orchestra
|
1883
|
Op.12
|
TrV 126
|
—
|
Symphony No.2 in F minor
|
1884
|
Op.09
|
TrV 127
|
—
|
Stimmungsbilder (Mood Pictures), for piano:
- Auf stillem Waldespfad ("Albumleaf No.1 for B. Schlüssel")
- An einsamer Quelle
- Intermezzo
- Träumerei
- Heidebild
|
1882–84
|
—
|
TrV 128
|
AV 175
|
Mein Geist ist trüb, for voice and piano
|
1884
|
—
|
TrV 129
|
AV 176
|
Der Dorn ist Zeichen der Verneinung, for voice and piano
- Lost.
|
1884
|
—
|
TrV 130
|
AV 081, 177
|
Improvisation and Fugue on an Original Theme in A minor, for piano
- Improvisation lost; only Fugue survives.
|
1884
|
Op.14
|
TrV 131
|
—
|
Wandrers Sturmlied, for 6-part chorus and orchestra
|
1885
|
Op.04
|
TrV 132
|
—
|
Suite in B♭ major, for 13 wind instruments
|
1884
|
—
|
TrV 133
|
AV 082
|
Der Zweikampf in B♭ major, polonaise for flute, bassoon, and orchestra
- Strauss's authorship doubtful.
|
1884
|
—
|
TrV 134
|
AV 083
|
Schwäbische Erbschaft ("Der gnäd'ge Herr von Zavelstein"), for male chorus
|
1884
|
—
|
TrV 135
|
AV 087
|
Festmarsch in C major, for orchestra
|
1884–85, 1888
|
—
|
TrV 136
|
AV 084, 178
|
Festmarsch in D major, for piano quartet
|
1885?
|
Op.13
|
TrV 137
|
—
|
Piano Quartet in C minor
|
1883–84
|
—
|
TrV 138
|
—
|
Intermezzo in F major, for piano
|
1885
|
—
|
TrV 139
|
AV 179
|
Cadenza, for Mozart's Piano Concerto in C minor, K.491
- Lost. .
|
1885
|
—
|
TrV 140
|
AV 184A
|
Der faule Hans, arrangement of the overture to Alexander Ritter's opera, for piano
- .
|
1886
|
Op.10
|
TrV 141
|
—
|
Gedichte aus "Letzte Blätter" (8), for voice and piano:
- Zueignung ("Ja, du weisst es, teur Seele")
- Nichts ("Nennen soll ich, sagt ihr")
- Die Nacht ("Aus dem Walde tritt die Nacht")
- Die Georgine ("Warum so spät erst, Georgine?")
- Geduld ("Geduld, sagst du")
- Die Verschwiegenen ("Ich habe wohl, es sei hier laut")
- Die Zeitlose ("Auf frischgemähtem Weideplatz")
- Allerseelen ("Stell' auf den Tisch die duftenden Reseden")
- No.1 also arranged for voice and orchestra (1940).
|
1885
|
—
|
TrV 142
|
AV 084A
|
Wer hat's gethan? ("Es steht mein Lied in Nacht und Frost"), song for voice and piano
|
1885
|
—
|
TrV 143
|
AV 184
|
Marches (2), for piano 4-hands
- Arranged from Joachim Raff's opera Bernhard von Weimar.
|
1885
|
—
|
TrV 144
|
AV 181
|
Bardengesang, for male chorus and orchestra
- Lost.
|
1885
|
—
|
TrV 145
|
AV 085
|
Burleske in D minor, for piano and orchestra
- Also arranged for 2 pianos by the composer.
|
1885–86
|
—
|
TrV 146
|
AV 213
|
Rhapsodie in C♯ minor, for piano and orchestra
- Incomplete.
|
1886
|
Op.16
|
TrV 147
|
—
|
Aus Italien, symphonic fantasy in G major, for large orchestra
|
1886
|
Op.15
|
TrV 148
|
—
|
Lieder (5), for voice and piano:
- Madrigal ("In's Joch beug' ich den Nacken")
- Winternacht ("Mit Regen und Sturmgebrause")
- Lob des Leidens ("O schmäht des Lebens Leiden nicht!")
- Aus den Liedern der Trauer ("Dem Herzen ähnlich")
- Heimkehr ("Leiser schwanken die Äste")
|
1884–86
|
Op.17
|
TrV 149
|
—
|
Lieder (6), for voice and piano:
- Seitdem dein Aug' in meines schaute
- Ständchen ("Mach' auf, mach' auf, doch leise, mein Kind")
- Das Geheimnis ("Du fragst mich, Mädchen")
- Aus den Liedern der Trauer ("Von dunklem Schleier umsponnen")
- Nur Mut! ("Lass' das Zagen")
- Barkarole ("Um der fallenden Ruder Spitzen")
|
1885–87
|
—
|
TrV 150
|
AV 086
|
Romeo und Jula (Romeo and Juliet), incidental music to Shakespeare's tragedy
|
1887
|
Op.18
|
TrV 151
|
—
|
Violin Sonata in E♭ major, for violin and piano
|
1887
|
Op.19
|
TrV 152
|
—
|
Lieder aus "Lotosblätter" (6), for voice and piano:
- Wozu noch, Mächden, soll es frommen
- Breit' über mein Haupt dein schwarzes Haar
- Schön sind, doch kalt die Himmelssterne
- Wie sollten wir geheim sie halten
- Hoffen und wieder verzagen
- Mein Herz ist stumm, mein Herz und mein Sinn
|
1885–88
|
Op.22
|
TrV 153
|
—
|
Mädchenblumen, songs (4) for voice and piano:
- Kornblumen ("Kornblumen nenn' ich die Gestalten")
- Mohnblumen ("Mohnblumen sind die runden")
- Epheu ("Aber Epheu nenn' ich jene Mädchen")
- Wasserrose ("Kennst du die Blume, die Märchenhafte")
|
1886–88
|
—
|
TrV 154
|
AV 185
|
Die Feen von Wagner.
