IMSLP:Featured/Archive

Archive 11—2020–April 2025

• Gussie Davis’s We Sat Beneath the Maple on the Hill, published by F.B. Haviland.
• The first edition of Prokofiev’s 5 Mélodies, Op.35, published by Gutheil.
• The first edition of Mayer’s Piano Trio, Op.16, published by Challier & Co.
• The holograph manuscript of Zelenka’s Missa Circumcisionis, ZWV 11.
• The first edition of Ethelbert Nevin’s Wynken, Blynken and Nod, Op.9, published by Boston Music Co.
• The first edition of Gussie Davis’s Till the Snow-Flakes Come Again, published by George Propheter.
• The first edition of Prokofiev’s Overture on Hebrew Themes, Op.34, published by Gutheil.
• The first edition of Mayer’s Piano Trio, Op.13, published by Challier & Co.
• The holograph manuscript of Zelenka’s Missa Charitatis, ZWV 10.
• The first edition of Ethelbert Nevin’s The Woodpecker, published by John Church Co.
• The first edition of Gussie Davis’s Sing Again that Sweet Refrain, published by Spaulding & Gray.
• The full score and complete parts of Prokofiev’s The Love for Three Oranges (suite), Op.33bis, published by Muzyka and Russischer Musikverlag.
• The first edition of Mayer’s Piano Trio, Op.12, published by Challier & Co.
• The holograph manuscript of Zelenka’s Miserere, ZWV 57.
• The first edition of Ethelbert Nevin’s When All the World Is Young, Lad, published by Ditson.
• The first edition of Gussie Davis’s Nearing the Harbor, published by T.B. Harms.
• The first edition of Prokofiev’s 4 Pieces for Piano, Op.32, published by Gutheil.
• The holograph manuscript of Mayer’s Piano Trio in E-flat major.
• The holograph manuscript of Zelenka’s Miserere, ZWV 56.
• The first edition of Ethelbert Nevin’s Water Scenes, Op.13, published by Boston Music Co.
• The first edition of Gussie Davis’s My Creole Sue, published by Hamilton S. Gordon.
• The first edition of Prokofiev’s Tales of an Old Grandmother, Op.31, published by Gutheil.
• The (partial) holograph manuscript of Mayer’s Piano Trio in E minor.
• The holograph manuscript of Zelenka’s Memento Domine David, ZWV 98.
• The first edition of Ethelbert Nevin’s La Vie, published by Boston Music Co.
• The first edition of Gussie Davis’s McCarthy the Pride of the Force, published by George Propheter.
• The first edition of Prokofiev’s Piano Sonata No.4, Op.29, published by Gutheil.
• The holograph manuscript of Mayer’s Piano Trio in D minor.
• The holograph manuscript of Zelenka’s 6 Marches, ZWV 212.
• The first edition of Ethelbert Nevin’s Une vieille chanson, published by Boston Music Co.
• The first edition of Gussie Davis’s Irene, Good Night, published by Geo. Propheter.
• The first edition of Prokofiev’s Piano Sonata No.3, Op.28, published by Gutheil.
• The holograph manuscript of Mayer’s Piano Trio in A minor.
• The holograph manuscript of Zelenka’s Magnificat, ZWV 108.
• The first edition of Gussie Davis’s In the Baggage Coach Ahead, published by Howley, Haviland & Co.
• The first edition of Prokofiev’s 5 Poems, Op.27, published by Gutheil.
• The holograph manuscript of Mayer’s Piano Sonata in D minor.
• The holograph manuscript of Zelenka’s Magnificat, ZWV 107.
• The first edition of Ethelbert Nevin’s Ti saluto!, published by Boston Music Co.
• The first edition of Gussie Davis’s I've Been Hoodoo'd, published by Spaulding & Gray.
• The first edition of Prokofiev’s Piano Concerto No.3, Op.26, published by Gutheil.
• The holograph manuscript of Mayer’s Piano Sonata in D major.
• The holograph manuscript of Zelenka’s Litaniae Xaverianae, ZWV 156.
• The first edition of Ethelbert Nevin’s Summer Longings, published by Oliver Ditson.
• The first edition of Gussie Davis’s The Fatal Wedding, published by George L. Spaulding.
• The first edition of Prokofiev’s Symphony No.1, Op.25, published by Editions Russes de Musique.
• The holograph manuscript of Mayer’s Piano Quartet in E-flat major.
• The holograph manuscript of Zelenka’s Litaniae Xaverianae, ZWV 155.
• The first edition of Ethelbert Nevin’s Stars of the Summer Night, published by Oliver Ditson.
• The first edition of Gussie Davis’s The Dear Old Folks at Home, published by John Church.
• Prokofiev’s 5 Poems, Op.23, published by Muzgiz.
• The holograph manuscript of Mayer’s Piano Concerto in B-flat major.
• The holograph manuscript of Zelenka’s Litaniae Xaverianae, ZWV 154.
• The first edition of Ethelbert Nevin’s 2 Songs, Op.22, published by Boston Music Co.
• The first edition of Gussie Davis’s Come Back to the Home that You Deserted, published by Howley, Haviland & Co.
• The first edition of Prokofiev’s Visions fugitives, Op.22, published by Gutheil.
• The holograph manuscript of Mayer’s Overture No.3.
• The holograph manuscript of Zelenka’s Litaniae Lauretanae, ZWV 152.
• The first edition of Ethelbert Nevin’s 3 Songs, Op.17, published by Boston Music Co.
• The first edition of Gussie Davis’s Clime Up de Ladder to de Clouds, published by Hitchcock and McCargo.
• The first edition of Prokofiev’s Chout Suite, Op.21bis, published by Gutheil.
• The holograph manuscript of Mayer’s Overture No.2.
• The holograph manuscript of Zelenka’s Litaniae Lauretanae, ZWV 151.
• The first edition of Ethelbert Nevin’s 5 Songs, Op.12, published by Boston Music Co.
• The first edition of Gussie Davis’s Bring Back to My Life the Sunshine, published by Howley, Haviland & Co.
• The first edition of Prokofiev’s Scythian Suite, Op.20, published by Gutheil.
• The holograph manuscript of Mayer’s Overture in D minor.
• The holograph manuscript of Zelenka’s Litaniae Lauretanae, ZWV 150.
• The first edition of Ethelbert Nevin’s 5 Songs, Op.5, published by Boston Music Co.
• The first edition of Gussie Davis’s Black Balled in de Lime Kiln Club, published by Spaulding & Gray.
• The first edition of Prokofiev’s Violin Concerto No.1, Op.19, published by Gutheil.
• The holograph manuscript of Mayer’s Overture in C minor.
• The holograph manuscript of Zelenka’s Litaniae Lauretanae, ZWV 149.
• The first edition of Ethelbert Nevin’s 3 Songs, Op.3, published by Boston Music Co.
• The first edition of Gussie Davis’s Beyond Pardon, Beyond Recall, published by Spaulding & Gray.
• The first edition of Prokofiev’s Toccata, Op.11, published by P. Jurgenson.
• The first edition of Mayer’s Notturno, Op.48, published by Carl Simon.
• The holograph manuscript of Zelenka’s Litaniae de Venerabili Sacramento, ZWV 148.
• The first edition of Ethelbert Nevin’s Songs from Vineacre, Op.28, published by John Church.
• The first edition of Gussie Davis’s And the Court Adjourned, published by Howley, Haviland & Co.
• Prokofiev’s Piano Concerto No.1, Op.10, published by Muzgiz.
• The first edition of Mayer’s Mazurka, Op.33, published by Prütz & Mauri.
• The holograph manuscript of Zelenka’s Litaniae de Venerabili Sacramento, ZWV 147.
• Ethelbert Nevin’s Sketchbook, Op.2, published by Boston Music Co.
• The holograph manuscript of Nunes Garcia’s Novena de Sta. Bárbara, CPM 65.
• Prokofiev’s 2 Poems, Op.9, published by Muzgiz.
• The holograph manuscript of Mayer’s Marcia in A major.
• The holograph manuscript of Zelenka’s Laudate pueri, ZWV 82.
• Ethelbert Nevin’s Serenade, published by Schirmer.
• The first edition of Nunes Garcia’s No momento da partida meu coração t'entreguei, CPM 238, published by Pierre Laforge.
• Prokofiev’s 4 Pieces for Piano, Op.4, published by Muzgiz.
• The holograph manuscript of Mayer’s Marcia funèbre.
• The holograph manuscript of Zelenka’s Laudate pueri, ZWV 81.
• Ethelbert Nevin’s The Rosary, published by Boston Music Co.
• The holograph manuscript of Nunes Garcia’s Missa de Santa Cecília, CPM 113.
• The first edition of Prokofiev’s 4 Pieces for Piano, Op.3, published by P. Jurgenson.
• The first edition of Mayer’s 3 Lieder, Op.10, published by Breitkopf.
• The holograph manuscript of Zelenka’s Laudate Dominum, ZWV 87.
• Ethelbert Nevin’s The Quest, published by John Church.
• The holograph manuscript of Nunes Garcia’s Matinas do Apóstolo São Pedro, CPM 173.
• The first edition of Prokofiev’s 4 Etudes, Op.2, published by P. Jurgenson.
• The first edition of Mayer’s 3 Lieder, Op.7, published by Breitkopf.
• The holograph manuscript of Zelenka’s Lauda Jerusalem, ZWV 104.
• Ethelbert Nevin’s 4 Piano Compositions, Op.7, published by Boston Music Co.
• The first edition of W.C. Handy's The Yellow Dog Blues, published by Pace & Handy.
• The first edition of Prokofiev’s Piano Sonata No.1, Op.1, published by P. Jurgenson.
• The first edition of Mayer’s Impromptu, Op.44, published by Bote & Bock.
• The holograph manuscript of Zelenka’s Lauda Jerusalem, ZWV 102.
• Ethelbert Nevin’s O'er Hill and Dale, published by John Church.
• The first edition of W.C. Handy's Ole Miss, published by Pace & Handy.
• The first edition of Gershwin’s By and By, published by T.B. Harms.
• The first edition of Mayer’s 3 Humoresken, Op.41, published by Wilh. Müller.
• The holograph manuscript of Zelenka’s 3 Lamentationes pro hebdomada sancta, ZWV 54.
• Ethelbert Nevin’s The Milkmaid's Song, published by Ditson.
• The first edition of W.C. Handy's The Jogo Blues, published by Pace & Handy.
• The first edition of Gershwin’s Do It Again, published by T.B. Harms.
• The first edition of Mayer’s 2 Gesänge, published by C.A. Challier & Co.
• The holograph manuscript of Zelenka’s 6 Lamentationes pro hebdomada sancta, ZWV 53.
• Ethelbert Nevin’s Mighty Lak’ a Rose, published by John Church.
• The first edition of W.C. Handy's In the Land Where Cotton is King, published by Pace & Handy.
• The first edition of Gershwin’s Somebody Loves Me, published by T.B. Harms.
• The holograph manuscript of Mayer’s Die Fischerin.
• The holograph manuscript of Zelenka’s Laetatus sum, ZWV 88.
• Ethelbert Nevin’s The Merry, Merry Lark, published by Boston Music Co..
• The first edition of W.C. Handy's The Hesitating Blues, published by Pace & Handy.
• The first edition of Gershwin’s Rialto Ripples Rag, published by Jerome H. Remick & Co.
• The first edition of Mayer’s Faust-Ouverture, Op.46, published by Engelmann & Mühlberg.
• The holograph manuscript of Zelenka’s Kyrie, Sanctus and Agnus Dei, ZWV 26.
• Ethelbert Nevin’s Mazurka, published by Arthur P. Schmidt.
• The first edition of W.C. Handy's Beale Street, published by Pace & Handy.
• The holograph manuscript and first edition of Gershwin’s Rhapsody in Blue, published by T.B. Harms.
• The holograph manuscript of Mayer’s Der Erlkönig.
• The holograph manuscript of Vivaldi’s aria Sovvente il sole from serenata Andromeda liberata, RV Anh.117.
• Ethelbert Nevin’s May in Tuscany, Op.21, published by Boston Music Co.
• The first edition of W.C. Handy's Aunt Hagar's Blues, published by Handy Bros. Music Co.
• The first edition of Gershwin’s 3 Preludes, published by New World Music Co.
• The holograph manuscript of Mayer’s Duet in F major.
• The holograph manuscript of Zelenka’s Kyrie in A minor, ZWV 27.
• Ethelbert Nevin’s Marche nuptiale, published by John Church.
• The first edition of James Timothy Brymn's Come After Breakfast, published by Jos. W. Stern.
• The holograph manuscript of Gershwin’s Piano Concerto.
• The holograph manuscript of Mayer’s Cello Sonata in E minor.
• The holograph manuscript of Zelenka’s Jesu corona virginum, ZWV 116.
• Ethelbert Nevin’s March of the Pilgrims, published by John Church.
• The first edition of James Timothy Brymn's Please Let Me Sleep, published by Harry Von Tilzer Music.
• The first edition of Gershwin’s Nobody But You, published by T.B. Harms.
• The holograph manuscript of Mayer’s Cello Sonata in D minor.
• The holograph manuscript of Zelenka’s Jam sol recessit aureus, ZWV 115.
• Ethelbert Nevin’s Life Lesson, published by Boston Music Co.
• The first edition of James Timothy Brymn's Josephine, My Jo., published by Shapiro, Bernstein.
• The first edition of Gershwin’s Idle Dreams, published by T.B. Harms.
• The holograph manuscript of Mayer’s Cello Sonata in C minor.
• The holograph manuscript of Zelenka’s 8 Italian Arias, ZWV 176.
• Ethelbert Nevin’s In Arcady, Op.16, published by Boston Music Co.
• The first edition of James Timothy Brymn's Down in Sunny Alabama, published by Richard A. Saalfield.
• The first edition of Gershwin’s Do It Again, published by T.B. Harms.
• The holograph manuscript of Mayer’s Cello Sonata in C major.
• The holograph manuscript of Zelenka’s Iste confessor.
• Ethelbert Nevin’s I Once Had a Sweet Little Doll, Dears, published by Oliver Ditson.
• The first edition of James Timothy Brymn's D-i-s! P-o-s! Z-e-s! Means Move, published by Shapiro, Remick & Co.
• The first edition of Gershwin’s Come to the Moon, published by T.B. Harms.
• The holograph manuscript of Mayer’s Cello Sonata in B-flat major.
• The holograph manuscript of Zelenka’s Iste confessor, ZWV 117.
• Ethelbert Nevin’s La Guitare, published by Boston Music Co.
• The first edition of James Timothy Brymn's Cuban Cake Walk, published by Richard A. Saalfield.
• The first edition of Gershwin’s Argentina, published by T.B. Harms.
• The holograph manuscript of Mayer’s Cello Sonata in B minor.
• The holograph manuscript of Zelenka’s In exitu Israel, ZWV 84.
• Ethelbert Nevin’s 2 Etudes, Op.18, published by G. Schirmer.
• The first edition of James Timothy Brymn's The Candle and the Star, published by Thompson Music Co.
• An early edition of Novello’s Keep the Home Fires Burning, published by Ascherberg, Hopwood & Crew.
• The holograph manuscript of Mayer’s Cello Sonata in A major.
• The holograph manuscript of Zelenka’s In convertendo, ZWV 91.
• Ethelbert Nevin’s En Passant, Op.30, published by John Church.
• The first edition of James Timothy Brymn's By Wireless Telephone, published by Shapiro, Bernstein & Von Tilzer.
• Medtner’s 7 Songs after Pushkin, Op.52, published by Muzgiz.
• An early edition of Mayer’s Allemande fantastique, Op.29, published by Prütz & Mauri.
• The holograph manuscript of Zelenka’s Immisit Dominus pestilentiam, ZWV 58.
• Ethelbert Nevin’s Egyptian Love Song, published by Boston Music Co.
• The first edition of James Timothy Brymn's Build a Nest for Birdie, published by Gotham-Attucks.
• Medtner’s 6 Tales, Op.51, published by Muzgiz.
• An early edition of Mounsey Bartholomew’s Holy Thoughts in Song, published by Stanley Lucas, Weber & Co.
• The holograph manuscript of Zelenka’s I penitenti al sepolcro del redentore, ZWV 63.
• Ethelbert Nevin’s 3 Duets for the Piano, Op.6, published by Oliver Ditson.
• The first edition of James Timothy Brymn's The Battle Cry of Peace, published by Maurice Richmond.
• Medtner’s Piano Concerto No.2, Op.50, published by Muzgiz.
• An early edition of Mounsey Bartholomew’s Sacred Harmony, published by T.E. Purday.
