The following information is given for each work, where available:
Opus | Title | Forces | Key | Date | Genre | Published | Notes |
---|---|---|---|---|---|---|---|
Op. | 1John of Damascus (Иоанн Дамаскин) | ch orch | 1883–84 | Vocal | 1886 | ||
Op. | 4String Quartet No.1 | 2vn va vc | B♭ minor | 1890 | Chamber | 1892 | |
Op. | 5String Quartet No.2 | 2vn va vc | C major | 1894–95 | Chamber | 1896 | |
Op. | 6Oresteia (Орестея) | orch | 1889 | Orchestral | 1897 | Overture based on themes from the "opera-trilogy" of the same name (1887–94). Also arr. for pf4h. | |
Op. | 7String Quartet No.3 | 2vn va vc | D minor | 1886, rev. 1896 | Chamber | 1898 | |
Op. | 8Sunrise (Восход солнца) | ch | 1897? | Vocal | 1898 | ||
Op. | 9 Romances (2):
|
v mand pf | 1896–97 | Vocal | 1899 | Revised versions of the choruses Venice at Night (1877) and Serenade (1877). | |
Op.10 | From Border to Border (Из края в край) | 2ch | 1898–99 | Vocal | 1899 | ||
Op.11 | String Quartet No.4 | 2vn va vc | A minor | 1898–99 | Chamber | 1900 | |
Op.12 | Symphony No.4 | orch | C minor | 1896–98 | Orchestral | 1901 | Originally published as "Symphony No.1". |
Op.13 | String Quartet No.5 | 2vn va vc | A major | 1902–03 | Chamber | 1903 | |
Op.14 | String Quintet No.1 | 2vn va 2vc | G major | 1900–01, rev. 1903 | Chamber | 1904 | |
Op.15 | Choruses a cappella (2):
|
ch | 1900 | Vocal | 1904 | ||
Op.16 | String Quintet No.2 | 2vn 2va vc | C major | 1903–04 | Chamber | 1905 | |
Op.17 | Romances (10):
|
v pf | 1905 | Vocal | 1905 | Nos.2 & 3 are the 2nd version of From Shelley (1895). No.5 is the a revised version of Not the Wind Blowing from the Heights (1884). No.7 was written in 1878. No.10 is a revised version of No.3 of 3 Songs (1877). | |
Op.18 | Duets (2):
|
mez ten pf (No.1) ten bar pf (No.2) |
1900–05 | Vocal | 1906 | Also arr. for 2vv orch. No.1 is the 2nd version of How Tender You Are, Silver Night (1883) No.2 is the 2nd version of Bacchic Song (1884). | |
Op.19 | String Quartet No.6 | 2vn va vc | B♭ major | 1903–05 | Chamber | 1906 | |
Op.20 | Piano Quartet | vn va vc pf | E major | 1902–06 | Chamber | 1907 | |
Op.21 | String Trio | 2vn va | D major | 1907 | Chamber | 1909 | |
Op.22 | Piano Trio | vn vc pf | D major | 1906–08 | Chamber | 1908 | |
Op.23 | Terzettos (3):
|
sop alt ten pf | 1907 | Vocal | 1908 | ||
Op.24 | Quartets (2):
|
2sop alt ten pf | 1907 | Vocal | 1908 | No.2 is 2nd version of To Adèle (1887). | |
Op.25 | It Blows from the Lake (С озера веет прохлада и нега) | sop alt ten pf | 1909 | Vocal | Revision of 1st version (1881). Also arr. for sop alt ten orch (Jurgenson, 1915) | ||
Op.26 | Poems (Стихотворений) (10):
|
v pf | 1908 | Vocal | 1909 | From Ellis's Immortelles. No.2 also arr. for v vn vc pf. | |
Op.27 | Choruses a cappella (12):
|
ch/2ch | 1909 | Vocal | 1910–11 | In 3 volumes, each of 4 pieces: 1 volume - 4-voice choruses, 2 volume - 5-voice choruses, 3 volume - 6-8- voice choruses | |
Op.28 | Concert Suite
|
vn orch | 1908–09 | Orchestral | 1910 | Also arr. for vn pf | |
Op.29 | Prelude and Fugue | pf | G♯ minor | 1910 | Keyboard | 1910 | Also arr. for 2pf |
Op.30 | Piano Quintet | 2vn va vc pf | G minor | 1910–11 | Chamber | 1912 | |
Op.31 | String Trio | vn va tva | E♭ major | 1910–11 | Chamber | 1911 | |
Op.32 | Poems (Стихотворений) (4):
|
v pf | 1911 | Vocal | 1911 | Texts by Yakov Polonsky | |
Op.33 | Poems (Стихотворений) (5):
|
v pf | 1911 | Vocal | 1912 | Texts by Yakov Polonsky | |