- Insertions for Act II.
|
1888
|
—
|
TrV 155
|
AV 086A
|
Andante in C major. for horn and piano
- Intended for an unfinished sonata.
|
1888
|
Op.20
|
TrV 156
|
—
|
Don Juan, tone poem after Nikolaus Lenau, for orchestra
|
1888–89
|
—
|
TrV 157
|
AV 087
|
Festmarsch in C major, for orchestra
|
1888
|
Op.24
|
TrV 158
|
—
|
Tod und Verklärung (Death and Transfiguration), tone poem for orchestra
|
1888–89
|
—
|
TrV 159
|
AV 088
|
Utan svafel ach fosfor (From a Swedish Matchbox), for 2 tenor and 2 bass voices
|
1889
|
Op.21
|
TrV 160
|
—
|
Schlichte Weisen, songs (5) for voice and piano:
- All' mein Gedanken, mein Herz und mein Sinn
- Du meines Herzens Krönelein
- Ach Lieb, ich muss nun scheiden!
- Ach, weh mir unglückhaftern Mann
- Die Frauen sind oft fromm und still
|
1887–88
|
—
|
TrV 161
|
AV 186
|
Iphigenie auf Tauris von Gluck, arranged for orchestra
|
1890
|
—
|
TrV 162
|
—
|
Rienzi von Richard Wagner
- Lost.
|
1890
|
Op.23
|
TrV 163
|
—
|
Macbeth, tone poem after Shakespeare, for orchestra
|
1886–91
|
—
|
TrV 164
|
AV 188
|
Nun hält Frau Minne Liebeswacht von Ritter, arrangement for voice and orchestra
- Arrangement of the song by A. Ritter, Op.4/8. .
|
1891
|
—
|
TrV 165
|
AV 088A
|
Fanfare in C major, for orchestra
- Intended for A. W. Iffland's play Der Jäger.
|
1891
|
Op.26
|
TrV 166
|
—
|
Lieder (2), for voice and piano:
- Frühlingsgedränge ("Frühlingskinder im bunten Gedränge")
- O wärst du mein ("O wärst du mein, es wär ein schönres Leben")
|
1891
|
—
|
TrV 167
|
AV 089
|
Lebende Bilder, incidental music for orchestra
|
1892
|
Op.25
|
TrV 168
|
—
|
Guntram, opera n 3 acts
- 1st version.
|
1892–93
|
Op.25
|
TrV 168a
|
—
|
Guntram, opera n 3 acts
- 2nd version.
|
1934
|
—
|
TrV 169
|
AV 182
|
Stücke (2), for piano quartet
|
1893
|
Op.27
|
TrV 170
|
—
|
Lieder (4), for voice and piano:
- Ruhe, meine Seele ("Nicht ein Lüftchen regt sich leise")
- Cäcilie ("Wenn du es wüsstest")
- Heimliche Aufforderung ("Auf, hebe die funkelnde Schale empor zum Mund")
- Morgen ("Und morgen wird die Sonne wieder scheinen")
- No.1 also arranged for voice and orchestra (1948).
Nos.2 and 4 also arranged for voice and orchestra (1897).
|
1894
|
Op.28
|
TrV 171
|
—
|
Till Eulenspiegels lustige Streiche (Till Eulenspiegel's Merry Pranks), tone poem for orchestra
|
1894–95
|
Op.29
|
TrV 172
|
—
|
Lieder (3), for voice and piano:#
- Traum durch die Dämmerung ("Weite Wiesen im Dämmergrau")
- Schlagende Herzen ("Über Wiesen und Felder ein Knabe ging")
- Nachtgang ("Wir gingen durch die dunkle (stille), milde Nacht")
- No.1 also arranged for voice and orchestra.
|
1895
|
Op.31
|
TrV 173
|
—
|
Lieder (4), for voice and piano (with viola ad lib.):
- Blauer Sommer ("Ein blauer Sommer glanz- und glutenschwer")
- Wenn ("Und wärst du mein Weib")
- Weisser Jasmin ("Bleiche Blüte, Blüte der Liebe")
- Stiller Gang ("Der Abend graut, Herbstfeuer brennen")
- Originally 3 Lieder (No.4 added later). No.4 includes part for viola ad lib.