• The holograph manuscript of Zelenka’s Hipocondrie à 7 Concertanti, ZWV 187.
• Ethelbert Nevin’s A Day in Venice, Op.25, published by John Church.
• The first edition of James Reese Europe's Castles' Half and Half, published by Jos. W. Stern.
• Medtner’s 3 Hymns, Op.49, published by Muzgiz.
• An early edition of Mounsey Bartholomew’s 6 Songs, published by Stanley Lucas, Weber & Co.
• The holograph manuscript of Zelenka’s Haec dies, ZWV 170.
• Ethelbert Nevin’s Cradle Song, published by Oliver Ditson.
• The first edition of James Reese Europe's The Castle Walk, published by Jos. W. Stern.
• The first edition of Medtner’s 2 Tales, Op.48, published by Zimmermann.
• An early edition of Mounsey Bartholomew’s Songs of Remembrance, published by T.E. Purday.
• The holograph manuscript of Zelenka’s Haec dies quam fecit Dominus, ZWV 169.
• Ethelbert Nevin’s Captive Memories, Op.29, published by John Church.
• The first edition of James Reese Europe's Castle Maxixe, published by Jos. W. Stern.
• Medtner’s Improvisation No.2, Op.47, published by Muzgiz.
• An early edition of Mounsey Bartholomew’s 6 Four-Part Songs, Op.30, published by Ewer & Co.
• The holograph manuscript of Zelenka’s Gloria, ZWV 30.
• Ethelbert Nevin’s A Book of Songs, Op.20, published by Boston Music Co.
• The first edition of James Reese Europe's Castle Lame Duck, published by Jos. W. Stern.
• Medtner’s 7 Poems, Op.46, published by Muzgiz.
• An early edition of Scott’s The Jasmine Door, published by Boosey.
• The holograph manuscript of Zelenka’s Gesù al calvario, ZWV 62.
• Ethelbert Nevin’s A Bed-Time Song, published by Oliver Ditson.
• The first edition of James Reese Europe's The Castle Combination, published by Jos. W. Stern.
• Medtner’s 4 Poems, Op.45, published by Muzgiz.
• An early edition of Scott’s Douglas, published by Ashdown & Parry.
• The holograph manuscript of Zelenka’s Gaude laetare turba fidelis, ZWV 168.
• Ethelbert Nevin’s Barcarolle, published by Boston Music Co.
• The first edition of James Reese Europe's Picanninny Days, published by Jerome H. Remick.
• The first edition of Medtner’s Violin Sonata No.2, Op.44, published by J.H. Zimmerman.
• An early edition of Scott’s Annie Laurie, published by William Hall.
• The holograph manuscript of Zelenka’s Exsultet orbis gaudiis, ZWV 114.
• Ethelbert Nevin’s At Rest, published by John Church.
• The first edition of James Reese Europe's Nubiana, published by Sol Bloom.
• Medtner’s 2 Canzonas with Dances, Op.43, published by Muzgiz.
• An early edition of Puget’s La voix tendre.
• The holograph manuscript of Zelenka’s Deus tuorum militum, ZWV 113.
• Ethelbert Nevin’s An African Love Song, published by John Church.
• The first edition of James Reese Europe's I've Got the Finest Man, published by Waterson, Berlin, and Snyder.
• Medtner’s 3 Tales, Op.42, published by Muzgiz.
• Puget’s La Veilleuse ou les Nuits de Milady, published by Heugel.
• The holograph manuscript of Zelenka’s Deus dux fortissime, ZWV 60.
• Theodora Morse’s Beautiful Hawaiian Love, published by Leo Feist.
• The first edition of James Reese Europe's I Ain't Had No Lovin' In a Long Time, published by Jos. W. Stern.
• Medtner’s Suite-Vocalise, Op.41 No.2, published by Muzgiz.
• Puget’s Tout pour toi, published by Meissonier.
• The holograph manuscript of Zelenka’s De profundis, ZWV 97.
• Halsey K. Mohr’s They're Wearing 'Em Higher in Hawaii, published by Shapiro, Bernstein, and Co.
• The first edition of James Reese Europe's Castles in Europe, published by Jos. W. Stern.
• Medtner’s Sonata-Vocalise, Op.41 No.1, published by Muzgiz.
• Puget’s 2 Rondolettes, published by J. Meissonier.
• The holograph manuscript of Zelenka’s De profundis, ZWV 96.
• Halsey K. Mohr’s They're on Their Way to Germany, published by Shapiro, Bernstein, and Co.
• The first edition of James Reese Europe's The Castle, published by Jos. W. Stern.
• The first edition of Medtner’s Forgotten Melodies III, Op.40, published by Jules Heinrich Zimmermann.
• Puget’s Le rêve de Marie, published by Juan Moyana.
• The holograph manuscript of Zelenka’s De profundis, ZWV 96.
• Halsey K. Mohr’s The Statue of Liberty Is Smiling, published by Shapiro, Bernstein, and Co.
• The first edition of James Reese Europe's Castle House Rag, published by Jos. W. Stern.
• The first edition of Medtner’s Forgotten Melodies I, Op.38, published by Jules Heinrich Zimmermann.
• The first edition of Puget’s La prière au St. Bernard.
• The holograph manuscript of Zelenka’s De profundis, ZWV 95.
• Halsey K. Mohr’s Piney Ridge, published by Shapiro, Bernstein, and Co.
• The first edition of James Reese Europe's Blue Eyed Sue, published by Sol Bloom.
• Medtner’s 5 Poems, Op.37, published by Muzgiz.
• The first edition of Puget’s La dot d'Auvergne, published by T. Boosey & Co.
• The holograph manuscript of Zelenka’s Currite ad aras, ZWV 166.
• Halsey K. Mohr’s Paul Revere, published by Shapiro, Bernstein, and Co.
• The first edition of Armand J. Piron's Sister Kate, published by Clarence Williams.
• Medtner’s 6 Poems after Pushkin, Op.36, published by Muzgiz.
• The first edition of Puget’s La chanson du charbonnier, published by J. Meissonnier.
• The holograph manuscript of Zelenka’s Crudelis Herodes Deum, ZWV 112.
• Halsey K. Mohr’s My Name Is Morgan But It Ain't J. P., published by P.J. Howley.
• The first edition of Jelly Roll Morton's Blues and Stomps, Book 1, published by Herman Darewski.
• Medtner’s 4 Tales, Op.35, published by Muzgiz.
• The first edition of Puget’s Le bon curé patience.
• The holograph manuscript of Zelenka’s Credo, ZWV 216.
• Halsey K. Mohr’s Liberty Bell, published by Shapiro, Bernstein & Co.
• The first edition of Jelly Roll Morton's New Orleans Blues, published by Edwin H. Morris & Co.
• Medtner’s 4 Tales, Op.34, published by Muzgiz.
• The first edition of Puget’s Adieu, cousine, published by Meissonier.
• The holograph manuscript of Zelenka’s Credo, ZWV 32.
• Halsey K. Mohr’s Jane, published by Shapiro, Bernstein & Co.
• The first edition of Brymn’s Please Let Me Sleep, published by Harry Von Tilzer.
• Medtner’s Piano Concerto No.1, Op.33, published by Muzgiz.
• The first edition of Puget’s À la grâce de Dieu, published by Messemaecker.
• The holograph manuscript of Zelenka’s Credidi, ZWV 85.
• Halsey K. Mohr’s It Will Never Be Dry Down in Havana, published by Shapiro, Bernstein & Co.
• The first edition of Brymn’s Josephine, My Jo., published by Shapiro, Bernstein & Von Tilzer.
• Medtner’s 6 Poems, Op.32, published by Muzgiz.
• The first edition of La Hye’s Ne me plains pas, published by Gazette des salons.
• The holograph manuscript of Zelenka’s Creator alme siderum, ZWV 111.
• Loder’s Weep For the Gallant Dead, published by National Publishing: the first sheet music publication to feature a photograph on the cover.
• The first edition of Brymn’s Down in Sunny Alabama, published by Richard A. Saalfield.
• The first edition of Medtner’s 3 Morceaux, Op.31, published by Editions Russes de Musique.
• The first edition of La Hye’s Méthode théorique et pratique pour l'orgue expressif, published by Aulagnier.
• The second volume of Beethoven’s suggested metronome markings, for his string quartets Opp. 18, 59, 74 and 95, published by Steiner.
• Halsey K. Mohr’s I've Got a White Man Running My Automobile, published by Henry Krey Music Co.
• The first edition of Brymn’s D-i-s! P-o-s! Z-e-s! Means Move, published by Shapiro, Remick & Co.
• The first edition of Medtner’s Piano Sonata, Op.30, published by Editions Russes de Musique.
• The first edition of La Hye’s 6 Melodie, published by Bernard Latte.
• The holograph manuscript of Zelenka’s Confitebor tibi Domine, ZWV 100.
• Halsey K. Mohr’s Cumberland, published by Schapiro, Bernstein & Co.
• The first edition of Brymn’s Cuban Cake Walk, published by Richard A. Saalfield.
• The first edition of Medtner’s 7 Poems after Pushkin, Op.29, published by Editions Russes de Musique.
• The first edition of La Hye’s Le Corsaire rouge, published by Bernard Latte.
• The holograph manuscript of Zelenka’s Confitebor tibi Domine, ZWV 73.
• F.W. Meacham’s Marching through Georgia, published by Century Music.
• The first edition of Brymn’s The Candle and the Star, published by Thompson Music Co.
• Vivaldi’s Violin Sonata in A major, RV deest, recently discovered.
• The first edition of La Hye’s Le Corsaire rouge, published by Aulagnier.
• The holograph manuscript of Zelenka’s Confitebor tibi Domine, ZWV 72.
• F.W. Meacham’s American Patrol, Op.92, published by Joe Morris.
• Medtner’s 7 Poems, Op.28, published by Muzgiz.
• The first edition of Brymn’s By Wireless Telephone, published by Shapiro, Bernstein & Von Tilzer.
• The first edition of Kinkel’s Das Schloss Boncort, Op.9, published by T. Trautwein.
• The holograph manuscript of Zelenka’s Confitebor tibi Domine, ZWV 70.
• The first edition of Jerome Kern’s You're Here and I'm Here, published by Leo Feist.
• The first edition of Medtner’s Sonata-Ballade, Op.27, published by Russischer Musikverlag.
• The first edition of Brymn’s Build a Nest for Birdie, published by Gotham-Attucks.
• The first edition of Kinkel’s 6 Lieder, Op.21, published by Schott.
• The holograph manuscript of Zelenka’s Concerto à 8 concertanti in G major, ZWV 186.
• The first edition of Jerome Kern’s Whose Baby Are You?, published by T.B. Harms.
• The first edition of Medtner’s 4 Tales, Op.26, published by Editions Russes de Musique.
• The first edition of Brymn’s The Battle Cry of Peace, published by Maurice Richmond.
• The first edition of Kinkel’s 6 Lieder, Op.19, published by M. Schloss.
• The holograph manuscript of Zelenka’s Christe eleison, ZWV 29.
• The first edition of Jerome Kern’s They Didn't Believe Me, published by T.B. Harms.
• The first edition of Medtner’s Piano Sonata, Op.25 No.2, published by Russischer Musikverlag.
• The first edition of Douglass’s Overture 'The Pilgrim', published by Lee and Shepard.
• The first edition of Kinkel’s 6 Lieder, Op.18, published by Schlesinger.
• The holograph manuscript of Zelenka’s Benedictus sit Deus Pater, ZWV 207.
• The first edition of Jerome Kern’s Same Sort of Girl, published by T.B. Harms.
• The first edition of Medtner’s 8 Poems, Op.24, published by Editions Russes de Musique.
• The first edition of Cook’s The Southerners, published by John H. Cook.
• The first edition of Kinkel’s 6 Lieder, Op.17, published by Bote & Bock.
• The holograph manuscript of Zelenka’s Beatus vir, ZWV 76.
• The first edition of Jerome Kern’s Raining, published by T.B. Harms.
• Medtner’s 4 Lyrical Fragments, Op.23, published by Muzgiz.
• The first edition of Cook’s Returned, published by Hearst's Chicago American.
• The first edition of Kinkel’s 6 Lieder, Op.16, published by Friedrich Hofmeister.
• The holograph manuscript of Zelenka’s Beatus vir, ZWV 75.
• The first edition of Jerome Kern’s Mind the Paint, published by T.B. Harms.
• The first edition of Medtner’s Piano Sonata, Op.22, published by Russischer Musikverlag.
• The first edition of Cook’s 3 Negro Songs, published by Schirmer.
• The first edition of Kinkel’s 6 Lieder, Op.15, published by Jacob Eck & Lefebvre.
• The holograph manuscript of Zelenka’s Beati omnes, ZWV 94.
• The first edition of Jerome Kern’s Look for the Silver Lining, published by T.B. Harms.
• Medtner’s Violin Sonata No.1, Op.21, published by Muzgiz.
• The first edition of Cook’s Mandy Lou, published by Jerome H. Remick.
• The first edition of Kinkel’s 6 Lieder, Op.10, published by T. Trautwein.
• The holograph manuscript of Zelenka’s Barbara dira effera, ZWV 164.
• The first edition of Jerome Kern’s Left All Alone Again Blues, published by T.B. Harms.
• The first edition of Medtner’s 2 Tales, Op.20, published by Édition Russe de Musique.
• The first edition of Cook’s The Little Gypsy Maid, published by the composer.
• The first edition of Kinkel’s 6 Lieder, Op.7, published by T. Trautwein.
• The holograph manuscript of Zelenka’s 6 Ave Regina Coelorum, ZWV 128.
• The holograph manuscript of Jerome Kern’s Hulda.
• The first edition of Medtner’s 3 Poems after Nietzsche, Op.19, published by Russischer Musikverlag.
• The first edition of Cook’s Good Evenin', published by Harry Von Tilzer.
• The first edition of Kinkel’s 6 Lieder, Op.6, published by Kistner.
• The holograph manuscript of Zelenka’s Attendite et videte, ZWV 59.
• The first edition score and parts of Jerome Kern’s Good Morning, Dearie, published by T.B. Harms.
• Medtner’s 6 Poems after Goethe, Op.18, published by Muzgiz.
• The first edition of Cook’s Darktown Is Out To-Night, published by M. Witmark & Sons.
• The second edition of Kinkel’s Hymnus in Coena Domini, Op.14, published by F.W. Arnold.
• The holograph manuscript of Zelenka’s 4 Antiphons, ZWV 163.
• The first edition score and parts of Jerome Kern’s Gloria's Romance, published by T.B. Harms.
• The first edition of Medtner’s 3 Novellettes, Op.17, published by Edition Russe de Musique.
• The first edition of Cook’s Darktown Barbecue, published by John Cook.
• The second edition of Kinkel’s 6 Gedichte, Op.8, published by T. Trautwein.
• The holograph manuscript of Zelenka’s Angelus Domini descendit, ZWV 161.
• The first edition of Jerome Kern’s The First Rose of Summer, published by T.B. Harms.
• The first edition of Medtner’s 3 Nocturnes, Op.16, published by Edition Russe de Musique.
• The first edition of Cook’s Cruel Papa!, published by Jos. W. Stern.
• The second edition of Kinkel’s 3 Duetten, Op.11, published by T. Trautwein.
• The holograph manuscript of Zelenka’s Alma redemptoris Mater, ZWV 127.
• The first edition of Jerome Kern’s Don't You Want a Paper, Dearie?, published by T.B. Harms.
• Medtner’s 12 Songs after Goethe, Op.15, published by Muzgiz.
• The first edition of Cook’s As the Sunflower Turns to the Sun, published by The Gotham Music Co.
• The second edition of Kinkel’s Don Ramiro, Op.13, published by Jacob Eck und Lefebvre.
• The holograph manuscript of Zelenka’s Alma redemptoris Mater, ZWV 126.
• The first edition of Jerome Kern’s The Bull Frog Patrol, published by T.B. Harms.
• The first edition of Medtner’s 2 Tales, Op.14, published by P. Jurgenson.
• The first edition of White’s From the Cotton Fields, Op.18, published by Carl Fischer.
• The first edition of Kinkel’s Der deutsche Rhein, published by Kistner.
• The holograph manuscript of Zelenka’s Alma redemptoris Mater, ZWV 125.
• The first edition of Jerome Kern’s The Bagpipe Serenade, published by T.B. Harms.
• Medtner’s 2 Poems, Op.13, published by Muzgiz.
• The first edition of White’s Bandanna Sketches, Op.12, published by Carl Fischer.