Op.34 | Poems (7):
|
v pf | 1911–12 | Vocal | 1912 | Texts by Yakov Polonsky | |
Op.35 | Choruses a cappella for male voices (16):
|
mch | 1912–13 | Vocal | 1914 | ||
Op.36 | At the Reading of a Psalm (По прочтении псалма) | 4vv ch orch | 1912–15 | Vocal | 1923 | Words by Aleksey Khomyakov | |
— | A Voice in the Forest (Голос в лесу) | ten pf | A♭ major | 1880 | Vocal | 1965 | |
— | Adagio | orch | C major | 1875? | Orchestral | 1950 | |
— | Andante | 2fl 2ob 2cl 2bn 2hn | E♭ major | ? | Chamber | ||
— | Andantino semplice | pf | B minor | ? | Keyboard | 1953 | |
— | Apotheosis of the Artist (Апофeоз художника) | bass ch pf | 1881 | Vocal | For Fyodor Maslov's birthday | ||
— | Canzona | cl str | F minor | 1883 | Orchestral | 1947 | For clarinet and strings |
— | Ceremonial Chorus for the Arrival of Guests (Триумфальный хор для въезда гостей) | ch | 1880 | Vocal | |||
— | Cherubim's Song (Херувимская песнь) | ch | 1880 | Vocal | |||
— | Chorale Variations | org | 1894 | Keyboard | 1914 | ||
— | Choruses (2):
|
ch | 1909–10? | Chamber | 1981 (No.2) | ||
— | Choruses for Male Voices (3)
|
mch | 1880 | Vocal | 1881 | No.2 is the 2nd version of the chorus Venice at Night (1877), and was revised as No.1 of 2 Romances (1896–97). | |
— | Choruses for Male Voices (2):
|
mch | 1881 | Vocal | 1882 | ||
— | Civil Servants' Quartet (Квартeт чиновников) | v ch 2vn va vc | 1879 | Chamber | |||
— | Comic Canons (Шуточных канона) (3) | ch | 1895 | Vocal | For Leonid Sabaneyev. To Esperanto texts. | ||
— | Comic Fugues (2):
|
alt bar bass (No.1) alt ten bass (No.2) |
1880 | Vocal | 1981 | Words by Kozmy Prutkov | |
— | Convertible Counterpoint in the Strict Style (Подвижной контрапункт строгого письма) | Writings | 1909 | Music theory text book | |||
— | Cradle Song (Колыбельная пeсня) | v pf | A♭ major | 1896 | Vocal | 1916 | |
— | Duets (2):
|
2bass pf | 1879 | Vocal | 1981 | ||
— | Duets (2)
|
2bass pf | 1884 | Vocal | 1981 (No.1) | No.2 was revised as Op.18/2. | |
— | Duets (2)
|
2bass pf | 1886 | Vocal | 1981 | ||
— | Duets (2):
|
sop alt pf | 1891 | Vocal | 1963 | ||
— | Evening Song (Вечерняя песня) | mch | 1881 | Vocal | 1882? | ||
— | Irmos (Ирмос) (В церковь небесную) | ch | 1879 | Vocal | From the First Hymn of Epiphany. | ||
— | From Hafiz (Из Гафиза) | bar pf | E♭ major | 1886 | Vocal | 1979 | |
— | From Medieval Life (Из средневековой жизни) | v pf | F major | 1876–80? | Vocal | 1979 | |
— | From Shelley (Из Шелли) (2):
|
v pf | 1895 | Vocal | Revised as Nos.2 and 3 of 10 Romances, Op.17 (1905). | ||
— | From Schiller (Из Шиллера) | ten bass pf | 1881 | Vocal | |||
— | Fugue | ch | C minor | 1883 | Vocal | ||
— | Fugue on a Russian Folksong | ch | 1879 | Vocal | |||
— | Glory to N.G. Rubinstein (Слава Н. Г. Рубинштейну) | 4vv ch orch | 1874 | Vocal | Based on the Russian Folksong "Glory to you, God" (Слава Богу на небе). | ||
— | Glory to Saints Cyril and Methodius (Слава святым Кириллу и Мефодию) | ch | 1885 | Vocal | |||
— | God be Merciful unto Us (Божe! будь милостив к нам) | ch | 1874–75 | Vocal | |||
— | How Tender You Are, Silver Night (Как нежишь ты, серебряная ночь) | ten bass pf | 1883 | Vocal | Revised as Op.18/1 | ||
— | I Have Built myself a Monument Not Made by Hands (Я памятник себе воздвиг нерукотворный) | ch orch | E♭ major | 1880 | Vocal | 1937 | Cantata for the unveiling of the Pushkin memorial in Moscow. |
— | I Want to Lie in Bed (Лeчь бы в кровати) | ch | 1880 | Vocal | Vocal quartet | ||