|
1895–96
|
Op.32
|
TrV 174
|
—
|
Lieder (5). for voice and piano:
- Ich trage meine Minne
- Sehnsucht ("Ich ging den Weg entlang, der einsam lag")
- Liebeshymnus ("Heil jenem Tag")
- O süsser Mai, o habe du Erbarmen
- Himmelsboten zu Liebchens Himmelbett ("Der Mondschein")
- No.3 also arranged for voice and orchestra (1897).
|
1896
|
—
|
TrV 175
|
AV 090
|
Wir beide wollen springen ("Es ging ein Wind durchs weite land"), song for voice and piano
|
1896
|
Op.30
|
TrV 176
|
—
|
Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem after Nietzsche, for orchestra
|
1896
|
—
|
TrV 177
|
AV 221
|
Lila, ballet music for Goethe's Singspiel
- See under TrV 61.
|
1895-96
|
—
|
TrV 178
|
AV 221A
|
Vorüber ist der Graus der Nacht, song for voice and piano
|
1896?
|
—
|
TrV 179
|
AV 187
|
Ganymed, song for orchestra
- Arrangement of the song Ganymed for voice and piano by Franz Schubert, D.544 (1817). .
|
1897
|
Op.33
|
TrV 180
|
—
|
Gesänge (4), for voice and orchestra:
- Verführung ("Der Tag, der schwüle")
- Gesang der Apollopriesterin ("Es ist der Tag")
- Hymnus ("Dass du mein Auge wecktest")
- Pilgers Morgenlied ("Morgennebel, Lila")
|
1896–97
|
Op.38
|
TrV 181
|
—
|
Enoch Arden, melodrama for narrator and piano
|
1897
|
Op.34
|
TrV 182
|
—
|
Gesänge (2), for 16-part chorus:
- Der Abend ("Senke strahlender Gott!")
- Hymne ("Jakob! Dein verlorner Sohn")
|
1897
|
—
|
TrV 183
|
AV 091
|
Hymne ("Licht du ewiglich Eines"), for female chorus, brass band and orchestra
|
1897
|
Op.35
|
TrV 184
|
—
|
Don Quixote, fantastische Variationen über ein Thema ritterlichen Charakters, for cello and orchestra
|
1897
|
—
|
TrV 185
|
AV 189
|
Lieder von Beethoven (2), for voice and orchestra:
- Ich liebe dich
- Wonne der Wehmut
- Arrangements of two songs by Ludwig van Beethoven. .
|
1898
|
Op.36
|
TrV 186
|
—
|
Lieder (4), for voice and piano:
- Das Rosenband ("Im Frühlingsschatten fand ich sie")
- Für fünfzehn Pfennige ("Das Mägdlein will ein' Freier hab'n")
- Hat gesagt—bleibt's nicht dabei ("Mein Vater hat gesagt")
- Anbetung ("Die Liebste steht mir vor den Gedanken")
- No.1 also arranged for voice and orchestra (1897).
|
1897–98
|
Op.37
|
TrV 187
|
—
|
Lieder (6), for voice and piano:
- Glückes genug ("Wenn sanft du mir im Arme schliefst")
- Ich liebe dich ("Vier adlige Rosse voran unserm Wagen")
- Meinem Kinde ("Du schläfst und sachte neig' ich mich")
- Mein Auge ("Du bist mein Auge!")
- Herr Lenz ("Herr Lenz springt heute durch die Stadt")
- Hochzeitlich Lied ("Lass Akaziendüfte schaukeln")
- No.2 also arranged for voice and orchestra (1898).
No.3 also arranged for voice and orchestra (1897). No.4 also arranged for voice and orchestra (1933).
|
1896–98
|
—
|
TrV 188
|
—
|
Richard Till Khnopff ("Er lebe hoch!"), for 4-part chorus
|
1898
|
Op.39
|
TrV 189
|
—
|
Lieder (5), for voice and piano:
- Leises Lied ("In einem stillen Garten")
- Jung Hexenlied ("Als nachts ich überm Gebrige ritt")
- Der Arbeitsmann ("Wir haben ein Bett, wir haben ein Kind")
- Befreit ("Du wirst nicht weinen")
- Lied an meinen Sohn ("Der Sturm behorcht mein Vaterhaus")
- No.3 also arranged for voice and orchestra (1918).
No.4 also arranged for voice and orchestra (1933).
|
1898
|
Op.40
|
TrV 190
|
—
|
Ein Heldenleben (A Hero's Life), tone poem for orchestra
|
1897–98
|
—
|
TrV 191
|
AV 092
|
Das Schloss am Meere ("Hast du das Schloss gesehen"), melodrama for narrator and piano
|
1899
|
—
|
TrV 192
|
AV 093
|
Soldatenlied, for male chorus
|
1899
|
Op.45
|
TrV 193
|
—
|
Männerchöre (3), for male chorus:
- Schlachtgesang
- Lied der Freundschaft
- Der Brauttanz
|
1899
|
Op.42
|
TrV 194
|
—
|
Männerchöre (2), for male chorus:
- Liebe ("Nichts Bessers ist")
- Altdeutsches Schlachtlied
|
1899
|
Op.41
|
TrV 195
|
—
|
Lieder (5), for voice and piano:
- Wiegenlied ("Träume, träume, du mein süsses Leben")
- In der Campagna ("Ich grüsse die Sonne")
- Am Ufer ("Die Welt verstummt")
- Bruder Liederlich ("Die Feder am Sturmhut in Spiel und Gefahren")
- Leise Lieder ("Leise Lieder sing ich dir bei Nacht")
- No.1 also arranged for voice and orchestra (1900).