• The first edition of Brooman’s 3 Sånger vid Piano, published by Abraham Hirsch.
• The holograph manuscript of Zelenka’s Alma redemptoris Mater, ZWV 124.
• The first edition of Jerome Kern’s An Old Fashioned Wife, published by T.B. Harms.
• The first edition of Medtner’s 3 Poems after Heine, Op.12, published by Muzgiz.
• The first edition of Burleigh’s Were you there?, published by Ricordi.
• The first edition of Blahetka’s Nocturne No.4, Op.62, published by Henry Lemoine.
• The holograph manuscript of Zelenka’s Alma redemptoris Mater, ZWV 123.
• The first edition of Jerome Kern’s All I Want Is You!, published by T.B. Harms.
• The first edition of Medtner’s Sonaten-Triade, Op.11, published by P. Jurgenson.
• The first edition of Burleigh’s Weepin' Mary, published by Ricordi.
• The first edition of Blahetka’s Grand Duo in F-sharp minor, Op.47, published by Friedrich Hofmeister.
• The holograph manuscript of Zelenka’s Agnus Dei, ZWV 38.
• The first edition of Jerome Kern’s Ain't It Funny What a Difference Just a Few Drinks Make, published by T.B. Harms & Francis, Day & Hunter.
• The first edition of Medtner’s 3 Dithyrambs, Op.10, published by P. Jurgenson.
• The first edition of Burleigh’s Tis Me, O Lord, published by Ricordi.
• The first edition of Blahetka’s 2 Nocturnes, Op.46, published by Bernard Latte.
• The holograph manuscript of Zelenka’s Agnus Dei, ZWV 37.
• The first edition of Bert Kalmar’s I Want a Ragtime Bungalow, published by Kalmar & Puck.
• The first edition of Medtner’s 3 Tales, Op.9, published by P. Jurgenson.
• The first edition of Burleigh’s 4 Southland Sketches, published by Ricordi.
• The first edition of Blahetka’s Erinnerungen an Holland, Op.33, published by Schott.
• The holograph manuscript of Zelenka’s 6 Lamentationes pro hebdomada sancta, ZWV 53.
• The first edition of Walter Donaldson’s You're a Million Miles from Nowhere, published by Waterson, Berlin, and Snyder.
• Medtner’s 2 Tales, Op.8, published by Muzgiz.
• The first edition of Burleigh’s 5 Songs of Laurence Hope , published by Ricordi.
• The first edition of Blahetka’s Variations sur la chanson nationale autrichienne 'Gott erhalte Franz den Kaiser' de J. Haydn, Op.28, published by G.E. Alitsky.
• The holograph manuscript of Zelenka’s 6 Ave Regina Coelorum, ZWV 128.
• The first edition of Walter Donaldson’s You'd Never Know that Old Home-Town of Mine, published by Waterson, Berlin, and Snyder.
• The first edition of Medtner’s 3 Arabesques, Op.7, published by P. Jurgenson.
• The first edition of Burleigh’s Sometimes I Feel Like a Motherless Child, published by Ricordi.
• The first edition of Blahetka’s Variations sur un thème tirolien, Op.27, published by Pietro Mechetti.
• The holograph manuscript of Zelenka’s 4 Antiphons, ZWV 163.
• The first edition of Walter Donaldson’s When You See Another Sweetie Hanging Around, published by Waterson, Berlin, and Snyder.
• The first edition of Medtner’s 9 Songs after Goethe, Op.6, published by P. Jurgenson.
• The first edition of Burleigh’s One Year: 1914-1915, published by Ricordi.
• The first edition of Blahetka’s Variations on a Theme by Auber, Op.26, published by Tobias Haslinger.
• The holograph manuscript of Zelenka’s 3 Lamentationes pro hebdomada sancta, ZWV 54.
• The first edition of Walter Donaldson’s When Verdi Plays the Hurdy Gurdy, published by Broadway Music Corp.
• The first edition of Medtner’s Piano Sonata, Op.5, published by Belaieff.
• The first edition of Burleigh’s Oh, Didn't it Rain, published by Ricordi.
• The first edition of Blahetka’s Concertstück, Op.25, published by Richault.
• The holograph manuscript of Zelenka’s 10 Sub tuum praesidium, ZWV 157.
• The first edition of Walter Donaldson’s We'll Have a Jubilee in My Old Kentucky Home, published by Waterson, Berlin, and Snyder.
• The first edition of Medtner’s 4 Morceaux, Op.4, published by P. Jurgenson.
• The first edition of Burleigh’s Oh Peter go Ring-a dem Bells, published by Ricordi.
• The first edition of Blahetka’s Variations brillantes sur un thême hongrois, Op.18 , published by Tobias Haslinger.
• The holograph manuscript of Scarlatti’s È la speme un desio tormentoso, H.227.
• The first edition of Walter Donaldson’s Upstairs and Down, published by Waterson, Berlin, and Snyder.
• The score of Medtner’s 3 Romances, Op.3, published by Muzgiz.
• The first edition of Burleigh’s O Rocks, Don't Fall on Me, published by Ricordi.
• The first edition of Blahetka’s Grande polonaise concertante, Op.9, published by Tobias Haslinger.
• The holograph manuscript of Scarlatti’s Zeffiretto che indrizzi il tuo volo, H.783.
• The first edition of Walter Donaldson’s Sweetie Indiana Home, published by Jerome Remnick.
• The first edition score and parts of Medtner’s 3 Fantasy-Improvisations, Op.2, published by P. Jurgenson.
• The first edition of Burleigh’s O Perfect Love, published by William Maxwell.
• The first edition of Oury’s Welsh Melodies, Op.114, published by Joseph Williams.
• The holograph manuscript of Scarlatti’s Venne ad Amor desio, H.765.
• The first edition of Walter Donaldson’s Seven or Eleven, published by Shapiro, Bernstein & Co.
• The first edition score and parts of Medtner’s The Angel, Op.1bis, published by P. Jurgenson.
• The first edition of Burleigh’s Nobody Knows de Trouble I've Seen, published by Ricordi.
• The first edition of Oury’s 6 Variations, Op.1, published by Falter & Sohn.
• The holograph manuscript of Scarlatti’s Va' pur lungi da me, H.755.
• The first edition of Walter Donaldson’s Oh, Joe, with Your Fiddle and Your Bow, published by Broadway Music Corp.
• The first edition score and parts of Schoenberg’s String Quartet No.3, Op.30, published by Universal Edition.
• The first edition of Burleigh’s My Way's Cloudy, published by Ricordi.
• The holograph manuscript of Scarlatti’s Telemaco.
• The first edition of Walter Donaldson’s Oh! The Woman in Room 13, published by Waterson, Berlin & Snyder.
• The first edition score and parts of Schoenberg’s Suite, Op.29, published by Universal Edition.
• The first edition of Burleigh’s My Lord, what a Mornin', published by Ricordi.
• The first edition of Oury’s Santa Lucia, Op.63, published by Brewer & Co.
• The holograph manuscript of Scarlatti’s Su la sponda del mare.
• The first edition of Walter Donaldson’s Oh Baby, published by Irving Berlin.
• The first edition score and parts of Schoenberg’s 3 Satiren, Op.28, published by Universal Edition.
• The first edition of Burleigh’s Little Mother of Mine, published by Ricordi.
• The first edition of Oury’s Rigoletto Fantasie, published by Boosey.
• The holograph manuscript of Scarlatti’s Su bel seggio di fiori, H.695.
• The first edition of Walter Donaldson’s My Papa Doesn't Two-Time No Time, published by Irving Berlin.
• The first edition score and parts of Schoenberg’s 4 Pieces, Op.27, published by Universal Edition.
• The first edition of Burleigh’s Just Because, published by Theodore Presser.
• The first edition of Oury’s The Power of Love, published by Boosey.
• The holograph manuscript of Scarlatti’s Sovra questi fecondi ameni colli, H.682.
• The first edition of Walter Donaldson’s My Ohio Home, published by Leo Feist.
• The first edition score and parts of Schoenberg’s Wind Quintet, Op.26, published by Universal Edition.
• The holograph manuscript and first edition of Burleigh’s John's Gone Down on de Island, published by Ricordi.
• The first edition of Oury’s Introduction and Variations, Op.2, published by Falter & Sohn.
• The holograph manuscript of Scarlatti’s Solitudini amene, bersaglio d'empia sorte, H.664.
• The first edition of Walter Donaldson’s My Buddy, published by Jerome H. Remick.
• The first edition of Schoenberg’s Suite, Op.25, published by Universal Edition.
• The holograph manuscript and first edition of Burleigh’s Jean, published by Theodore Presser.
• The first edition of Oury’s Devonshire Polka, published by Woolcott & Clarke.
• The holograph manuscript of Scarlatti’s Qui dove aure ed augelli, H.619.
• The first edition of Walter Donaldson’s My Best Girl, published by Jerome H. Remick.
• The first edition of Schoenberg’s Serenade, Op.24, published by Wilhelm Hansen.
• The holograph manuscript and first edition of Burleigh’s I Want to be Ready, published by Ricordi.
• The first edition of Oury’s Bolero, published by Boosey.
• The holograph manuscript of Scarlatti’s Questa vermiglia rosa, H.613.
• The first edition of Walter Donaldson’s Mindin' My Bus'ness, published by Irving Berlin.
• The first edition of Schoenberg’s 5 Pieces, Op.23, published by Universal Edition.
• The holograph manuscript and first edition of Burleigh’s I Stood on de Ribber ob Jerdon, published by Ricordi.
• The first edition of Norton’s The Officer's Funeral, published by A.E. Blackmar & Bros.
• The holograph manuscript of Scarlatti’s Quella que chiudo in sen fiamma amorosa, H.609.
• The first edition of Walter Donaldson’s Just Try to Picture Me Back Home in Tennessee, published by Waterson, Berlin, and Snyder.
• The first edition of Schoenberg’s 4 Lieder, Op.22, published by Universal Edition.
• The holograph manuscript and first edition of Burleigh’s I Don't Feel No-Ways Tired, published by Ricordi.
• The first edition of Norton’s The Murmur of the Shell, published by Geo. Dunn & Comp.
• The holograph manuscript of Scarlatti’s Quel piacer che nell'amarti, H.607.
• The first edition of Walter Donaldson’s Just a Bird's-eye View, published by Leo Feist.
• The first edition of Schoenberg’s Herzgewächse, Op.20, published by Universal Edition.
• The holograph manuscript and first edition of Burleigh’s From the Southland, published by William Maxwell.
• The first edition of Norton’s Juanita, published by Oliver Ditson.
• The holograph manuscript of Scarlatti’s Quel Fileno infelice, H.605.
• The first edition of Walter Donaldson’s I've Got the Sweetest Girl in Maryland, published by M. Witmark.
• The first edition of Schoenberg’s 6 Little Piano Pieces, Op.19, published by Universal Edition.
• The holograph manuscript and first edition of Burleigh’s Ethiopia Saluting the Colors, published by Ricordi.
• The first edition of Norton’s The Fairy Bells, published by J. Power.
• The holograph manuscript of Scarlatti’s Quando mai troverò d'Amor nel regno, H.593.
• The first edition of Walter Donaldson’s I've Got the Nicest Little Home in D-I-X-I-E, published by M. Witmark.
• The first edition of Schoenberg’s Die glückliche Hand, Op.18, published by Universal Edition.
• The holograph manuscript and first edition of Burleigh’s Don't You Weep When I'm Gone, published by Ricordi.
• The first edition of Norton’s The Careless Word, published by Chappell.
• The holograph manuscript of Scarlatti’s Quale al gelo s'adugge, H.582.
• The first edition of Walter Donaldson’s I Wish that I'd Been Born in Borneo, published by Irving Berlin.
• The first edition of Schoenberg’s Das Buch der hängenden Gärten, Op.15, published by Universal Edition.
• The holograph manuscript and first edition of Burleigh’s Deep River, published by Ricordi.
• The first edition of Malibrán’s Le message, published by E. Troupenas.
• The holograph manuscript of Scarlatti’s Perfida Filli ingrata, H.555.
• The first edition of Walter Donaldson’s I Love the Land of Old Black Joe, published by Irving Berlin.
• The first edition of Schoenberg’s 2 Lieder, Op.14, published by Universal Edition.
• The first edition of Burleigh’s By an' By, published by Ricordi.
• The first edition of Malibrán’s L'Indifférence, published by E. Troupenas.
• The holograph manuscript of Scarlatti’s Perdono, Amor, perdono, H.554.
• The first edition of Walter Donaldson’s Goodbye, Slim, published by Schapiro, Bernstein & Co.
• The first edition of Schoenberg’s Friede auf Erden, Op.13, published by Breitkopf.
• The first edition of Burleigh’s Balm in Gilead, published by Ricordi.
• The first edition of Malibrán’s Hymne des matelots, published by E. Troupenas.
• The holograph manuscript of Scarlatti’s Peno e del mio penar, H.531.
• The first edition of Walter Donaldson’s Feeling the Way I Do, published by Irving Berlin.
• The first edition (score and parts) of Schoenberg’s 3 Pieces, Op.11, published by Universal Edition.
• The first edition of Burleigh’s Apart, published by William Maxwell.
• A manuscript of Malibrán’s En Soupirant.
• The holograph manuscript of Scarlatti’s Ombre tacite e sole.
• The first edition of Walter Donaldson’s Down Around the 'Sip 'Sip 'Sippy Shore, published by Irving Berlin.
• The first edition (score and parts) of Schoenberg’s String Quartet No.2, Op.10, published by Universal Edition.
• The first edition of Burleigh’s Ain't Goin' to Study War No Mo', published by Ricordi.
• The first edition of Malibrán’s Away o'er the blue waves of ocean, published by E. Riley.
• The holograph manuscript of Scarlatti’s O sol degl'occhi miei, H.498.
• The first edition of Walter Donaldson’s Dixie Highway, published by Jerome Remick.
• The first edition (score and parts) of Schoenberg’s Kammersymphonie No.1, Op.9, published by Universal Edition.
• The first edition of Dett’s Somebody's Knocking at Your Door, published by John Church.
• The first edition of Servier's Variations on 'The Evening Bells', Op.2, published by Pacini.
• The holograph manuscript of Scarlatti’s Non so qual più m'ingombra, H.476.
• The first edition of Walter Donaldson’s Come On to Nashville, published by Broadway Music Corp.
• The first edition of Schoenberg’s 6 Orchester-Lieder, Op.8, published by Universal Edition.
• The first edition of Dett’s Ramah, published by Boston Music Company.
• The first edition of Lady Dufferin's A Selection of the Songs of Lady Dufferin, published by John Murray.
• The holograph manuscript of Scarlatti’s Missa Clementina, R.511/1.
• The first edition of Walter Donaldson’s Carolina in the Morning, published by Jerome H. Remnick.
• The first edition of Schoenberg’s String Quartet No.1, Op.7, published by Verlag Dreililien.
• The first edition of Dett’s O Holy Lord, published by Schirmer.
• The holograph manuscript Hensel’s String Quartet in E-flat major.
• The holograph manuscript of Scarlatti’s Lungi dalla cagion, H.407.
• The first edition of Walter Donaldson’s Beside a Babbling Brook, published by Jerome H. Remnick.
• The first edition of Schoenberg’s 8 Lieder, Op.6, published by Verlag Dreililien.
• The first edition of Dett’s Music in the Mine, published by Schirmer.
• The holograph manuscript Hensel’s Selmar und Selma, H.230.
• The holograph manuscript of Scarlatti’s Il mio sol non è più meco, H.315 .
• The first edition of Walter Donaldson’s Away Down East in Maine, published by Shapiro, Bernstein.
• The first edition (score and parts) of Schoenberg’s Pelleas und Melisande, Op.5, published by Universal Edition.
• The first edition of Dett’s Magnolia, published by Clayton F. Summy.
• The first edition of Hensel’s 5 Lieder, Op.10, published by Breitkopf.
• The holograph manuscript of Scarlatti’s Il fulgido splendor d'un ciglio arciero, H.313.
• The first edition of Jolson’s Tell That to the Marines, by Jean Schwartz and Al Jolson. Published by Waterson, Berlin & Snyder.
• The first edition (score and parts) of Schoenberg’s Verklärte Nacht, Op.4, published by Verlag Dreililien.
• The first edition of Dett’s Listen to the Lambs, published by Schirmer.
• The first edition of Hensel’s 6 Lieder, Op.9, published by Breitkopf.
• The holograph manuscript of Scarlatti’s Filli, la tua bellezza.
• The first edition of Jolson’s Yoo-Hoo, published by Jerome H. Remnick.