— | Improvisations (4):
|
pf | 1896 | Keyboard | 1923 | Composed jointly with Anton Arensky, Aleksandr Glazunov and Sergey Rachmaninoff. | |
— | It Blows from the Lake (С озера веет прохлада и нега) | sop alt ten pf | 1881 | Vocal | First version of Op.25; Also arr. for sop alt ten orch. | ||
— | Italian Songs (2):
|
sop alt ten bass pf (No.1) sop alt bass pf (No.2) |
1880 | Vocal | arr. from songs by Labriola and Cottrau | ||
— | Little-Russian Songs (8): (Малорусских песен) (8):
|
v pf | 1880–90? | Vocal | arr. from a collection by Nikolay Yanchuk. | ||
— | Lullaby (Колыбельная) | pf | B♭ major | 1881 | Keyboard | 1953 | |
— | Madrigal | ch | 1884 | Vocal | 1981 | ||
— | March | ob 3tbn glock 2pf harm vc 1open | 1877 | Chamber | |||
— | March | pf | D minor | 1879 | Keyboard | 1953 | |
— | March | pf4h | C major | 1881 | Keyboard | 1981 | |
— | Netherlandish Fantasia on a Russian Theme (Нидерландская фантазия на русскую тему) | 12vv | 1880 | Vocal | 1981 | ||
— | Noon (Полдень) | alt bass pf | 1881 | Vocal | 1981 | ||
— | Not the Wind Blowing from the Heights (Не ветер, вея с высоты) | bass pf | 1884 | Vocal | Serenade on the departure of the Marquise de Fige. Revised as No.5 of 10 Romances, Op.17 (1905). | ||
— | Once to a Priest's Wife (Однажды к попадье) | mch | 1880 | Vocal | 1981 | ||
— | Oresteia (Орестея) | vv ch orch | 1887–94 | Stage | 1900 | Musical trilogy. Themes re-used in overture Oresteia, Op.6 (1889). | |
— | Overture | orch | G minor | 1874–75 | Orchestral | ||
— | Overture | orch | D minor | 1875 | Orchestral | 1955 | Graduation work |
— | Overture on a Russian Theme (Увертюра на русскую тему) | orch | C major | 1882 | Orchestral | 1948 | The main theme, a song about Tatar occupation, «Как за речкою да за Дарьеву» (Beyond the River Darya), is taken from the collection 100 Russian Folk Songs, compiled by Nikolay Rimsky-Korsakov. |
— | Piano Concerto | pf orch | E♭ major | 1875–76 | Orchestral | 1953 | Unfinished; 2 movts. only. |
— | Piano Sonata | pf | E♭ major | 1874–75 | Chamber | Unfinished; 1st movt. only | |
— | Prayer (Se premas min dolore) (Молитва) (В минуту жизни трудную) | v pf | 1896 | Vocal | Esperanto text. The manuscript written by L. Sabaneyev is in the Library of Congress | ||
— | Prelude | pf | F major | 1894–95 | Keyboard | 1904 | Also arr. for pf4h |
— | Quadrille | orch | D major | 1872–73 | Orchestral | ||
— | Quadrille | pf | A major | 1879 | Keyboard | 1953 | |
— | Repose (Elegy) (Отдохновeние) (Элегия) | pf | F♯ minor | 1880 | Keyboard | 1953 | |
— | Sacred Pieces (Песнопения) (3):
|
ch | 1883 | Vocal | |||
— | Scherzo | pf | E♭ minor | 1874–75 | Keyboard | 1953 | |
— | Scherzos (4) | pf | 1875 | Keyboard | 1953 | ||
— | Serenade | ch | 1877 | Vocal | 1952 | ||
— | Sonatina for Jan Hřímalý (Сонатина для Ивана Гржимали) | vn pf | A major | 1895 | Chamber | 1st movt. only, for a collaborative work with Sergey Morozov, Arseny Koreshchenko and Georgy Konyus. | |
— | Songs (3):
|
v pf | 1877 | Vocal | 1979 | No.3 was revised as No.10 of 10 Romances, Op.17 (1905). | |
— | Songs (3):
|
v hp pf | 1882 | Vocal | 1979 | ||
— | Still Sweltering from the Heat (Не остывшая от зноя) | sop alt ten pf | 1907 | Vocal | 1977 | Originally intended to be part of Op.23 | |
— | String Quartet | 2vn va vc | D minor | 1874–76 | Chamber | 1952 | |
— | String Quartet [No.7] | 2vn va vc | E♭ major | 1880 | Chamber | 1952 | The 1st of 3 early unpublished quartets. |