|
1899
|
Op.43
|
TrV 196
|
—
|
Gesänge älterer deutscher Dichter (3), for voice and piano:
- An Sie
- Muttertändelei ("Seht mir doch mein schönes Kind")
- Die Ulme zu Hirsau
- No.2 also arranged for voice and orchestra (1900).
|
1899
|
Op.44
|
TrV 197
|
—
|
Größere Gesänge (2), for alto or bass voice and orchestra:
- Notturno ("Hoch hing der Mond")
- Nächtlicher Gang
|
1899
|
—
|
TrV 198
|
AV 094
|
Weihnachtsgefühl ("Naht die jubelvolle Zeit"), song for voice and piano
|
1899
|
Op.46
|
TrV 199
|
—
|
Gedichte (5), for voice and piano:
- Ein Obdach gegen Sturm und Regen
- Gestern war ich Atlas
- Die sieben Siegel ("Weil ich dich nicht legen kann")
- Morgenrot ("Dort, wo der Morgenstern hergeht")
- Ich sehe wie in einem Spiegel
|
1899–1900
|
Op.47
|
TrV 200
|
—
|
Lieder (5). for voice and piano:
- Auf ein Kind ("Aus der Bedrängnis")
- Des Dichters Abendgang ("Ergehst du doch im Abendlicht")
- Rückleben
- Einkehr ("Bei einem Wirte wundermild")
- Von den sieben Zechbrüdern ("Ich kenne sieben lust'ge Brüder")
- No.2 also arranged for orchestra (1918).
|
1900
|
—
|
TrV 201
|
AV 230
|
Kythere, ballet
- Incomplete.
|
1900
|
Op.48
|
TrV 202
|
—
|
Lieder (5), for voice and piano:
- Freundliche Vision ("Nicht im Schlafe hab' ich das geträumt")
- Ich Schwebe ("Ich schwebe wie auf Engelsschwingen")
- Kling! ("Kling!...Meine Seele gibt reinen ton")
- Winterweihe ("In diesen Wintertagen")
- Winterliebe ("Der Sonne entgeten in Liebesgluten")
- Nos.1, 4 and 5 also arranged for voice and orchestra (1918).
|
1900
|
Op.50
|
TrV 203
|
—
|
Feuersnot, Singgedicht in 1 act
|
1900–01
|
Op.49
|
TrV 204
|
—
|
Lieder (8), for voice and piano:
- Waldseligkeit ("Der Wald beginnt zu rauchen")
- In goldener Fülle (Wir schreiten in goldener Fülle")
- Wiegenliedchen ("Bienchen, Bienchen wiegt sich im Sonnenschein")
- Das Lied des Steinklopfers ("Ich bin kein Minister")
- Sie wissen's nicht ("Es wohnt ein kleines Vögelein")
- Junggesellenschwur ("Das ist des Frühlings traurige Lust!")
- Wer lieben will, muss leiden
- Ach, Was Kummer, Qual und Schmerzen
- No.1 also arranged for voice and orchestra (1918).
|
1900–01
|
—
|
TrV 205
|
AV 232A
|
Entwurf zu einem Streichquartett
|
1901
|
Op.51
|
TrV 206
|
—
|
Gesänge (2), for bass voice and orchestra:
- Das Thal ("Wie willst du dich mir offenbaren")
- Der Einsame ("Wo ich bin, mich rings umdunkeit")
- No.2 also arranged for voice and piano (1906).
|
1902–06
|
Op.52
|
TrV 207
|
—
|
Taillefer ("Wer singt in meinem Hof"), ballad for soprano, tenor, baritone, chorus and orchestra
|
1903
|
—
|
TrV 208
|
AV 095
|
Canon in C major ("Hans Huber in Vitznau sei schönstens bedanket"), for mixed chorus
|
1903
|
Op.53
|
TrV 209
|
—
|
Sinfonia Domestica for orchestra
- Parergon arranged for piano left hand and orchestra as TrV 209a (1925).
|
1902–03
|
Op.73
|
TrV 209a
|
—
|
Parergon zur Sinfonia Domestica, for piano left hand and orchestra
- Arranged from the Sinfonia Domestica, TrV 209 (1902–03),
|
1925
|
—
|
TrV 210
|
—
|
Skatkanon, for male chorus
|
1904
|
—
|
TrV 211
|
AV 096
|
Lieder aus Der Richter von Zalamea (2), for voices, guitar and harps:
- Liebesliedchen
- Lied der Chispa
- No.1 for tenor, guitar and harp.