• The first edition of Schoenberg’s 6 Lieder, Op.3, published by Verlag Dreililien.
• The first edition of Dett’s In the Bottoms, published by Clayton F. Summy.
• The first edition of Hensel’s 4 Lieder for Piano, Op.8, published by Breitkopf.
• The holograph manuscript of Scarlatti’s Filli adorata e cara, Filli che fosti, H.272.
• The first edition of Jolson’s Old Fashioned Girl, published by Richmond-Robbins.
• The first edition of Schoenberg’s 4 Lieder, Op.2, published by Verlag Dreililien.
• The first edition of Dett’s I'm So Glad Trouble Don't Last Alway, published by John Church.
• The first edition of Hensel’s 6 Lieder, Op.7, published by Bote & Bock.
• The holograph manuscript of Scarlatti’s Fileno, ove t'en vai, H.265.
• The first edition of Morning Will Come, by B. G. De Sylva, Con Conrad and Al Jolson. Published by Harms, Inc.
• The first edition of Schoenberg’s 2 Gesänge, Op.1, published by Verlag Dreililien.
• The first edition of Dett’s Follow Me, published by John Church.
• The first edition of Hensel’s 4 Lieder for Piano, Op.6, published by Bote & Bock.
• The holograph manuscript of Scarlatti’s Dormono l'aure estive, H.206.
• The first edition of I'll Say She Does, by B. G. De Sylva, Gustav Kahn and Al Jolson. Published by Jerome H. Remick.
• The first edition of Koechlin’s 4 Nouvelles sonatines, Op.87, published by Maurice Senart.
• The first edition of Dett’s Cave of the Winds, published by S.C. Fagard.
• The first edition of Hensel’s 3 Mélodies, Op.5, published by Schlesinger.
• The holograph manuscript of Scarlatti’s Dal bel volto d'Irene, H.165.
• The first edition of Don't Cry Swanee, by B. G. De Sylva, Con Conrad and Al Jolson. Published by Jerome H. Remick.
• The first edition of Koechlin’s 12 Pastorales, Op.77, published by Maurice Senart.
• The first edition of Dett’s Ave Maria, published by Schirmer.
• The first edition of Hensel’s 3 Mélodies, Op.4, published by Schlesinger.
• The holograph manuscript of Scarlatti’s 12 Concerti Grossi, GB-Lbl R.M.21.b.14.
• The first edition of 'N' Everthing, by B. G. De Sylva, Gustav Kahn and Al Jolson. Published by Jerome H. Remick.
• The first edition of Koechlin’s Sonata for 2 Flutes, Op.75, published by Maurice Senart.
• The full score of Johnson’s Victoria Gallop, published by Osbourn's Music Saloon.
• The first edition of Hensel’s Gartenlieder, Op.3, published by Bote & Bock.
• The holograph manuscript of Scarlatti’s Con trasparente velo, H.143.
• The first edition of Isham Jones' Sweet Woman!, published by Waterson, Berlin & Snyder.
• The first edition of Koechlin’s Choral sur le nom de Fauré, Op.73bis, published by La revue musicale.
• The full score of Johnson’s A Collection of New Cotillons, published by G. Willig.
• The first edition of Hensel’s 4 Lieder for Piano, Op.2, published by Bote & Bock.
• The holograph manuscript of Scarlatti’s Clori bell'idol mio, H.125.
• The first edition of Isham Jones' Some Other Day, published by Milton Weil.
• The first edition of Koechlin’s String Quartet No.3, Op.72, published by Maurice Senart.
• The full score of Rostand’s Viens!, published by Heugel.
• The first edition of Hensel’s 6 Lieder, Op.1, published by Bote & Bock.
• The holograph manuscript of Scarlatti’s Bei prati, verdi colli, H.73.
• The first edition of Isham Jones' Say Young Feller, published by Tell Taylor.
• The first edition of Koechlin’s Bassoon Sonata, Op.71, published by Billaudot.
• The full score of Rostand’s La saison des roses, published by Heugel.
• The first edition of Bertin’s Reviens!, published by Salme.
• The full score of Massenet’s incidental music to Le grillon du foyer, in manuscript.
• The first edition of Isham Jones' The One I Love, published by Tell Taylor.
• The first edition of Koechlin’s Violin Sonata, Op.64, published by Maurice Senart.
• The full score of Rostand’s Récit intime, published by H. Messerer.
• The first edition of Bertin’s Piano Trio, Op.10, published by Schonenberger.
• The holograph manuscript of Scarlatti’s Allor ch'il Dio di Delo, H.31.
• The piano reduction of Vizentini’s Ordre du roi (grand ballet), published by A. Büttner.
• The first edition of Koechlin’s Paysages et marines, Op.63, published by A.Z. Mathot.
• The full score of Rostand’s Prière, published by M. Carbonel.
• The first edition of Bertin’s Pardon!!, published by the composer.
• The holograph manuscript of Scarlatti’s Alle Troiane antenne, H.30.
• The first edition of Isham Jones' Oh! Min!, published by Tell Taylor.
• The first edition of Koechlin’s 12 Petites pièces, Op.61d, published by Maurice Senart.
• The full score of Rostand’s Pierrot qui pleure et Pierrot qui rit, published by Heugel.
• The first edition of Bertin’s L'hirondelle, published by Ravayre-Raver.
• The holograph manuscript of Scarlatti’s Al fin m'ucciderete, H.21.
• The first edition of Isham Jones' Never Again, published by Milton Weil.
• The first edition of Koechlin’s 10 Petites pièces faciles, Op.61c, published by Maurice Senart.
• The first edition of Burleigh’s By an' By, published by Ricordi.
• The manuscript of Bertin’s La Esmeralda.
• The holograph manuscript of Scarlatti’s ...ver per un diletto, H.766.
• The first edition of Isham Jones' Meet Me in Bubble Land, published by Waterson, Berlin & Snyder.
• The first edition of Koechlin’s 5 Piano Sonatinas, Op.59, published by A.Z. Mathot.
• The first edition of Burleigh’s Balm in Gilead, published by Ricordi.
• The first edition of Marion Dix Sullivan’s The Kansas Home, published by Nathan Richardson.
• The holograph manuscript of Scarlatti’s Dalla nativa sfera scese, H.175.
• The first edition of Isham Jones' Lady of the Nile, published by Milton Weil.
• The first edition of Koechlin’s Oboe Sonata, Op.58, published by Max Eschig.
• The first edition of Burleigh’s Apart, published by William Maxwell.
• The first edition of Sullivan’s Judy McLeary, published by Oliver Ditson.
• The only extant complete contemporary manuscript of Scarlatti’s Mitridate Eupatore.
• The first edition of Isham Jones' It Had to Be You, published by Jeromne Remick.
• The first edition of Koechlin’s Viola Sonata, Op.53, published by Maurice Senart.
• The first edition of Burleigh’s Ain't Goin' to Study War No Mo', published by Ricordi.
• The first edition of Morel du Verger’s 8 Études mélodiques, published by Richault.
• Zingarelli’s Partimenti, published by Ricordi.
• The first edition of Isham Jones' Call For Mr. Brown, published by Tell Taylor.
• The first edition of Koechlin’s Flute Sonata, Op.52, published by Maurice Senart.
• The first edition of Eugène Dédé’s Sous la pluie, Op.247, published by P. Lefebvre.
• The first edition of Emilie Zumsteeg’s 6 Lieder, Op.5, published by the Zumsteegschen Musicalienhandlung.
• Tritto’s Scuola di Contrappunto, published by Artaria.
• The first edition of Isham Jones' Broken Hearted Melody, published by Forster.
• The first edition of Koechlin’s String Quartet No.1, Op.51, published by Maurice Senart.
• The first edition of Eugène Dédé’s Polka des confettis, Op.237, published by L. Bathlot.
• The first edition of Emilie Zumsteeg’s 6 Lieder, Op.4, published by Schott.
• Tritto’s Partimenti e Regole generali, published by Artaria.
• The first edition of Isham Jones' At the End of a Winding Lane, published by Milton Weil.
• The first edition of Koechlin’s 24 Esquisses, Op.41, published by Maurice Senart.
• The first edition of Eugène Dédé’s Miaou! Miaou!, Op.238, published by P. Lefebvre.
• The first edition of Emilie Zumsteeg’s 5 Lieder, published by N. Simrock.
• The holograph manuscript of Sala’s Regole del contrappunto pratico.
• The first edition of Charles K. Harris's Yesterday, published by the composer.
• The first edition of Koechlin’s Chansons de Bilitis, Op.39, published by Maurice Senart.
• The first edition of Eugène Dédé’s Marquise Pompadour, published by L. Bathlot.
• The first edition of Liebmann’s Grand Piano Sonata, Op.3, published by the Bureau d'arts et d'industrie.
• Sala’s Racolda di lezzioni numeriche.
• The first edition of Charles K. Harris's Would You Care?, published by the composer.
• The first edition of Koechlin’s 6 Mélodies, Op.31, published by Rouart, Lerolle & Cie.
• The first edition of Eugène Dédé’s La marche des Hovas, Op.293, published by Neveu et Gerlier.
• The first edition of Liebmann’s Cello Sonata, Op.11, published by the Bureau d'arts et d'industrie.
• The partimenti from Mattei’s Pratica d'accompagnamento sopra bassi numerati e contrappunti, published by Ricordi.
• The first edition of Charles K. Harris's Without a Wedding Ring, published by the composer.
• The first edition of Koechlin’s 4 Mélodies, Op.28.
• The first edition of Eugène Dédé’s Les libellules, Op.421, published by Jacques Parès.
• The first edition of Ridderstolpe’s Schwedische Lieder aus Axel und Frithiof, published by C. Möller.
• Early manuscript copies of Leo’s Solfeggi.
• The first edition of Charles K. Harris's While the Dance Goes On, published by Charles Sheard.
• The first edition of Koechlin’s 4 Poèmes de 'La bonne chanson', Op.24.
• The first edition of Eugène Dédé’s If you please?, Op.295, published by Neveu and Gerlier.
• The first edition of Olivia Dussek’s Musical Truths; or an Analysis of Music, published by the author.
• An early manuscript copy of Leo’s Solfeggios for Soprano, P-Ln C.N.321.
• The first edition of Charles K. Harris's When It Strikes Home, published by the composer.
• The first edition of Koechlin’s 2 Poèmes d'André Chénier, Op.23, published by L. Philipo.
• The first edition of Eugène Dédé’s Fantasmagorie, Op.241, published by L. Mathlot.
• The first edition of Olivia Dussek’s I've Been Roaming, published by Welsh & Hawes.
• An early manuscript copy of Cotumacci’s Regole, e Principi di sonare, e Lettioni di Partimenti.
• The first edition of Charles K. Harris's Suppose I Met You Face to Face, published by the composer.
• The first edition of Koechlin’s 4 Mélodies, Op.22, published by Joanin.
• The first edition of Eugène Dédé’s Extase d'amour, Op.550, published by Cortellazzo.
• The first edition of Szymanowska’s Serenade.
• An early manuscript copy of Cotumacci’s Principi e regole di Partimenti con tutte le lezioni.
• The first edition of Charles K. Harris's The Story of a Soul, published by the composer.
• The first edition of Koechlin’s 2 Villanelles, Op.21, published by Hachette.
• The first edition of Eugène Dédé’s Douleur et gaîté , published by L. Gathlot.
• The first edition of Szymanowska’s 6 Romances.
• An early manuscript copy of Durante’s Regole per l'accompagnamento.
• The first edition of Charles K. Harris's Somewhere, published by the composer.
• The first edition of Koechlin’s Suite for piano 4 hands, Op.19, published by Durand.
• The first edition of Eugène Dédé’s Chiffonnette, Op.236, published by C. Neveu et F. Gerlier.
• The first edition of Szymanowska’s Polonaise in C major, published by Breitkopf.
• An early manuscript copy of Durante’s Partimenti numerati e diminuiti e Fughe Del M.o Francesco Durante.
• The first edition of Charles K. Harris's Please, Miss Central, Find My Mamma, published by the composer.
• The first edition of Koechlin’s 3 Poèmes du ‘Livre de la Jungle’, Op.18, published by Rouart, Lerolle & Cie..
• The first edition of Eugène Dédé’s Buenas noches, Op.243, published by P. Lefebvre.
• The first edition of Szymanowska’s 6 Minuets, published by Breitkopf.
• An early manuscript copy of Durante’s Partimenti Diminuiti Del Sig.re Francesco Durante.
• The first edition of Charles K. Harris's Nobody Knows, Nobody Cares, published by the composer.
• The first edition of Koechlin’s 3 Mélodies, Op.17, published by Hachette.
• The autograph manuscript of Eugène Dédé’s Aurore.
• The first edition of Szymanowska’s 6 Marches for Piano, published by Breitkopf.
• An early edition and manuscript copy of Fenaroli’s collection of Regole musicali per i principianti di cembalo.
• The first edition of Charles K. Harris's A Man, a Maid, a Moon, a Boat, published by the composer.
• The first edition of Koechlin’s L'abbaye, Op.16, published by A. Joanin & Cie.
• The first edition of Eugène Dédé’s If you please?, Op.295, published by Neveu et Gerlier.
• The first edition of Szymanowska’s Grande valse, published by Breitkopf.
• The holograph manuscript of Cimarosa’s collection of Partimentos, I-MOe Gamma.L.9.26.
• The first edition of Charles K. Harris's The Last Farewell, published by the composer.
• The first edition of Koechlin’s 3 Mélodies, Op.15, published by Hachette.
• The first edition of Dédé’s Le Serment de l'Arabe, published by Lee and Shepard.
• The first edition of Szymanowska’s Fantaisie in F major, published by Breitkopf.
• The holograph manuscript of Cimarosa’s Volodimiro.
• The first edition of Charles K. Harris's It's Always June, When You're in Love, published by the composer.
• The first edition of Koechlin’s 9 Rondels, Op.14, published by L. Philippo.
• The first edition of Dédé’s El pronunciamento, published by L. Bathlot.
• The first edition of Szymanowska’s 20 Exercises and Preludes.
• The holograph manuscript of Cimarosa’s La villana riconosciuta.
• The first edition of Charles K. Harris's Is There a Letter for Me?, published by the composer.
• The first edition of Koechlin’s Poèmes d'automne, Op.13, published by L. Philippo.
• The first edition of Dédé’s Mirliton fin de siècle, published by E. Fromont.
• The first edition of Szymanowska’s Divertissement in B-flat major, published by Breitkopf.
• The holograph manuscript of Cimarosa’s La vergine del sole.
• The first edition of Charles K. Harris's In the City Where Nobody Cares, published by the composer.
• The first edition of Koechlin’s Les clairs de lune, Op.9, published by Hachette.
• The first edition of Dédé’s Méphisto masqué, published by L. Bathlot & Vve. Héraud.
• An early edition of Szymanowska’s Departure.
• The holograph manuscript of Cimarosa’s La vanità delusa.
• The first edition of Charles K. Harris's I'm Trying So Hard to Forget You, published by the composer.
• The first edition of Koechlin’s 7 Rondels, Op.8, published by E. Baudoux.
• The first edition of Dédé’s Kikipatchouli et Kakaoli, published by G. Ondet.
• An early edition of Szymanowska’s 18 Danses de Différent Genre.
• The holograph manuscript of Cimarosa’s Il trionfo della fede.
• An early edition of Charles K. Harris's I Love Her Just the Same.
• The first edition of Koechlin’s 4 Poèmes d'Edmond Haraucourt, Op.7 , published by Philippo.
• The first edition of Dédé’s Chicago, published by E. Fromont.
• An early edition of Szymanowska’s Cotillon, published by Hanry.
• The holograph manuscript of Cimarosa’s I tre amanti.
• The first edition of Charles K. Harris's Fairy Moon, published by the composer.
• The first edition of Koechlin’s 6 Rondels, Op.1, published by E. Baudoux.
• The first edition of Bland’s Oh! Lucinda, published by J.W. Pepper.
• An early edition of Szymanowska’s Caprice sur la romance de Joconde, published by Breitkopf.
• The holograph manuscript of Cimarosa’s Le trame deluse.
• The first edition of Charles K. Harris's Don't You Wish You Were Back Home Again?, published by the composer.
• The first edition of Cilea’s Adriana Lecouvreur, published by Sonzogno.
• The first edition of Bland’s In the Morning by the Bright Light, published by John F. Perry & Co.
• An early edition of Beauharnais’s 12 Romances, published by Breitkopf.
• The holograph manuscript of Cimarosa’s I traci amanti.
• The first edition of Charles K. Harris's Don't Give Me Diamonds, All I Want Is You, published by the composer.