— | String Quartet [No.8] | 2vn va vc | C major | 1882–83 | Chamber | 1952 | Original sketches date from October 1880. First 2 movts. written in 1882, the last 2 in 1883. |
— | String Quartet [No.9] | 2vn va vc | A major | 1881-1883 | Chamber | 1952 | Only performed once, privately, during Taneyev's lifetime. |
— | String Quartet | 2vn va vc | C minor | 1911 | Chamber | 1952 | Unfinished; 2 movts. only |
— | String Trio | vn va vc | B minor | ? | Chamber | 1952 | Unfinished; 2 movts. only |
— | String Trio (Струнное трио) | vn va vc | D major | 1879–80 | Chamber | 1956 | |
— | Summer Night (Летняя ночь) | v pf | 1874 | Vocal | 1979 | ||
— | Symphony for Children’s Instruments (Симфония для детских инструментов) | orch | 1895? | Orchestral | |||
— | Symphony No.1 | orch | E minor | 1873–74 | Orchestral | 1948 | |
— | Symphony No.2 | orch | B♭ minor | 1877–78 | Orchestral | 1977 | Unfinished; 3 movts. only. |
— | Symphony No.3 | orch | D minor | 1884 | Orchestral | 1947 | |
— | Terzettos (2):
|
ten bar bass | 1880 | Vocal | 1966 | Also arr. for sop alt ten pf | |
— | Terzettos (2):
|
mch | 1887 | Vocal | 1981 | ||
— | The Approach of Spring (Близость весны) | sop alt pf | 1891 | Vocal | 1981 | ||
— | The Composer’s Birthday (Дeнь рождeния композитора) | pf | 1892 | Keyboard | Musical joke based on themes by Pyotr Tchaikovsky. | ||
— | The Echo (Эхо) | ch | 1888 | Vocal | |||
— | The Evening Bell (Sonoriloi di verspero) (Вечерние колокола) | v pf | 1894–96? | Vocal | Esperanto text. Music is lost | ||
— | The Godsend (Находка) | v pf | A♭ major | 1878 | Vocal | 1922 | Text by Goethe |
— | The Knight Struck Down (Сраженный рыцарь) | mch | E minor | 1887 | Vocal | 1981 | |
— | The Old Knight (Старый рыцарь) | sop pf | E minor | 1870s? | Vocal | 1979 | Ballad |
— | The Moon in a Blue Sky (Луна на нeбе голубом) | v pf | A♭ major | 1876 | Vocal | 1979 | |
— | Pine (Сосна) | ch | 1877 | Vocal | 1940 | ||
— | The Sea Heaves (Колышeтся морe) | bass pf | 1884 | Vocal | 1979 | ||
— | The Valley in the Evening Twilight (В вечернем сумраке долина) | 2bass pf | 1877 | Vocal | 1981 | ||
— | Theme and Variations | pf | C minor | 1874 | Keyboard | 1953 | |
— | To Adèle (Адели) | 4bass pf | 1887 | Vocal | Revised as Op.24/2. | ||
— | To Her (К ней) | v pf | 1890 | Vocal | 1979 | ||
— | Tomorrow I Shall Sit by the Little Window (Сяду завтра я к окошeчку) | 4vv | 1887 | Vocal | |||
— | Ukrainian Folk Songs | v (+ pf) | 1880–90? | Vocal | arr. from the collection by V. D. Stengelmeier. | ||
— | Variations on a Favourite Theme (Вариации на любимейшую тему) | v mand pf | 1897 | Vocal | |||
— | Variations on a Theme of Mozart (Вариации на тему Моцарта) | 2pf | 1880 | Keyboard | |||
— | Venice at Night (Венеция ночью) | ch | 1877 | Vocal | Revised as No.1 of 3 Choruses for Male Voices (1880), and again as No.1 of 2 Romances (1896–97). | ||
— | Violin Sonata | vn pf | A minor | 1911 | Chamber | 1948 | |
— | What is My Name to Thee? (Что тебе в имeни моём?) | sop pf | E major | 1877 | Vocal | ||
— | The Treacherous Servant Slew the Paladin (Измeной слуга паладина убил) | v pf | B♭ minor | 1874 | Vocal | 1979 |
This section lists works by other composers that were arranged, transcribed, edited, translated or otherwise adapted by Sergey Taneyev. The name of the original composer and title of the original works are shown first, followed by details of Taneyev's adaptation.