No.2 for mezzo-soprano, unison male chorus, guitar and 2 harps.
|
1904
|
—
|
TrV 212
|
AV 316–317
|
Instrumentationslehre von Hector Berlioz
- Preface and additions to a German translation of Grand traité d’instrumentation et d’orchestration moderne, by Hector Berlioz
|
1903-04
|
—
|
TrV 213
|
AV 097
|
Parade-Marsch No.1 des Regiments Königs-Jäger zu Pferde, in E♭ major, for piano
|
1905
|
—
|
TrV 214
|
AV 099
|
De Brandenburgsche Mars (Präsentiermarsch), for piano
- Also arranged for orchestra (1905).
|
1905
|
Op.54
|
TrV 215
|
—
|
Salome, Musikdrama in 1 act
- See also the orchestral extract, TrV 215a.
|
1903–05
|
—
|
TrV 215a
|
—
|
Salome's Dance ("Dance of the Seven Veils") for orchestra
- Arranged from TrV 215a.
|
1905
|
—
|
TrV 216
|
AV 101
|
Volksliedbearbeitungen (6), for male chorus:
- Geistlicher Maien
- Misslungene Liebesjagd
- Tummler
- Hüt’ du dich
- Wächterlied
- Kuckuck
|
1905–06
|
—
|
TrV 217
|
AV 100
|
Königsmarsch in E♭ major, for piano
- Arranged for orchestra as Militärischer Festmarsch.
|
1905
|
—
|
TrV 217
|
AV 100
|
Militärischer Festmarsch in E♭ major, for orchestra
- Arrangement of the Königsmarsch for piano.
|
1905
|
—
|
TrV 218
|
AV 102
|
Der Graf von Rom, for voice and piano
- Without text. Exists in 2 versions.
|
1906
|
—
|
TrV 218a
|
—
|
Volks-Hymne, for mixed chorus
- Without text.
|
1906
|
—
|
TrV 218b
|
—
|
Kaiserhymne, for mixed chorus
|
1915
|
Op.55
|
TrV 219
|
—
|
Bardengesang, 3 Songs for male chorus and orchestra
|
1906
|
Op.56
|
TrV 220
|
—
|
Lieder (6), for voice and piano:
- Gefunden ("Ich ging im Walde so für mich hin")
- Blindenklage ("Wenn ich dich frage, dem das Leben blüht")
- Im Spätboot ("Aus der Schiffsbank mach' ich meinen Pfühl")
- Mit deinen blauen Augen
- Frühlingsfeier ("Das ist des Frühlings traurige Lust!")
- Die heil'gen drei Kön'ge aus Morgenland
- No.5 also arranged for voice and orchestra (1933).
No.6 also arranged for voice and orchestra (1906).
|
1903–06
|
Op.57
|
TrV 221
|
—
|
Militärmärsche (2), for orchestra
|
1906
|
Op.98
|
TrV 222
|
AV 098
|
Parade-Marsch No.2 für Kavallerie, in D♭ major, for piano
|
1907
|
Op.58
|
TrV 223
|
—
|
Elektra, Tragödie in 1 act
|
1906–08
|
—
|
TrV 224
|
AV 103
|
Feierlicher Einzug (Festival Procession) der Ritter des Johanniter-Ordens, for brass and timpani
|
1909
|
—
|
TrV 225
|
AV 323
|
Nachgelassene Werke für Horn von Franz Strauss
- Konzertetüden
- Tägliche Übungen
- Edited by Richard Strauss and Hugo Rüdel.
|
1903-13
|
—
|
TrV 226
|
AV 244
|
Herbstgaben, song for voice and piano
- Incomplete.
|
1910?
|
Op.59
|
TrV 227
|
—
|
Der Rosenkavalier, Komödie für Musik in 3 acts
- Extracts arranged for orchestra as TrV 227a, TrV 227b, TrV 227c and TrV 227d.
|
1909–10
|
—
|
TrV 227a
|
—
|
Der Rosenkavalier, zweite Walzerfolge (Waltz Sequence No.2), for orchestra
- Arranged from Act III of TrV 227. See also TrV 227c.
|
1911
|
—
|
TrV 227b
|
AV 112
|
Der Rosenkavalier, incidental music for the film by Robert Wiene
- Arrangements of extracts from TrV 227, TrV 167, TrV 214, TrV 217 and TrV 245.
|
1925
|
—
|
TrV 227c
|
AV 139
|
Der Rosenkavalier, erste Walzerfolge (Waltz Sequence No.1), for orchestra
- Arranged from Acts I and II of TrV 227. See also TrV 227a.
|
1944
|
—
|
TrV 227d
|
AV 145
|
Der Rosenkavalier, suite from the opera, for orchestra
- Strauss's authorship uncertain. Possibly compiled by Artur Rodzinsky.
|
1945
|
Op.60
|
TrV 228
|
—
|
Ariadne auf Naxos, opera in 1 act
- 1st version.
|
1911-12
|
Op.60-II
|
TrV 228a
|
—
|
Ariadne auf Naxos, opera in 1 act with prologue
- 2nd version
|
1916
|
Op.60-III
|
TrV 228b
|
—
|
Der Bürger als Edelmann (Le bourgeois gentilhomme), incidental music to Molière's play
- 1st version of the ballet. See also TrV 228c.