• The first edition of Myaskovsky’s Piano Sonata No.2, Op.13, published by P. Jurgenson.
• The first edition of Bland’s In the Evening by Moonlight, published by the Song Distributing Corp.
• The first edition of Beauharnais’s 12 Romances dedicated to Stéphanie de Beauharnais, published by Pleyel.
• The holograph manuscript of Cimarosa’s Le stravaganze del conte.
• The first edition of Charles K. Harris's Don't Blame Me for Lovin' You, published by the composer.
• The first edition of Myaskovsky’s Cello Sonata No.1, Op.12, published by P. Jurgenson.
• The first edition of Bland’s Carry Me Back to Old Virginny, published by Ditson.
• The first edition of Beauharnais’s 12 Romances dedicated to Eugène de Beauharnais.
• The holograph manuscript of Cimarosa’s Le stravaganze d'amore.
• The first edition of Charles K. Harris's Come Back, published by the composer.
• The first edition of Myaskovsky’s 3 Sketches, Op.8, published by Édition Russe de Musique.
• The first edition of White’s Nouvelles études, Op.33, published by Durdilly.
• Beauharnais’s 12 Romances 'Album artistique', published by Heugel.
• The holograph manuscript of Cimarosa’s La sorpresa.
• The full score of Massenet’s Brumaire, published by Heugel.
• The first edition of Myaskovsky’s Piano Sonata No.1, Op.6, published by P. Jurgenson.
• The first edition of White’s Zamacueca, Op.30, published by du Wast.
• Beauharnais’s Partant pour la Syrie, published by Colombier.
• The holograph manuscript of Cimarosa’s I sdegni per amore.
• The first edition of Charles K. Harris's Climb a Tree with Me, published by the composer.
• Myaskovsky’s On the Border, Op.4, published by Muzgiz.
• The first edition of White’s 6 Études, Op.13, published by Lemoine.
• The first edition of Beauharnais’s L'Hirondelle, published by Troupenas.
• The holograph manuscript of Cimarosa’s Il ritorno di Don Calandrino.
• The first edition of Charles K. Harris's Break the News to Mother, published by the composer.
• Myaskovsky’s Meditations, Op.1, published by Muzgiz.
• The first edition of Johnson’s Victoria Gallop, published by Osbourn's Music Saloon.
• The first edition of Louise Reichardt’s Das Mädchen am Ufer, published by August Cranz.
• The holograph manuscript of Cimarosa’s Il pittore parigino.
• The first edition of Weill’s Violin Concerto, Op.12, published by Universal Edition.
• The first edition of Coleridge-Taylor’s The Willow Song, published by Metzler.
• The first edition of Louise Reichardt’s Heimweh, published by Julius Bauer.
• The holograph manuscript of Cimarosa’s Oreste.
• The first edition of Charles K. Harris's Always Me, published by the composer.
• The first edition of Weill’s String Quartet, Op.8, published by Universal Edition.
• The first edition of Coleridge-Taylor’s What Can Lambkins Do?, published by Novello.
• The first edition of Louise Reichardt’s 6 Lieder von Novalis, Op.4, published by J.A. Böhme.
• The holograph manuscript of Cimarosa’s L'Olimpiade.
• The first edition of Charles K. Harris's All I Want Is a Cottage, Some Roses, and You, published by the composer.
• The first edition of "Dragonetti's" (Nanny’s) Double Bass Concerto in A major, published by Alphonse Leduc.
• The first edition of Coleridge-Taylor’s Variations for Cello and Piano, published by Augener.
• The first edition of Louise Reichardt’s 12 Gesänge, Op.3, published by J.A. Böhme.
• The holograph manuscript of Cimarosa’s I nemici generosi.
• The first edition of Walter Donaldson's We'll have a Jubilee in my Old Kentucky Home, published by Waterson, Berlin, and Snyder.
• The first edition of Strauss’s Wandrers Sturmlied, Op.14, published by Aibl.
• The first edition of Coleridge-Taylor’s Three-Fours, Op.71, published by Augener.
• The first edition of Louise Reichardt’s 12 Gesänge, published by J.A. Böhme.
• The holograph manuscript of Cimarosa’s Il mercato di marmantile.
• The first edition of Walter Donaldson's Sweetie Indiana Home , published by Jerome Remnick.
• The first edition of Strauss’s 6 Volksliedbearbeitung, TrV 216, published by Peters.
• The first edition of Coleridge-Taylor’s Suite from 'St. Agnes' Eve', published by Boosey.
• The first edition of Louise Reichardt’s 12 Deutsche und Italiänische Romantische Gesänge, published by the Realschul-Buchhandlung.
• The holograph manuscript of Cimarosa’s I matrimoni impensati.
• The first edition of Walter Donaldson's Seven or Eleven, published by Shapiro, Bernstein & Co.
• The first edition of Strauss’s Violin Sonata, Op.18, published by Aibl.
• The first edition of Coleridge-Taylor’s Suite for Violin and Piano, Op.3, published by Schott.
• The first edition of Louise Reichardt’s 12 Christliche, liebliche Lieder, published by August Kranz.
• The holograph manuscript of Cimarosa’s L'italiana in Londra.
• The first edition of Walter Donaldson's Oh, Joe, with Your Fiddle and Your Bow, published by Broadway Music Corp.
• The first edition of Strauss’s Violin Concerto, Op.8, published by Aibl.
• The first edition of Coleridge-Taylor’s Southern Love Songs, Op.12, published by Augener.
• The first edition of Duchambge’s Ronde des pauvres, published by Pleyel.
• The holograph manuscript of Cimarosa’s L'infedeltà fedele.
• The first edition of Walter Donaldson's Oh! The Woman in Room 13, published by Waterson, Berlin & Snyder Co.
• The first edition of Strauss’s Tanzsuite aus Klavierstücken von François Couperin, TrV 245, published by Fürstner.
• The first edition of Coleridge-Taylor’s The Soul's Expression, Op.42, published by Novello.
• The holograph manuscript of Cimarosa’s L'imprudente fortunato.
• The first edition of Walter Donaldson's Oh Baby, published by Irving Berlin.
• The first edition of Strauss’s Taillefer, Op.52, published by Fürstner.
• The first edition of Coleridge-Taylor’s 6 Sorrow Songs, Op.57, published by Augener.
• The first edition of Duchambge’s Le matelot, published by Pleyel.
• The holograph manuscript of Cimarosa’s L'impresario in angustie.
• The first edition of Walter Donaldson's My Papa Doesn't Two-Time No Time, published by Irving Berlin.
• The first edition of Strauss’s Symphony No.2, Op.12 , published by Aibl.
• The first edition of Coleridge-Taylor’s Songs of Sun and Shade, published by Boosey.
• The first edition of Duchambge’s Guitare, published by Launer.
• The holograph manuscript of Cimarosa’s Giunio Bruto.
• The first edition of Walter Donaldson's My Buddy, published by Jerome Remick.
• The first edition of Strauss’s Symphonisches Fragment aus 'Josephs-Legende', TrV 231a, published by Adolph Fürstner.
• The first edition of Coleridge-Taylor’s 3 Silhouettes, Op.38, published by Edwin Ashdown.
• The first edition of Gail’s Les deux Jaloux, published by P. Gaveaux.
• The holograph manuscript of Cimarosa’s Giannina e Bernardone.
• The first edition of Walter Donaldson's My Best Girl, published by Jerome Remick.
• The first edition of Strauss’s Suite in B-flat major, Op.4, published by Adolph Fürstner.
• The holograph manuscript and a copyist's manuscript of Coleridge-Taylor’s The Atonement, Op.53.
• The first edition of Sophia Dussek's Variations on In my cottage in a wood, published by Chappell.
• The holograph manuscript of Cimarosa’s La frascatana nobile.
• The first edition of Walter Donaldson's Mindin' My Bus'ness, published by Irving Berlin.
• The first edition of Strauss’s String Quartet in A major, Op.2, published by Aibl.
• The first edition of Coleridge-Taylor’s The Shoshone's Adieu, published by Boosey.
• The first edition of Sophia Dussek's Variations on Beauty in Tears, published by Chappell.
• The holograph manuscript of Cimarosa’s I finti nobili.
• The first edition of Walter Donaldson's I've Got the Sweetest Girl in Maryland, published by M. Witmark.
• The first edition of Strauss’s Stimmungsbilder, Op.9, published by Aibl.
• The first edition of Coleridge-Taylor’s Sea Drift, Op.69, published by Novello.
• The first edition of Sophia Dussek's Variations on Ah! que l'amour, published by Chappell.
• The holograph manuscript of Cimarosa’s La finta parigina.
• The first edition of Walter Donaldson's I Wish that I'd Been Born in Borneo, published by Irving Berlin.
• The first edition score and parts of Strauss’s Serenade in E-flat major, Op.7, published by Aibl.
• The first edition of Coleridge-Taylor’s 4 Scenes de Ballet, Op.64, published by Augener.
• The first edition of Sophia Dussek's Variations on a Tyrolean Air, published by Chappell.
• The holograph manuscript of Cimarosa’s La felicità inaspettata.
• The first edition of Walter Donaldson's I Love the Land of Old Black Joe, published by Irving Berlin.
• The first edition of Strauss’s Das Schloss am Meere, TrV 191, published by Fürstner.
• The first edition of Coleridge-Taylor’s 2 Romantic Pieces, Op.9, published by Augener.
• The first edition of Sophia Dussek's Variations on 'Pray Goody', published by Chappell.
• The holograph manuscript of Cimarosa’s Il fanatico per gli antichi romani.
• The first edition of Walter Donaldson's Goodbye, Slim, published by Schapiro, Bernstein & Co.
• The first edition of Strauss’s Schlichte Weisen, Op.21, published by Aibl.
• The first edition of Coleridge-Taylor’s Petite Suite de Concert, Op.77, published by Hawkes & Son.
• The first edition of Sophia Dussek's The New German Waltz, published by Chappell.
• The holograph manuscript of Cimarosa’s Il fanatico burlato.
• The first edition of Walter Donaldson's Feeling the Way I Do, published by Irving Berlin.
• The first edition of Strauss’s Schlagobers, suite, TrV 243a, published by Adolph Fürstner.
• The first edition of Coleridge-Taylor’s Papillon, published by Augener.
• The first edition of Sophia Dussek's The New German Waltz, published by Cori, Dussek, and Co.
• The holograph manuscript of Cimarosa’s Il falegname.
• The first edition of Walter Donaldson's Down Around the 'Sip 'Sip 'Sippy Shore, published by Irving Berlin.
• The first edition of Strauss’s Schlagobers, ballet, Op.70, published by Adolph Fürstner.
• The first edition of Coleridge-Taylor’s Oh, the Summer, published by J. Curwen.
• The first edition of Sophia Dussek's 3 Scotch Airs, Book 2, published by Birchall.
• The holograph manuscript of Cimarosa’s L'eroe cinese.
• The first edition of Walter Donaldson's Dixie Highway, published by Jerome Remnick & Co.
• The first edition of Strauss’s Piano Sonata, Op.5, published by Aibl.
• The first edition of Coleridge-Taylor’s O Ye that Love the Lord, published by Novello.
• The first edition of Sophia Dussek's 3 Italian Airs with Variations, published by Naderman.
• The holograph manuscript of Cimarosa’s I due supposti conti.
• The first edition of Walter Donaldson's Carolina in the Morning, published by Jerome Remnick & Co.
• The first edition of Strauss’s Piano Quartet, Op.13, published by Aibl.
• The first edition of Coleridge-Taylor’s Now Late on the Sabbath Day, published by Novello.
• The first edition of Sophia Dussek's 3 Harp Sonatas, Op.2 , published by Cori Dussek & Co.
• The holograph manuscript of Cimarosa’s I due baroni di Rocca Azzurra.
• The first edition of Walter Donaldson's Beside a Babbling Brook, published by Jerome Remnick & Co.
• The first edition of Strauss’s 2 Militärmärsche, Op.57, published by Peters.
• The first edition of Coleridge-Taylor’s 24 Negro Melodies, Op.59, published by Ditson.
• The first edition of Sophia Dussek's Favorite Airs, Book 10, published by Monzani & Co.
• The holograph manuscript of Cimarosa’s La donna sempre al suo peggior s'appiglia.
• The first edition of Walter Donaldson's Away Down East in Maine, published by Schapiro, Bernstein, & Co.
• The autograph manuscript of Strauss’s 3 Männerchöre, Op.45.
• The first edition of Coleridge-Taylor’s Moorish Tone-Pictures, Op.19, published by Augener.
• The first edition of Sophia Dussek's Favorite Airs, Book 9, published by Monzani & Co.
• The holograph manuscript of Cimarosa’s Il credulo.
• The first edition of Gussie Davis's We Sat Beneath the Maple on the Hill, published by F.B. Haviland.
• The first edition of Strauss’s Mädchenblumen, Op.22, published by Joseph Aibl.
• The first edition of Coleridge-Taylor’s Moorish Dance, Op.55, published by Augener.
• The first edition of Sophia Dussek's Favorite Airs, Book 7, published by Monzani & Co.
• The holograph manuscript of Cimarosa’s Il convito.
• The first edition of Gussie Davis's Sing Again that Sweet Refrain, published by Spaulding, Gray, and Co.
• The first edition of Strauss’s 6 Lieder, Op.68, published by Adolph Fürstner.
• The first edition of Coleridge-Taylor’s The Lord is My Strength, published by Novello.
• The first edition of Sophia Dussek's Favorite Airs, Book 6, published by Monzani & Co.
• The holograph manuscript of Cimarosa’s La Cleopatra.
• The first edition of Gussie Davis's Irene, Good Night, published by Geo. Propheter.
• The first edition of Strauss’s 6 Lieder, Op.67, published by Bote & Bock.
• The first edition of Coleridge-Taylor’s Life and Death, published by Augener.
• The first edition of Sophia Dussek's Favorite Airs, Book 4, published by Monzani & Co.
• The holograph manuscript of Cimarosa’s Circe.
• The first edition of Gussie Davis's In the Baggage Coach Ahead, published by Howley, Haviland & Co.
• The first edition of Coleridge-Taylor’s A Lament, published by Ricordi.
• The first edition of Sophia Dussek's Favorite Airs, Book 2, published by Monzani & Co.
• The holograph manuscript of Cimarosa’s Chi dell'altrui si veste presto si spoglia.
• The first edition of Gussie Davis's I've Been Hoodoo'd, published by Spaulding.
• The first edition of Strauss’s 8 Lieder, Op.49, published by Adolph Fürstner.
• The first edition of Coleridge-Taylor’s A King There Lived in Thule, published by Boosey.
• The first edition of Sophia Dussek's Favorite Airs, Book 1, published by Monzani & Co.
• The holograph manuscript of Cimarosa’s Caio Mario.
• The first edition of Gussie Davis's The Fatal Wedding, published by Spaulding, Kornder & Co.
• The first edition of Strauss’s 5 Lieder, Op.48, published by Adolph Fürstner.
• The first edition of Coleridge-Taylor’s 3 Humoresques, Op.31, published by Augener.
• The first edition of Lucile Grétry's Le mariage d’Antonio, published by Houbaut.
• The holograph manuscript of Cimarosa’s La ballerina amante.
• The first edition of Gussie Davis's The Dear Old Folks at Home, published by John Church.
• The first edition of Strauss’s 5 Lieder, Op.47, published by Adolph Fürstner.
• The first edition of Coleridge-Taylor’s Hiawathan Sketches, Op.16, published by Augener.
• The first edition of Candeille’s Grand Fantasia with 6 Variations, Op.10.
• The holograph manuscript of Cimarosa’s Atene edificata.
• The first edition of Con Conrad's You've Got to See Mamma Ev'ry Night, published by Leo Feist.
• The first edition of Strauss’s 5 Lieder, Op.41, published by F.E.C. Leuckart.
• The first edition of Coleridge-Taylor’s Gipsy Suite, Op.20, published by Augener.
• The first edition of Candeille’s L'enfant fidèle, Op.10.
• A partial holograph manuscript of Cimarosa’s Le astuzie femminili.
• The first edition of Con Conrad's Margie, published by Waterson, Berlin & Snyder.
• The first edition of Strauss’s 5 Lieder, Op.39, published by Robert Forberg.
• The first edition of Coleridge-Taylor’s Forest Scenes, Op.66, published by Augener.
• The first edition of Candeille’s 2 Keyboard Sonatas, Op.8, published by J.H. Nadermann.
• A partial holograph manuscript of Cimarosa’s Artemisia.
