Nocturne in F major, H 62 (Field, John)

Incipit	$\new PianoStaff << \new Staff { \key f \major \time 3/4 \tempo "Molto moderato" << \new Voice \relative c' { \voiceOne f2(\p a4 \| c4 ~ c8 bes a g) \| f8 a c bes a g \| f4 } \new Voice \relative c' { \voiceTwo s2. \| e2. \| f8 r8 r4 e \| s4 } >> } \new Staff { \key f \major \time 3/4 \clef bass \relative c { R2. \| <c g' bes>2.-> \| <f a>8 r8 r4 <c g' bes> \| <f a> } } >>$
Movements/SectionsMov'ts/Sec's	Molto moderato
First Publication	1836 – Paris: Richault (Plate 2414 R) 1836 – Vienna: Diabelli & Co. (Plate 5669)
Genre Categories	For piano (arr); For 1 player (arr); Scores featuring the piano (arr)

Sheet Music

Complete Score
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Arranger	Composer
Editor	Louis Köhler (1820–1886) Louis Winkler (1813–1886)
Publisher. Info.	17 Nocturnes, No.16 Braunschweig: Litolff, n.d.[1870]. Plate 2774.
Copyright	Public Domain [tag/del]
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Complete Score (scan)
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Arranger	Composer
Editor	Louis Köhler (1820–1886)
Publisher. Info.	18 Nocturnes, No.16 (pp.58-60) Leipzig: C.F. Peters, n.d.(ca.1881). Plate 6515.
Copyright	Public Domain [tag/del/mrg]
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Arranger	Composer
Editor	Hugo Riemann (1849–1919)
Publisher. Info.	17 Nocturnes und Cavatine Reviens, No.16 Leipzig: Steingräber, n.d.[1890]. Plate 398.
Copyright	Public Domain [tag/del]
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Arranger	Composer
Editor	Victor Alphonse Duvernoy (1842–1907)
Publisher. Info.	17 Nocturnes, No.16 (pp.58-60) Vienna: Universal Edition, n.d.[1901]. Plate U.E. 61.
Copyright	Public Domain [tag/del]
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Work Title	Nocturne in F major
Alternative. Title	Nocturne No.16 ; 16e Nocturne pour le Piano-Forte avec Accompt. de deux Violons, Alto et Basse ad libitum
Composer	Field, John
Opus/Catalogue NumberOp./Cat. No.	H 62
I-Catalogue NumberI-Cat. No.	None [force assignment]
Key	F major
Movements/SectionsMov'ts/Sec's	Molto moderato
First Publication.	1836 – Paris: Richault (Plate 2414 R) 1836 – Vienna: Diabelli & Co. (Plate 5669)
Dedication	à S.E. Madame la Princesse de Galitzen, née Suvuroff
Composer Time PeriodComp. Period	Romantic
Piece Style	Romantic
Instrumentation	2 violins (ad lib.), viola (ad lib.), cello (ad lib.), piano
Extra Information	The two editions from 1836 are the only ones documented by Hopkinson that are for the original setting. Beginning in 1870, publishers omitted the ad lib. accompaniment parts, treating it as a work for piano solo.