|
1912
|
Op.60-III
|
TrV 228b
|
—
|
Der Bürger als Edelmann (Le bourgeois gentilhomme), ballet music
- 2nd version of the incidental music.
|
1917
|
Op.60-IIIa
|
TrV 228c
|
—
|
Der Bürger als Edelmann (Le bourgeois gentilhomme), suite from the ballet, for orchestra
- Arranged from TrV 228b.
|
1920
|
Op.61
|
TrV 229
|
—
|
Festliches Präludium (Festive Prelude), for organ and orchestra
|
1913
|
Op.62
|
TrV 230
|
—
|
Deutsche Motette ("Die Schöpfung ist zur Ruh gegangen"), for 4 soloists and mixed chorus
|
1913
|
Op.63
|
TrV 231
|
—
|
Josephs-Legende, ballet in 1 act
|
1912–14
|
—
|
TrV 231a
|
AV 148
|
Symphonisches Fragment aus Josephs-Legende, for orchestra
- Arranged from TrV 231.
|
1947
|
—
|
TrV 232
|
AV 104
|
Cantata ("Tüchtigen stellt das schnelle Glück hoch empor"), for male chorus
|
1914
|
Op.64
|
TrV 233
|
—
|
Eine Alpensinfonie (An Alpine Symphony), for orchestra
|
1911–15
|
Op.65
|
TrV 234
|
—
|
Die Frau ohne Schatten (The Woman Without a Shadow), opera in 3 acts
- See also TrV 234a.
|
1914–17
|
—
|
TrV 234a
|
AV 146
|
Die Frau ohne Schatten (The Woman Without a Shadow), symphonic fantasy from the opera
- Arranged from TrV 234.
|
1946
|
Op.68
|
TrV 235
|
—
|
Lieder (6), for voice and piano ("Brentano Lieder"):
- An die Nacht ("Heilige Nacht!")
- Ich wollt' ein Sträusslein binden
- Säusle, liebe Myrthe!
- Als mir dein Lied erklang ("Dein Lied erklang! Ich habe")
- Amor ("An dem Feuer sass das Kind Amor")
- Lied der Frauen ("Wenn es stürmt auf den Wogen")
- Nos.1 to 5 also arranged for voice and orchestra (1940).
No.6 also arranged for voice and orchestra (1933).
|
1918
|
Op.66
|
TrV 236
|
—
|
Krämerspiegel (The Shopkeeper's Mirror), 12 songs for voice and piano:
- Es war einmal ein Bock
- Einst kam der Bock als Bote
- Es liebte einst ein Hase
- Drei Masken sah ich am Himmel stehn
- Hast du ein Tongedicht vollbracht
- O lieber Künstler sei ermahnt
- Unser Feind ist, grosser Gott
- Von Händlern wird die Kunst bedroht
- Es war mal eine Wanze
- Die Künstler sind die Schöpfer
- Die Händler und die Macher
- O Schöpferschwarm, O Händlerkreis
|
1918
|
Op.69
|
TrV 237
|
—
|
Kleine Lieder (5), for voice and piano:
- Der Stern ("Ich sehe ihn wieder den lieblichen Stern")
- Der Pokal ("Freunde, weihet den Pokal")
- Einerlei ("Ihr Mund ist stets derselbe")
- Waldesfahrt ("Mein Wagen rollet langsam")
- Schlechtes Wetter ("Das ist ein schlechtes Wetter")
|
1918
|
Op.67
|
TrV 238
|
—
|
Lieder (6), for voice and piano:
- I. Drei Lieder der Ophelia
- 1. Wie erkenn' ich mein Treulieb vor andern nun?
- 2.Guten Morgen, ’s ist Sankt Valentinstag
- 3.Sie trugen ihn auf der Bahre bloss
- II. Aus den Büchern des Unmuts der Rendsch Nameh
- 4. Wer wird von der Welt verlangen
- 5. Hab’ ich euch denn je geraten
- 6. Wanderers Gemütsruhe
|
1918
|
—
|
TrV 239
|
AV 105
|
Sinnspruch ("Alle Menschen gross und klein"), song for voice and piano
|
1919
|
Op.71
|
TrV 240
|
—
|
Hymnen von Friedrich Hölderlin (3), for soprano or tenor and orchestra:
- Hymne an die Liebe ("Froh der süssen Augenweide")
- Rückkehr in die Heimat ("Ihr linden Lüfte")
- Liebe
|
1921
|
—
|
TrV 241
|
AV 258
|
Walzerlied ("Was fiel dem lieven Herrgott ein") in F major, for voice and orchestra
- Intended for an operetta by Maximillano Niederberger. Incomplete.
|
1921
|
—
|
TrV 242
|
—
|
Johann von Paris
- Revision of aria from A. Boieldieu's opera Jean de Paris.
|
1922
|
Op.70
|
TrV 243
|
—
|
Schlagobers, ballet in 2 acts
- See also TrV 243.
|
1921–22
|
Op.70
|
TrV 243a
|
—
|
Schlagobers, suite from the ballet, for orchestra
- Arranged from TrV 243.