• The first edition of Con Conrad's Down in Dear Old New Orleans, published by Jerome Remick.
• The first edition of Strauss’s 6 Lieder, Op.37, published by Aibl.
• The first edition of Coleridge-Taylor’s Five and Twenty Sailormen, published by John Church.
• The first edition of Candeille’s Piano Sonata in E-flat major, Op.5, published by Imbault.
• A partial holograph manuscript of Cimarosa’s Artemisia regina di Caria.
• The first edition of Nacio Herb Brown's Beedy-Boo, published by Wright Music.
• The first edition of Strauss’s 4 Lieder, Op.36, published by Aibl.
• The first edition of Coleridge-Taylor’s 5 Fantasiestücke, Op.5, published by Boosey.
• The first edition of Candeille’s Keyboard Concerto in D major, Op.2, published by the composer.
• A partial holograph manuscript of Cimarosa’s Artaserse.
• The first edition of George Botsford's The Grizzly Bear, published by Ted Snyder.
• The first edition of Strauss’s 5 Lieder, Op.32, published by Aibl.
• The first edition of Coleridge-Taylor’s 5 Fairy Ballads, published by Boosey.
• The first edition of Candeille’s 3 Sonatas, Op.1, published by the composer.
• A partial holograph manuscript of Cimarosa’s L'Armida immaginaria.
• The first edition of George Botsford's Chatterbox Rag, published by Jerome H. Remick.
• The first edition of Strauss’s 4 Lieder, Op.31, published by Adolph Fürstner.
• The first edition of Coleridge-Taylor’s Eulalie, published by Boosey.
• The first edition of Barthélemon’s Keyboard Sonata, Op.3, published by J. Bland.
• A partial holograph manuscript of Cimarosa’s L'apparenza inganna.
• The first edition of George Botsford's Boomerang Rag, published by Jerome H. Remick.
• The first edition of Strauss’s 3 Lieder, Op.29, published by Aibl.
• The first edition (parts) of Coleridge-Taylor’s Endymion's Dream, Op.65, published by Novello.
• The autograph manuscript of Guest’s 6 Sonatas, Op.1.
• A partial holograph manuscript of Cimarosa’s L'amor costante.
• The first edition of George Botsford's Black and White, published by Jerome H. Remick.
• The first edition of Strauss’s 4 Lieder, Op.27, published by Aibl.
• The first edition (parts) of Coleridge-Taylor’s Encinctured with a Twine of Leaves, published by J. Curwen & Sons.
• The autograph manuscript of Cléry’s 3 Harp Sonatas, Op.1, published by the composer.
• A partial holograph manuscript of Cimarosa’s L'amante combattuto dalle donne di punto.
• The first edition of George Botsford's Baby Mine Rag, published by Jerome H. Remick.
• The first edition of Strauss’s 2 Lieder, Op.26, published by Aibl.
• The first edition (parts) of Coleridge-Taylor’s Drake's Drum, published by J. Curwen & Sons.
• The autograph manuscript of Park’s 2 Keyboard Sonatas, Op.13, published by Birchall.
• The holograph manuscript of Cherubini’s Udite lacrimosi spiriti d'averno.
• The first edition of Ernest Ball's You're Hitting a Thousand in the Game of Love, published by M. Witmark.
• The first edition of Strauss’s 6 Lieder, Op.17, published by D. Rahter.
• The first edition (parts) of Coleridge-Taylor’s Clarinet Quintet, Op.10, published by Breitkopf.
• The autograph manuscript of Park’s Piano Sonata, Op.7, published by L. Lavenu.
• The holograph manuscript of Cherubini’s Tantum ergo in B-flat major.
• The first edition of Ernest Ball's Who Knows?, published by M. Witmark.
• The first edition score and parts of Strauss’s 5 Lieder, Op.15 , published by D. Rahter.
• The first edition of Coleridge-Taylor’s 4 Characteristic Waltzes, Op.22, published by Novello.
• The autograph manuscript of Park’s Keyboard Concerto in E-flat Major, Op.6, published by Longman and Broderip.
• The holograph manuscript of Cherubini’s Tantum ergo in A minor.
• The first edition of Ernest Ball's Watching The World Go By, published by M. Witmark.
• The first edition of Strauss’s 6 Lieder aus 'Lotosblätter', Op.19 , published by Aibl.
• The first edition of Coleridge-Taylor’s Candle Lightin' Time, published by Church.
• The autograph manuscript of Park’s 2 Keyboard Sonatas, Op.4, published by Longman and Broderip.
• The holograph manuscript of Cherubini’s Regina coeli.
• The first edition of Ernest Ball's Time After Time, published by M. Witmark.
• The first edition score and parts of Strauss’s Krämerspiegel, Op.66, published by Paul Cassirer.
• The first edition of Coleridge-Taylor’s 3 Cameos for Piano, Op.56, published by Augener.
• The autograph manuscript of Park’s A Set of Glees with the Dirge in Cymbeline, Op.3, published by Robert Birchall.
• The holograph manuscript of Cherubini’s O salutaris hostia No.2 in G major.
• The first edition of Ernest Ball's My Dear, published by M. Witmark.
• The first edition score and parts of Strauss’s 5 Kleine Lieder, Op.69, published by Adolph Fürstner.
• The first edition of Coleridge-Taylor’s Bon-Bon Suite, Op.68, published by Novello.
• The autograph manuscript of Park’s 3 Keyboard Sonatas, Op.2, published by Longman.
• The holograph manuscript of Cherubini’s O salutaris hostia No.1 in G major.
• The first edition of Ernest Ball's A Little Bit of Heaven, published by M. Witmark.
• The first edition score and parts of Strauss’s 5 Klavierstücke, Op.3, published by Aibl.
• The first edition of Coleridge-Taylor’s The Blind Girl of Castél-Cuillé, Op.43, published by Novello.
• The autograph manuscript of Westenholz’s 2 Sonatinas.
• The first edition of Ernest Ball's The Isle of Afterwhile, published by M. Witmark.
• The first edition score and parts of Strauss’s Josephs-Legende, Op.63, published by Adolph Fürstner.
• The first edition of Coleridge-Taylor’s The Bamboula, Op.75, published by Hawkes and Son.
• The autograph manuscript of Westenholz’s 3 Lieder.
• The holograph manuscript of Cherubini’s O salutaris hostia in D major.
• The first edition of Ernest Ball's Down the Trail to Home Sweet Home, published by M. Witmark.
• The first edition score and parts of Strauss’s 3 Hymnen von Friedrich Hölderlin, Op.71, published by Adolph Fürstner.
• The first edition of Coleridge-Taylor’s Ballade, Op.73, published by Augener.
• The autograph manuscript of Westenholz’s Capriccio and 2 Waltzes.
• The holograph manuscript of Cherubini’s O salutaris hostia in B-flat major.
• The first edition of Thomas S. Allen's You Can't Jolly Molly Anymore, published by Daly.
• The first edition score and parts of Strauss’s Horn Concerto No.1, Op.11, published by Aibl.
• The first edition of Coleridge-Taylor’s Ballade, Op.73, published by Augener.
• The autograph manuscript of Westenholz’s Piano Sonata in F minor.
• The holograph manuscript of Cherubini’s O fons amoris.
• The first edition of Thomas S. Allen's Whip and Spur, published by Walter Jacobs.
• The first edition of Strauss’s 2 Größere Gesänge, Op.44, published by Robert Forberg.
• The first edition of Coleridge-Taylor’s The Atonement, Op.53, published by Novello.
• The first edition of Westenholz’s 12 Deutsche Lieder, Op.4, published by Rodolphe Werckmeister.
• The holograph manuscript of Cherubini’s Ninfa crudel.
• The first edition of Thomas S. Allen's Where Are the Scenes of Yesterday?, published by Daly.
• The first edition of Strauss’s 2 Gesänge, Op.51, published by Adolph Fürstner.
• The first edition of Coleridge-Taylor’s African Suite, Op.35, published by Augener.
• The first edition of Westenholz’s Sonata for Piano 4 Hands, Op.3, published by Rodolphe Werckmeister.
• The holograph manuscript of Cherubini’s Kyrie et Pater noster.
• The first edition of Thomas S. Allen's When a Boy Says "Will You?" and a Girl Says "Yes", published by the composer.
• The manuscript of Lusitano’s Tratado de canto de organo.
• The first edition of Westenholz’s Theme and 12 Variations, Op.2, published by Rodolphe Werckmeister.
• The holograph manuscript of Cherubini’s Iste die observabilis est Domini.
• The first edition of Thomas S. Allen's Under the Spell, published by Walter Jacobs.
• The first edition of Strauss’s 4 Gesänge, Op.33, published by Bote & Bock.
• The first edition (parts) of Lusitano’s Liber primus epigramatum, published by Valerium Doricum and Ludouicum Fratres Brixienses.
• The first edition of Westenholz’s Rondo in B-flat major, Op.1, published by Rodolphe Werckmeister.
• The holograph manuscript of Cherubini’s In paradisum deducant te angeli.
• The first edition of Thomas S. Allen's The Plunger, published by Hub Music Co.
• The first edition of Strauss’s 3 Gesänge älterer deutscher Dichter, Op.43, published by C.A. Challier.
• The holograph manuscript of Saint-Georges’s Sonata for Flute and Harp in E-flat major.
• The first edition of Auenbrugger’s Keyboard Sonata in E-flat major, published by Artaria.
• The holograph manuscript of Cherubini’s Hymne à la Fraternité.
• The first edition of Thomas S. Allen's Never-No More, published by the composer.
• The first edition of Strauss’s 5 Gedichte von Friedrich Rückert, Op.46, published by Fürstner.
• The holograph manuscript of Saint-Georges’s L'Amant anonime.
• The first edition of Abrams’s The Three Sighs - Sorrow, Hope & Bliss, published by Lavenu.
• The holograph manuscript of Cherubini’s Esto mihi in Deum protectorem.
• The first edition of Thomas S. Allen's My Heart is Hungry for You, published by Lew Berk.
• The first edition of Strauss’s 8 Gedichte aus 'Letzte Blätter', Op.10, published by Aibl.
• The first edition (parts) of Saint-Georges’s 6 Sonatas for 2 Violins, published by Pleyel.
• The first edition of Abrams’s A Smile and a Tear, published by Lavenu.
• The holograph manuscript of Cherubini’s Ecce panis angelorum.
• The first edition of Thomas S. Allen's My Georgiana Lou, published by Daly.
• The first edition score and parts of Strauss’s Festmarsch, Op.1, published by Breitkopf.
• The first edition (parts) of Saint-Georges’s 2 Symphonies concertantes, Op.13, published by Sieber.
• The first edition of Abrams’s The Orphan's Prayer, published by Lavenu.
• The holograph manuscript of Cherubini’s Domine Dominus noster.
• The first edition of Thomas S. Allen's My Dusky Rose, published by Walter Jacobs.
• The first edition score and parts of Strauss’s Festliches Präludium, Op.61, published by Fürstner.
• The first edition (parts) of Saint-Georges’s 2 Symphonies, Op.11, published by De la Chevardiere.
• The first edition of Abrams’s The Friend of my Heart, published by Lavenu.
• The holograph manuscript of Cherubini’s Credo a 8 voci.
• The first edition of Thomas S. Allen's I'm Going Crazy, published by Daly.
• The first edition score and parts of Strauss’s Feierlicher Einzug, TrV 224, published by Schlesinger.
• The first edition (parts) of Saint-Georges’s 2 Violin Concertos, Op.7, published by Bailleux.

The first edition of Abrams’s Crazy Jane, published by Lavenu.

• The holograph manuscript of Cherubini’s Chant republicain pour la fête du 10 août.
• The first edition of Thomas S. Allen's I'll Wait for You 'Till the Cows Come Home, published by Daly.
• The first edition of Strauss’s Enoch Arden, Op.38, published by Robert Forberg.
• The first edition (parts) of Saint-Georges’s 2 Violin Concertos, Op.5, published by Bailleux.
• The first edition of Francesca Lebrun’s 6 Violin Sonatas, Op.2, published by Götz.
• The holograph manuscript of Cherubini’s Capriccio in C major.
• The first edition of Thomas S. Allen's I'll Put Mine against Yours Anytime, published by Daly.
• The first edition of Strauss’s Divertimento aus Klavierstücke von François Couperin, Op.86, published by Johannes Oertel.
• The first edition (parts) of Saint-Georges’s 2 Violin Concertos, Op.2, published by Bailleux.
• The first edition of Francesca Lebrun’s 6 Violin Sonatas, Op.1, published by Sieber.
• The holograph manuscript of Cherubini’s Ave Maria.
• The first edition of Thomas S. Allen's Girl of the Orient, published by Walter Jacobs.
• The first edition of Strauss’s Deutsche Motette, Op.62 , published by Adolf Fürstner.
• The first edition (parts) of Saint-Georges’s 6 String Quartets, Op.1, published by Sieber.
• The first edition of Savage’s Keyboard Duet in C major, Op.6, published by Longman & Broderip.
• The holograph manuscript of Cherubini’s Alleluia O filii et filiae.
• The first edition of Thomas S. Allen's Dance of the Skeletons, published by Walter Jacobs.
• The first edition of Strauss’s Cello Sonata, Op.6, published by Aibl.
• The second edition of Herbst’s Musica practica, published by Jeremias Dümler.
• The first edition of Savage’s Strephan and Flavia, Op.4, published by Longman & Broderip.
• The holograph manuscript of Cherubini’s Adoremus in aeternum.
• The first edition of Thomas S. Allen's Dance of the Lunatics, published by Walter Jacobs.
• The first edition full score and parts for Strauss’s Burleske, TrV 145, published by Steingräber.
• The second edition of Herbst’s Musica poëtica, published by Jeremias Dümler.
• The first edition of Savage’s 6 Rondos, Op.3, published by Longman & Broderip.
• The holograph manuscript of Cherubini’s Adjutor in opportunitatibus.
• The first edition of Thomas S. Allen's Any Rags?, published by George M. Krey.
• The first edition of Strauss’s Der Bürger als Edelmann, TrV 228b, published by Adolph Fürstner.
• The second edition of Herbst’s Arte prattica & poëtica, published by Anthonio Humme and Thomae Matthiae Götze.
• The first edition of Savage’s 6 Easy Keyboard Lessons or Sonatas, Op.2, published by the composer.
• The holograph manuscript of Cherubini’s Adjutor et susceptor meus.
• The first edition of selections from George M. Cohan's The Yankee Prince, published by Cohan & Harris.
• The first edition of Strauss’s Bardengesang, Op.55, published by Adolph Fürstner.
• The second edition of Werckmeister’s Orgel-Probe, published by Theodor Philipp Calvisius.
• The first edition of Schröter’s 25 Lieder, published by Hoffmann.
• The holograph manuscript of Cherubini’s String Quartet No.1.
• The first edition of George M. Cohan's I Want to Go to Paree, Papa, published by Hearst's Chicago American.
• The full score for Strauss’s Intermezzo, Op.72, published by Adolph Fürstner.
• The first edition of Werckmeister’s Musicalische Paradoxal-Discourse, published by Theodor Philipp Calvisius.
• The first edition of Barthélemon’s Keyboard Sonata, Op.3, published by J. Blanc.
• The holograph manuscript of Cherubini’s Symphony in D major.
• The first edition of George M. Cohan's Popularity, published by F.A. Mills.
• The full score and parts for Strauss’s Die Frau ohne Schatten, Op.65, published by Adolph Fürstner.
• The first edition of Werckmeister’s Musicæ Mathematicæ Hodegus Curiosus, published by Theodor Philipp Calvisius.
• The first edition of Barthélemon’s 6 English and Italian Songs, Op.2, published by the composer.
• The holograph manuscript of C.P.E. Bach’s Symphony in D major, H.663.
• The first edition of George M. Cohan's You Remind Me Of My Mother, published by M. Witmark & Sons.
• The full score and parts for Strauss’s Ariadne auf Naxos, Op.60, published by Adolph Fürstner.
• The first edition of Werckmeister’s Hypomnemata Musica, published by Theodor Philipp Calvisius.
• The first edition of Sirmen’s 6 Duets, Op.5, published by Venier.
• The first edition (parts) of C.P.E. Bach’s Sonatina in E-flat major, H.462, published by Georg Ludwig Winter.
• The first edition of George M. Cohan's I Told Them That I Saw You, published by Spaulding & Gray.
• The full score and parts for Strauss’s Der Rosenkavalier, Op.59, published by Adolph Fürstner.
• The first edition of Werckmeister’s Cribrum Musicum, published by Theodor Philipp Calvisius.