|
1932
|
Op.87/2
|
TrV 244
|
AV 106
|
Erschaffen und Beleben ("Hans Adam war ein Erdenkloß"), song for voice and piano
|
1922
|
—
|
TrV 245
|
AV 107
|
Tanzsuite nach Klavierstücken von François Couperin (Dance Suite after Couperin), for small orchestra
- Based on keyboard works by François Couperin. Later incorporated into TrV 245a.
|
1923
|
—
|
TrV 245a
|
AV 128
|
Verklungene Feste, ballet in 1 act
- Incorporating TrV245. Extracts re-used in TrV 245b.
|
1940-41
|
Op.86
|
TrV 245b
|
—
|
Divertimento, aus Klavierstücke von François Couperin, for small orchestra
- Incorporating extracts from TrV 245a.
|
1940–41
|
Op.72
|
TrV 246
|
—
|
Intermezzo, bürgerliche Komödie mit sinfonischen Zwischenspielen in 2 acts
- See also TrV 246a.
|
1918–23
|
—
|
TrV 246a
|
—
|
Intermezzo, sinfonische Zwischenspiele (4), for orchestra
- Extracted from TrV 246.
|
1929
|
—
|
TrV 247
|
AV 108
|
Hochzeitspräludium (Wedding Prelude) in B♭ major, for 2 harmoniums
|
1924
|
—
|
TrV 248
|
AV 109
|
Wiener Philharmoniker Fanfare (Vienna Philharmonic Fanfare), for brass and timpani
|
1924
|
—
|
TrV 249
|
AV 190
|
The Ruins of Athens, incidental music
- Arrangement of Beethoven's incidental music.
|
1924
|
—
|
TrV 250
|
AV 110
|
Fanfare zur Eröffnung der Musikwoche der Stadt Wien im September 1924, for brass and timpani
|
1924
|
—
|
TrV 251
|
AV 111
|
Durch allen Schall und Klang, song for voice and piano
|
1925
|
—
|
TrV 252
|
AV 113
|
Hymne auf das Haus Kohorn, for 2 tenors and 2 bass voices
|
1925
|
—
|
TrV 253
|
AV 260
|
Sinfonie zu drei Themen ("Trigon") in E flat major, for orchestra
- Incomplete.
|
1925?
|
Op.74
|
TrV 254
|
—
|
Panathenäenzug, symphonische Etüden in Form einer Passacaglia, for piano left hand and orchestra
|
1927
|
Op.75
|
TrV 255
|
—
|
Die ägyptische Helena (The Egyptian Helen), opera in 2 acts
|
1923–27, 1932–33, 1940
|
Op.76
|
TrV 256
|
—
|
Die Tageszeiten, for male chorus and orchestra
|
1928
|
Op.77
|
TrV 257
|
—
|
Gesänge des Orients (Songs of the Orient), for voice and piano:
- Ihre Augen
- Schwung
- Liebesgeschenke
- Die Allmächtige
- Huldigung
|
1928
|
—
|
—
|
AV 116
|
Wie etwas sei leicht, song for voice and piano
|
1930
|
Op.87/3
|
TrV 258
|
AV 114
|
Und dann nicht mehr, song for voice and piano
|
1929
|
Op.78
|
TrV 259
|
—
|
Austria, for male chorus and orchestra
|
1929
|
Op.87/1
|
TrV 260
|
AV 115
|
Vom künftigen Alter ("Der Frost hat mir bereifet"), song for voice and piano
|
1929
|
—
|
TrV 261
|
—
|
Spruch, for voice and piano
|
1930
|
—
|
TrV 262
|
AV 117, 191
|
Interlude in C minor, for Mozart's opera Idomeneo
|
1930
|
Op.79
|
TrV 263
|
—
|
Arabella, lyrische Komödie in 3 acts
|
1929–32
|
Op.88/1
|
TrV 264
|
AV 118
|
Das Bächlein ("Du Bächlein silberhell und klar"), song for voice and piano
- Also arranged for voice and orchestra (1935).
|
1933
|
Op.80
|
TrV 265
|
—
|
Die schweigsame Frau (The Silent Woman), comic opera in 3 acts
|
1933–34
|
—
|
TrV 266
|
AV 119
|
Olympische Hymne ("Völker! Seid des Volkes Gäste"), for mixed chorus and orchestra
|
1934
|
—
|
TrV 267
|
AV 120
|
Die Göttin im Putzzimmer ("Welche chaotische Haushälterei"), for double mixed chorus
|
1935
|
Op.87/4
|
TrV 268
|
AV 121
|
Im Sonnenschein ("Noch eine Stunde lasst mich hier verweilen"), song for voice and piano
|
1935
|
—
|
TrV 269
|
AV 122
|
Zugemessne Rhythmen reizen freilich, song for voice and piano
|
1935
|
—
|
TrV 270
|
AV 123
|
Männerchöre (3) for male chorus:
- Vor den Türen
- Traumlicht
- Fröhlich im Maien
|
1935
|
Op.81
|
TrV 271
|
—
|
Friedenstag (Peace Day), opera in 1 act
|
1935–36
|
Op.82
|
TrV 272
|
—
|
Daphne, bukolische Tragödie in 1 act
- See also TrV 272a, TrV 272b.