• The first edition of Sirmen’s 6 Violin Concertos, Op.3, published by William Napier.
• The first edition of C.P.E. Bach’s Sonatina in D minor, H.461, published by Georg Ludwig Winter.
• The first edition of George M. Cohan's I Guess I'll Have to Telegraph My Baby, published by George Spaulding.
• The full score and parts for Strauss’s Salome, Op.54, published by Adolph Fürstner.
• The first edition of Werckmeister’s Die nothwendigsten Anmerckungen und Regeln des General-Bass, published by Gottlob Ernst Struntze.
• The first edition of Sirmen’s 3 Violin Concertos, Op.2, published by J.J. Hummel.
• The holograph manuscript of C.P.E. Bach’s Sonatina in D major, H.449.
• The first edition of George M. Cohan's Maudie, published by Hearst's Chicago American.
• The full score and parts for Strauss’s Feuersnot, Op.50, published by Adolph Fürstner.
• The first English edition of Weber’s Versuch einer geordneten Theorie der Tonsetzkunst, published by J.H. Wilkins & R.B. Carter.
• The holograph manuscript of Sirmen’s 6 String Trios, Op.1.
• The holograph manuscript of C.P.E. Bach’s Quartet in G major, H.539.
• The first edition of George M. Cohan's Forty-five Minutes From Broadway, published by F.A. Mills.
• The full score and parts for Strauss’s Guntram, Op.25 , published by Adolph Fürstner.
• The first edition of Gevaert’s La mélopée antique, published by Adrian Hoste.
• The holograph manuscript of Martinez’s Scelta d'Arie Composte per suo diletto.
• The holograph manuscript of C.P.E. Bach’s Quartet in D major, H.538.
• The first edition of George M. Cohan's Father of the Land We Love, published by Sol Bloom.
• The full score and parts for Strauss’s Eine Alpensinfonie, Op.64, published by Leuckart.
• The first edition of Gevaert’s Traité général d'instrumentation, published by the composer.
• The first edition of Gambarini’s Lessons and Songs, Op.2, published by the composer.
• The holograph manuscript of C.P.E. Bach’s Oboe Concerto in E-flat major, H.468.
• The first edition of Kerry Mill's Whistling Rufus, published by F.A. Mills.
• The full score and parts for Strauss’s Sinfonia Domestica, Op.53, published by Bote & Bock.
• The first edition of Gevaert’s Traité d'harmonie, published by Lemoine.
• The first edition of Gambarini’s Six Sets of Lessons for the Harpsichord, Op.1, published by the composer.
• The holograph manuscript of C.P.E. Bach’s Oboe Concerto in B-flat major, H.466.
• The first edition of Kerry Mill's Red Wing, published by F.A. Mills.
• The full score and parts for Strauss’s Ein Heldenleben, Op.40, published by Leuckart.
• The first edition of Gevaert’s Nouveau traité d’instrumentation, published by Lemoine.
• The first edition of Ménétou’s Airs sérieux, published by Christophe Ballard.
• The holograph manuscript of C.P.E. Bach’s Menuet con 5 Variazioni, H.44.
• The first edition of Kerry Mill's Rastus on Parade, published by F.A. Mills.
• The full score and parts for Strauss’s Also sprach Zarathustra, Op.30, published by Aibl.
• The first edition of Gevaert’s Cours méthodique d'orchestration, published by Lemoine.
• The first edition of Anna Bon's 6 Harpsichord Sonatas, Op.2, published by Balthasar Schmid.
• The holograph manuscript of C.P.E. Bach’s Matthäus-Passion, H.802.
• The first edition of Kerry Mill's Kerry Mills Ragtime Dance, published by F.A. Mills.
• The full score and parts for Strauss’s Till Eulenspiegels lustige Streiche, Op.28, published by Aibl.
• The first edition of Gevaert’s Histoire et théorie de la musique de l'antiquité, published by C. Annoot-Braeckman.
• The first edition (parts) of Maddalena Casulana's Madrigali a 4 voci, Libro 2, published by Girolamo Scotto.
• The first edition of Kerry Mill's At a Georgia Campmeeting, published by F.A. Mills.
• The full score and parts for Strauss’s Macbeth, Op.23, published by Aibl.
• The first edition of Haberl’s Magister choralis, published by Friedrich Pustet.
• The first edition (parts) of Vittoria Aleotti's Ghirlanda de Madrigali a 4 voci , published by Giacomo Vincenti.
• The holograph manuscript of C.P.E. Bach’s Magnificat in D major, H.772.
• The first edition of Charles Kassell Harris's Yesterday, published by the composer.
• The full score and parts for Strauss’s Tod und Verklärung, Op.24, published by Aibl.
• The first edition of Fétis’s Antoine Stradivari, published by Vuillaume.
• The first edition (parts) of Isabella Leonarda's Motetti a voce sola con istromenti, Op.20, published by Marino Silvani.
• The holograph manuscript of C.P.E. Bach’s Lukas-Passion, H.800.
• The first edition of Charles Kassell Harris's While the Dance Goes On, published by Charles Sheard.
• The full score and parts for Strauss’s Don Quixote, Op.35, published by Aibl.
• The first edition of Momigny’s Exposé succinct du seul système musical, published by the author.
• The first edition (parts) of Isabella Leonarda's Messe e motetti concertate, Op.18, published by Pier-Maria Monti.
• The holograph manuscript of C.P.E. Bach’s Die letzten Leiden des Erlösers, H.776.
• The first edition of Charles Kassell Harris's Fairy Moon, published by the composer.
• The full score and parts for Strauss’s Don Juan, Op.20, published by Aibl.
• The first edition of Momigny’s Cours complet d'harmonie et de composition, published by the author.
• The second edition (parts) of Isabella Leonarda's 12 Sonatas, Op.16, published by Pier-Maria Monti.
• The holograph manuscript of C.P.E. Bach’s Keyboard Trio in G major, H.523.
• The first edition of Charles Kassell Harris's Break the News to Mother, published by the composer.
• The full score and parts for Strauss’s Aus Italien, Op.16, published by Aibl.
• The first edition of Riepel’s Baßschlüssel, published by Johann Leopold Montag.
• The first edition of Isabella Leonarda's Motetti a voce sola, Op.6, published by Gardano.
• The holograph manuscript of C.P.E. Bach’s Keyboard Trio in F major, H.533.
• The first edition of Charles Kassell Harris's After the Ball, published by the composer.
• The holograph manuscript of Tchaikovsky’s Violin Concerto, Op.35.
• The first edition of Brymn’s By Wireless Telephone, published by Shapiro, Bernstein & Von Tilzer.

Archive 10—2019

• The first edition of Riepel’s Anfangsgründe zur musicalischen Setzkunst, published by Johann Jacob Lotter.
• The first edition of Frescobaldi’s Recercari et canzoni, published by Appreffo Bartolomeo Zannetti.
• The holograph manuscript of C.P.E. Bach’s Keyboard Trio in E-flat major, H.528.
• The first edition of Paul Dresser's We Were Sweethearts for Many Years, published by Howley, Haviland, and Co.
• The first edition (parts) of Wert’s Madrigali del Fiore, published by Girolamo Scotto.
• The second edition of [[:Category:Castil-Blaze, {{{2}}}|Castil-Blaze’s]] Dictionnaire de musique moderne, published by La Lyre moderne.
• The first edition of Frescobaldi’s Madrigali a 5 voci, Libro 1, published by Pierre Phalese.
• The holograph manuscript of C.P.E. Bach’s Keyboard Trio in E minor, H.531.
• The first edition of Paul Dresser's Tootsey and Wootsey, published by Balmer & Weber.
• The first edition (parts) of Wert’s Madrigali a 5 voci, Libro 11, published by Angelo Gardano.
• The second edition and early translations into German and English of Cherubini’s Cours de contrepoint et de fugue, published by Heugel and others.
• The first edition of Frescobaldi’s Capricci, F 1863-65, published by Alessandro Vicenti.
• The holograph manuscript of C.P.E. Bach’s Keyboard Trio in E minor, H.529.
• The first edition of Paul Dresser's Tis All that I Have to Remember Her By, published by Howley, Haviland & co.
• The first edition (parts) of Wert’s Madrigali a 5 et 6 voci, Libro 9, published by Angelo Gardano.
• An early edition of Spontini’s Milton, published by Erard.
• The first edition of Frescobaldi’s Arie musicali, published by Giovanni Battista Landini.
• The holograph manuscript of C.P.E. Bach’s Keyboard Trio in D major, H.530.
• The first edition of Paul Dresser's There's No North Or South Today, published by Howley, Haviland & Dresser.
• The first edition (parts) of Wert’s Madrigali a 5 voci, Libro 8, published by Angelo Gardano.
• The autograph maanuscript of Spontini’s I puntigli delle donne.
• The first edition of Biber’s Vesperæ longiores ac breviores una cum litaniis Lauretanis, published by Johann Baptist Mayr.
• The holograph manuscript of C.P.E. Bach’s Keyboard Trio in C major, H.534.
• The first edition of Paul Dresser's There's a Ship, published by Willis Woodward.
• The first edition (parts) of Wert’s Madrigali a 5 voci, Libro 7, published by Angelo Gardano.
• The first edition (parts) of Spontini’s Bacchanale des Danaïdes, published by Boildieu Jeune.
• The first edition of Biber’s 8 Violin Sonatas, C 138-145, published by Thomas Georg Höger.
• The holograph manuscript of C.P.E. Bach’s Keyboard Trio in C major, H.526.
• The first edition of Paul Dresser's A Sailor's Grave by the Sea, published by Howley, Haviland & Co.
• The second edition (parts) of Wert’s Madrigali a 5 voci, Libro 6, published by the heirs of Girolamo Scotto.
• The full score of Rossini’s La pietra del paragone, published by Launer.
• The first edition of Schmelzer’s Arie per il balletto à cavallo, published by Matteo Cosmerovio.
• The holograph manuscript of C.P.E. Bach’s Keyboard Trio in C major, H.524.
• The first edition of Paul Dresser's Only a Stranger, published by Howley, Haviland & Co.
• The third edition (parts) of Wert’s Madrigali a 5, 6, et 7 voci, Libro 5, published by Angelo Gardano.
• The full score of Rossini’s L'inganno felice, published by Ratti e Cencetti.
• The first edition of Buonamente’s Sonate et canzoni, Libro 6, published by Alessandro Vincenti.
• The holograph manuscript of C.P.E. Bach’s Keyboard Trio in B-flat major, H.525.
• The first edition of Paul Dresser's On the Banks of the Wabash, Far Away, published by Howley, Haviland & Co.
• The third edition (parts) of Wert’s Madrigali a 5 voci, Libro 4, published by Angelo Gardano.
• The full score of Rossini’s La donna del lago, published by C. Laffille.
• The first edition of Boccherini’s 6 String Quintets, Op.11, published by Venier.
• The holograph manuscript of C.P.E. Bach’s Keyboard Trio in A minor, H.522.
• The first edition of Paul Dresser's The Lone Grave , published by Willis Woodward.
• The third edition (parts) of Wert’s Madrigali a 5 voci, Libro 2, published by Girolamo Scotto.
• The full score of Tchaikovsky’s The Maid of Orleans, published by P. Jurgenson.
• The first edition of Boccherini’s 6 String Quartets, G.236-241 (Op.53), published by Pleyel.
• The holograph manuscript of C.P.E. Bach’s Keyboard Trio in A major, H.527.
• The first edition of Paul Dresser's Lincoln, Grant and Lee, published by Howley, Haviland & Co.
• The first edition (parts) of Wert’s Madrigali a 5 voci, Libro 1, published by Girolamo Scotto.
• The full score of Tchaikovsky’s The Enchantress, published by P. Jurgenson.
• The first edition of Boccherini’s 6 String Quartets, G.165-170, published by Venier.
• The holograph manuscript of C.P.E. Bach’s Keyboard Concerto in G major, H.444.
• The first edition of Paul Dresser's A Dream of My Boyhood Days, published by Howley, Haviland & Co.
• The first edition (parts) of Wert’s Madrigali a 4 voci, Libro 1, published by Girolamo Scotto.
• The full score of Tchaikovsky’s Cherevichki, published by P. Jurgenson.
• The first edition of Boccherini’s 6 Violin Sonatas, G.25-30, published by Venier.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in G minor, H.442.
• The first edition of Paul Dresser's Calling to Her Boy Just Once Again, published by Howley, Haviland & Co.
• The first edition (parts) of Baldini’s Il Lauro verde, a collection of madrigals from 1583.
• The full score of Glinka’s A Life for the Tsar, published by P. Jurgenson.
• The autograph manuscript of Boccherini’s Viola Sonata in C minor, G.18.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in G major, H.477.
• The first edition of Paul Dresser's The Boys are Coming Home Today, published by Howley, Haviland & Co.
• The first edition (parts) of Baldini’s Il Lauro secco, a collection of madrigals from 1582.
• The holograph manuscript of Tchaikovsky’s Symphony No.4, Op.36.
• The autograph manuscript of Boccherini’s Tu di saper procura, G.555.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in G major, H.412.
• The first edition of Paul Dresser's The Blue and the Gray, published by Howley, Haviland & Co.
• The first edition of Joachim van den Hove’s Delitiæ musicæ, a 1612 collection of lute music published by Salomon de Roy and Johannes Guilielmus de Rhenen.
• The holograph manuscript of Tchaikovsky’s Symphony No.3, Op.29.
• The first edition (parts) of Boccherini’s Symphony in D major, G.500, published by Grange.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in G major, H.405.
• The first edition of Paul Dresser's Baby Slumbers, published by Balmer & Weber.
• The first edition of Holborne’s Pavans, Galliards, Almains and other Short Aeirs, published by William Barley.
• The holograph manuscript of Tchaikovsky’s Swan Lake (ballet), Op.20.
• The first edition (parts) of Boccherini’s Symphony in D major, G.490, published by Luigi Marescalchi.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in F major, H.454.
• The first edition of Paul Dresser's A Baby Adrift at Sea, published by Willis Woodward.
• The first edition of Holborne’s The Cittharn Schoole, published by Peter Short.
• The holograph manuscript of Tchaikovsky’s Pezzo capriccioso, Op.62.
• The holograph manuscript (parts) of Boccherini’s Symphony in C major, G.523.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in F major, H.443.
• The first edition of Paul Dresser's After the Battle, published by the composer.
• The first edition of Molinaro’s Intavolatura di liuto libro primo, published by Ricciardo Amandio.
• The holograph manuscript of Castillon’s Airs de Danse.
• The first edition (parts) of Boccherini’s 6 String Trios, G.119-124 Nos. 4–6, published by Chevardière.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in F major, H.415.
• The first edition of George M. Cohan's When You Come Back, published by M.W. & Sons.
• The first edition of Neusidler’s Teütsch Lautenbuch, published by Bernhart Jobin.
• The holograph manuscript of Franck’s Vocal Fugue in D minor.
• The first edition (parts) of Boccherini’s 6 String Trios, G.113-118 (Op.54) Nos. 4–6, published by Pleyel.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in E-flat major, H.469.
• The first edition of George M. Cohan's Their Hearts Are Over Here, published by Waterson, Berlin & Snyder.
• The first edition of Neusidler’s Il primo libro Intabolatura di liuto, published by Angelo Gardano.
• The holograph manuscript of Franck’s Variations brillantes sur un thème original, CFF 131.
• The first edition (parts) of Boccherini’s 6 String Trios, G.101-106 (Op.34) , published by Artaria.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in E-flat major, H.404.
• The first edition of George M. Cohan's Popularity, published by F.A. Mills.
• The Lautentabulaturen, D-Mbs Hss Mus.ms.266, a major source for Dall'Aquilla, da Ripa, and others.
• The holograph manuscript of Franck’s Variations brillantes sur 'Gustave III', CFF 133.
• The first edition (parts) of Boccherini’s 6 String Trios, G.89-94 (Op.6), published by Venier.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in E minor, H.418.
• The first edition of George M. Cohan's I Told Them That I Saw You, published by Spaulding and Gray.
• The first edition (parts) of Schein’s Musica boscareccia, published by Paul Ledertz.
• The holograph manuscript of Franck’s Stradella, CFF 229.
• The first edition (parts) of Boccherini’s 6 String Trios, G.83-88 (Op.4), published by Venier.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in D minor, H.427.
• The first edition (parts) of Schein’s Fontana d'Israel, published by the composer.
• The holograph manuscript of Franck’s Piano Trio, CFF 108.
• The first edition (parts) of Boccherini’s 6 String Trios, G.77-82 (Op.1), published by Bailleux.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in D minor, H.420.