|
1936–37
|
—
|
TrV 272a
|
AV 137
|
An den Baum Daphne ("Geliebter Baum!"), for mixed chorus
- Epilogue to Daphne, TrV 272.
|
1943
|
—
|
TrV 272b
|
AV 141
|
Daphne-Etude in G major, for violin
- Arranged from Daphne, TrV 272.
|
1945
|
—
|
TrV 273
|
AV 124
|
Durch Einsamkeiten, for male chorus
|
1938
|
—
|
TrV 274
|
AV 125
|
München, ein Gelegenheitswalzer (commemorative waltz), for orchestra
- 1st verson of TrV 274a.
|
1939
|
—
|
TrV 274a
|
AV 140
|
München, ein Gelegenheitswalzer (commemorative waltz), for orchestra
- 2nd verson of TrV 274.
|
1945
|
—
|
TrV 275
|
AV 126
|
Hab Dank du güt'ger Weisheitsspender, for solo bass voice
|
1939
|
—
|
TrV 276
|
AV 127
|
Notschrei aus den Gefilden Lapplands, for solo soprano or tenor voice
|
1940
|
Op.84
|
TrV 277
|
—
|
Japanische Festmusik (Festmusik zur Feier des 2600-jährigen Bestehens des Kaiserreichs Japan), for orchestra
|
1940
|
Op.83
|
TrV 278
|
AV 256
|
Die Liebe der Danae, opera in 3 acts
|
1938–40
|
Op.85
|
TrV 279
|
—
|
Capriccio, Ein Konversationstück für Musik in 1 act
- See also TrV 279a, TrV 279b, TrV 279c.
|
1940–41
|
Op.85
|
TrV 279a
|
—
|
String Sextet, for 2 violins, 2 violas and 2 cellos
- Arranged from Capriccio, TrV 279.
|
1943
|
Op.85
|
TrV 279b
|
—
|
Capriccio, dances from the opera, for violin, cello and harpsichord
|
1943
|
Op.85
|
TrV 279c
|
AV 138
|
Capriccio, suite from the opera, for harpsichord or piano
|
1944
|
Op.88/3
|
TrV 280
|
AV 129
|
Sankt Michael ("Ein Mahl für uns und ein Licht für dich"), song for voice and piano
|
1942
|
Op.88/2
|
TrV 281
|
AV 130
|
Blick vom oberen Belvedere ("Fülle du! Gezier und schöner"), song for voice and piano
|
1942
|
—
|
TrV 282
|
AV 131
|
Xenion ("Nichts vom Vergänglichen wie's auch geschal"), song for voice and piano
|
1942
|
—
|
TrV 283
|
AV 132
|
Horn Concerto No.2 in E flat major
|
1942
|
—
|
TrV 284
|
AV 291
|
Die Donau, for organ, chorus, and orchestra
- Incomplete.
|
1941-42
|
—
|
TrV 285
|
AV 192
|
Kupelwieser-Walzer in G♭ major, arrangement for piano
- Arranged from Schubert's "Kupelwieser-Walzer," Anh.I/14.
|
1943
|
—
|
TrV 286
|
AV 133
|
Festmusik der Stadt Wien, for brass and timpani
|
1942–43
|
—
|
TrV 287
|
AV 134
|
Wiener Fanfare, for brass and timpani
|
1943
|
—
|
TrV 288
|
AV 135
|
Sonatine No.1 in F major ("Aus der Werkstatt eines Invaliden", "From the Workshop of an Invalid"), for 16 wind instruments
|
1943
|
—
|
TrV 289
|
AV 136
|
Wer tritt herein, song for solo soprano or tenor voice
|
1943
|
—
|
TrV 290
|
AV 142
|
Metamorphosen, study for 23 solo strings
|
1945
|
—
|
TrV 291
|
AV 143
|
Sonatine No.2 in E♭ major ("Fröhliche Werkstatt"), for 16 wind instruments
|
1944–45
|
—
|
TrV 292
|
AV 144
|
Oboe Concerto in D major
|
1945, 1948
|
—
|
TrV 293
|
AV 147
|
Duett-Concertino, for clarinet, bassoon, harp and strings
|
1947
|
—
|
TrV 294
|
AV 300
|
Des Esels Schatten (The Donkey's Shadow), opera
- Incomplete.
|
1947–48
|
—
|
TrV 295
|
AV 149
|
Allegretto in E major, for violin and piano
|
1948
|
—
|
TrV 296
|
AV 150
|
Letzte Lieder (Last Songs) (4), for soprano and orchestra:
- Frühling ("In dämmrigen Grüften träumte ich lang")
- September ("Der Garten trauert, kühl sinkt in die Blumen der Regen")
- Beim Schlafengehen ("Nun der Tag mich müd' gemacht")
- Im Abendrot ("Wir sind durch Not und Freude gegangen Hand in Hand")
|
1948
|
—
|
TrV 297
|
AV 304
|
Malven ("Aus Rosen"), song for voice and piano
- Incomplete.
|
1948
|
—
|
TrV 298
|
AV 306
|
Besinnung, for mixed chorus and orchestra
- Incomplete.
|
1949
|