• The first edition of George M. Cohan's You're a Grand Old Flag, published by F.A. Mills.
• The first edition (parts) of Schein’s Diletti pastorali, Hirten Lust, published by Friedrich Lanckisch.
• The holograph manuscript of Franck’s Piano Sonata No.1, CFF 2.
• The first edition (parts) of Boccherini’s 6 String Sextets, G.454-459 (Op.23), published by Sieber.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in D major, H.478.
• The first edition of George M. Cohan's Over There, published by William Jerome.
• The first edition (parts) of Schein’s Cymbalum Sionium sive Cantiones Sacrae, published by Abraham Lamberg.
• The holograph manuscript of Franck’s Piano Concerto No.2, Op.11.
• The first edition (parts) of Boccherini’s 5 String Quintets, G.365-369 (Op.49) Nos. 1–2 and 4–5, published by Pleyel.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in D major, H.433.
• The first edition of W. C. Handy's St. Louis Blues, published by Theron C. Bennett.
• The holograph manuscript of Buxtehude’s Membra Jesu Nostri, BuxWV 75, written in keyboard tablature.
• The holograph manuscript of Franck’s Paris.
• The first edition (parts) of Boccherini’s 6 String Quintets, G.359-364 (Op.46) Nos. 1 and 3–6, published by Pleyel.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in D major, H.421.
• The first edition of W. C. Handy's The Memphis Blues, published by Theron C. Bennett.
• The first edition (parts) of Buxtehude’s 7 Trio Sonatas, Op.1, published by the composer.
• The holograph manuscript of Franck’s Grande fantaisie No.3, CFF 7.
• The first edition (parts) of Boccherini’s 4 String Quintets, G.355-358 (Op.45) Nos. 1, 2, and 4, published by Pleyel.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in D major, H.414.
• The first edition of Jelly Roll Morton's Original Jelly Roll Blues, published by Will Rossiter.
• The first critical editions of Carissimi’s Jephte and Jonas, edited by Friedrich Chrysander.
• The holograph manuscript of Franck’s Final, Op.21.
• The first edition (parts) of Boccherini’s 4 String Quintets, G.348-351 (Op.42), published by Pleyel.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in C minor, H.448.
• The holograph manuscript of Dvořák’s Cello Concerto, Op.104.
• The first edition of Santamaría’s Arte de Tañer Fantasia, published by Francisco Fernandez.
• The holograph manuscript of Franck’s Fantaisie No.2, CFF 4.
• The first edition (parts) of Boccherini’s 2 String Quartets, G.214-215 (Op.41), published by Pleyel.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in C minor, H.441.
• The full score for Saint-Saëns’s Symphony No.2, Op.55, published by Durand.
• The first edition (parts) of Schöffer’s 65 Teutscher Lieder, first published in 1536.
• The first edition (parts) of Boccherini’s 6 String Quartets, G.201-206 (Op.32), published by Artaria.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in C major, H.423.
• The full score and parts for Saint-Saëns’s Symphony No.1, Op.2, published by Richault.
• The first edition (parts) of Schöffer’s 62 Lieder, first published in 1513.
• The holograph manuscript of Fauré’s Nocturne No.7, Op.74.
• The first edition (parts) of Boccherini’s 6 String Quartets, G.195-200, published by Artaria.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in B-flat major, H.447.
• The full score and parts for Saint-Saëns’s Suite, Op.49, published by Durand.
• The first edition of Virdung’s Musica getutscht, an organ method from 1511.
• The holograph manuscript of Fauré’s Impromptu No.4, Op.91.
• The first edition (parts) of Boccherini’s 6 String Quartets, G.189-194, published by Sieber.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in B-flat major, H.429.
• The full score and parts for Saint-Saëns’s Suite algérienne, Op.60, published by Durand.
• The Matthias Rottenau Tablature Book, D-B Mus.ms. 40615, a major manuscript source for early 17th-century keyboard music.
• The holograph manuscript of Satie’s Gymnopédie No.1.
• The first edition (parts) of Boccherini’s 6 String Quartets, G.183-188, published by de la Chevardiere.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in B minor, H.440.
• The full score and parts for Saint-Saëns’s Rhapsodie d'Auvergne, Op.73, published by Durand.
• The Manuscript, F-Pn Rés. Vm7 676, a major manuscript source for frottole.
• The holograph manuscript of Holst’s This have I done for my true love, Op.34 No.1.
• The first edition (parts) of Boccherini’s 6 String Quartets, G.177-182, published by Boyer.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in A major, H.422.
• The full score and parts for Saint-Saëns’s Rhapsodie bretonne, Op.7b, published by Durand.
• The Dijon Chansonnier, a major source of mid-15th-century songs.
• The holograph manuscript of Holst’s The Swallow leaves her nest, H.119.
• The first edition (parts) of Boccherini’s 6 String Quartets, G.171-176, published by Venier.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in A major, H.411.
• The full score and parts for Saint-Saëns’s Requiem, Op.54, published by Durand.
• Petrus Alamire’s 40 Motets, V-CVbav MS Pal.lat. 1976-79, including magnificats by Josquin, Isaac, Mouton, and others.
• The holograph manuscript of Holst’s Ode to Death, Op.38.
• The first edition (parts) of Boccherini’s String Quartet in E-flat major, G.236, published by Pleyel.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in A major, H.410.
• The full score and parts for Saint-Saëns’s Phaéton, Op.39, published by Durand.
• Petrus Alamire’s Choirbook, GB-Lbl Royal 8 G. vii, including magnificats by Josquin, La Rue, Richafort, and others.
• The first edition of Campra’s Télèphe, published by Ballard.
• The first edition (parts) of Boccherini’s String Quartet in A major, G.213, published by Pleyel.
• The holograph manuscript of C.P.E. Bach’s Flute Sonata in E major, H.506.
• The full score and parts for Saint-Saëns’s Le déluge, Op.45, published by Durand.
• Petrus Alamire’s Choirbook, D-Ju MS 21, including magnificats by Josquin, La Rue, Pipelare, and others.
• The first edition of Campra’s Tancrède, published by Ballard.
• The first edition (parts) of Boccherini’s 6 Flute Sextets, G.461-466, published by De la Chevardière.
• The holograph manuscript of C.P.E. Bach’s Flute Concerto in G major, H.445.
• The full score and parts for Saint-Saëns’s Allegro appassionato, Op.43, published by Durand.
• Petrus Alamire’s Choirbook, D-Ju MS 20, including magnificats by Févin, La Rue, Mouton, and others.
• The first edition of Campra’s Silène et Bacchus, published by Ballard.
• The first edition (parts) of Boccherini’s 6 Flute Quintets, G.425-430, published by De la Chevardière.
• The holograph manuscript of C.P.E. Bach’s Fantasia in F-sharp minor, H.536.
• The full score of Dargomyzhsky’s The Stone Guest, completed by Cui and Rimsky-Korsakov.
• Petrus Alamire’s Choirbook, D-Ju MS 9, including a mass by Fayrfax.
• The first edition of Campra’s Recueil des motets, published by Ballard.
• The first edition (parts) of Boccherini’s 6 Flute Quintets, G.419-424, published by De la Chevardière.
• The holograph manuscript of C.P.E. Bach’s Fantasia in F-sharp minor, H.300.*The first edition full score and parts for Glinka’s Kamarinskaya published by Belaieff.
• Petrus Alamire’s Choirbook, D-Ju MS 8, including masses by La Rue and Bauldeweyn.
• The first edition of Campra’s Les Muses, published by Ballard.
• The parts for Clementi’s 2 Symphonies, Op.18, in early editions published by Imbault, Johann André, and Longman & Broderip.
• The holograph manuscript of C.P.E. Bach’s Concerto for Harpsichord and Fortepiano in E-flat major, H.479.
• The first edition full score and parts for Rimsky-Korsakov’s The Tsar's Bride published by Belaieff.
• Petrus Alamire’s Choirbook, D-Ju MS 7, including masses by Josquin, La Rue, Prioris, and Févin.
• The first edition of Campra’s Idoménée, published by Ballard.
• The parts for Field’s Piano Concerto No.2, H 31, in an early edition published by Breitkopf und Härtel.
• The holograph manuscript of C.P.E. Bach’s Concerto for 2 Harpsichords in F major, H.408.
• The first edition full score and parts for Rimsky-Korsakov’s Symphony No.3, Op.32 published by Belaieff.
• Petrus Alamire’s Choirbook, D-Ju MS 5, including masses by La Rue and Févin.
• The first edition of Campra’s Hippodamie, published by Ballard.
• The parts for Field’s Piano Concerto No.1, H 27, in an early edition published by Breitkopf und Härtel.
• The holograph manuscript of C.P.E. Bach’s Cello Concerto in A minor, H.432.
• The first edition full score and parts for Rimsky-Korsakov’s Symphony No.2, Op.9 published by Bessel.
• Petrus Alamire’s Choirbook, D-Ju MS 4, including masses by La Rue, Pipelare, and others.
• The first edition of Campra’s Les heureux époux, published by Ballard.
• The first edition of Spohr’s Violin Sonata No.6, Op.115, published by Schuberth.
• The holograph manuscript of C.P.E. Bach’s Die Auferstehung und Himmelfahrt Jesu, H.777.
• The first edition full score and parts for Elgar’s Romance, Op.62 published by Novello.
• Petrus Alamire’s Choirbook, D-Ju MS 2, including masses by La Rue, Pipelare, and others.
• The first edition of Campra’s Hésione, published by Ballard.
• The first edition of Spohr’s Violin Sonata No.4, Op.113, published by Schuberth.
• The holograph manuscript of C.P.E. Bach’s Anbetung dem Erbarmer, H.807.
• The first edition full score and parts for Elgar’s Dream Children, Op.43 published by Joseph Williams.
• Alamire’s collection 40 Motets, V-CVbav MS Pal.lat. 1976-79.
• The first edition of Campra’s La Guerre, published by Boivin.
• The first edition of Spohr’s Violin Concerto No.2, Op.2, published by Kühnel.
• The holograph manuscript of C.P.E. Bach’s Allegretto con variazioni, H.65.
• The first edition full score and parts for Elgar’s Sea Pictures, Op.37 published by Boosey.
• The Cancioneiro musical de Paris, a major source of early 16th century Iberian music.
• The first edition of Campra’s Fragments de Monsieur de Lully, published by Ballard.
• The first edition of Spohr’s Symphony No.9, Op.143, published by Schuberth.
• The holograph manuscript of C.P.E. Bach’s Abschied von meinem Silbermannischen Claviere in einem Rondo, H.272.
• The first edition parts for Elgar’s Three Bavarian Dances, Op.27a, published by Novello.
• The Cancionero de Uppsala, first published by Girolamo Scotto.
• The first edition of Campra’s L'Europe galante, published by Ballard.

Archive 9—2017–8

• The first edition of Spohr’s Symphony No.8, Op.137, published by Peters.
• The first edition of Schemelli’s Musicalisches Gesang-Buch, including many works by Bach, published by Breitkopf.
• The first edition score parts for Elgar’s The Wand of Youth, Suite No.2, Op.1b, published by Novello.
• The Cancionero de Palacio, a major source for 15th-century Spanish music.
• The first edition of Campra’s Camille, published by Ballard.
• The first edition (score and parts) of Spohr’s Symphony No.7, Op.121, published by Schuberth.
• The first edition of Calvisius’s Harmonia cantionum ecclesiasticarum, published by Jacob Apel.
• The complete parts for Offenbach’s Tromb-al-ca-zar, published by Heugel.
• Books 8 and 9 of Jacques Moderne's Le parangon des chansons, published in 1541.
• The first edition of Campra’s Aréthuse, published by Ballard.
• The first edition (score and parts) of Spohr’s Symphony No.6, Op.116, published by Pietro Mechetti.
• The first edition of Calvisius’s Melopoiia, published by Georg Baumann.
• The complete parts for Offenbach’s Le 66, published by Heugel.
• Jacques Moderne's Musicque de joye, published in 1550.
• The holograph manuscript and first edition of Campra’s Les âges, published by Ballard.
• The first edition (score and parts) of Spohr’s Symphony No.5, Op.102, published by Tobias Haslinger.
• The first edition of Calvisius’s Exercitatio musica tertia, published by Paul Thomas Schürer and Michaël Lantzenberger.
• The holograph manuscript of Offenbach’s Le roman comique.
• Jacques Moderne's Motets for 5 and 6 voices, Book 3, published in 1534.
• The first edition of Campra’s Achille et Deidamie, published by Ballard.
• The first edition score for Spohr’s Symphony No.4, Op.86, published by Tobias Haslinger.
• The first edition of Hassler’s Psalmen und Geistliche Lieder, published by Paul Kauffmann.
• The first edition (parts) of Offenbach’s Robinson Crusoé, published by Brandus.
• Jacques Moderne's Motets for 5 and 6 voices, Book 3, published in 1534.
• The first edition of Campra’s Motets, Livre 5, published by Henri Foucault.
• The first edition of Hassler’s Psalmen und Christliche Gesänge, published by Paul Kauffmann.
• The holograph manuscript of Offenbach’s La Duchesse d'Albe.
• Antonio Gardano's Novi thesauri musici, Libro 4, published in 1568.
• The first edition of Campra’s Motets, Livre 4, published by P. Ribou.
• The first edition (parts) of Spohr’s Symphony No.1, Op.20, published by Peters.
• The first edition of Wesley’s Sacred Harmony, published in 1781.
• The first edition parts for Offenbach’s La belle Hélène, published by Meissonier.
• Antonio Gardano's Novi thesauri musici, Libro 3, published in 1568.
• The first edition of Campra’s Motets, Livre 3, published by Ballard.
• The first edition (parts) of Spohr’s Symphonie concertante No.1, Op.48, published by Peters.
• The first edition of John Walsh's Lyra Davidica, published in 1708.
• The first edition parts for Offenbach’s Les bavards, published by Brandus.
• Antonio Gardano's Novi thesauri musici, Libro 2, published in 1568.
• The second edition of Campra’s Motets, Livre 2, published by Ballard.
• The first edition (parts) of Spohr’s Potpourri No.2, Op.22, published by Pietro Mechetti.
• Beethoven’s Landsberg 9 Sketchbook, including drafts for the "Hammerklavier" Sonata, Fifth Symphony, and Fidelio.
• The first edition parts for Offenbach’s Barbe-bleue, published by E. Gérard.
• Antonio Gardano's Novi thesauri musici, Libro 1, published in 1568.
• The fourth edition of Campra’s Motets, Livre 1, published by Ballard.
• The first edition of Spohr’s Piano Sonata, Op.125, published by Pietro Mechetti.
• The first two editions of Hymns Ancient and Modern, published by Novello and William Clowes.
• The first edition parts of Gilbert and Sullivan’s The Yeomen of the Guard, published by Chappell & Co.
• Antonio Gardano's Musica de diversi autori, published in 1569.
• The first edition of Campra’s Cantates françoises, published by Ballard and Boivin.
• The first edition score and parts for Spohr’s Notturno, Op.34, published by C.F. Peters.
• The first edition of The Hesperian Harp, published by S. C. Collins.
• The first edition vocal score and parts of Gilbert and Sullivan’s Trial by Jury, published by Chappell & Co.
• Antonio Gardano's Madrigali de la fama, published in 1548.
• Caldara’s Motetti a due e tre voci, Op.4, published by fratelli Silvani.
• The first edition (parts) of Spohr’s Duo for 2 Violins, Op.153, published by C.F. Peters.
• The first four editions of The Missouri Harmony, published by Allen Carden.
• Antonio Gardano's Madrigali a quatro voci insieme altre eccellenti autori novament, published in 1561.
• Caldara’s Cantate da camera a' voce sola, Op.3, published by Gioseppe Sala.
• The first edition (parts) of Spohr’s Duo for 2 Violins, Op.150, published by C.F. Peters.
• The first four editions of The Southern Harmony, published by William Walker and E. W. Miller.
• The vocal score and complete parts for Gilbert and Sullivan’s The Pirates of Penzance, published by Bosworth and Chappell.
• Antonio Gardano's Canzoni francese a due voci, Libro 1, published in 1539.
• Caldara’s 12 Trio Sonatas, Op.2, published by Gioseppe Sala.
• The first edition (parts) of Spohr’s Duo for 2 Violins, Op.148, published by C.F. Peters.
• The first edition of Prout’s Additional Exercises to Counterpoint, published by Augener.
• The full score, vocal score, and complete parts for Gilbert and Sullivan’s The Mikado, published by Bosworth and Chappell.
• Antonio Gardano's Il primo libro a due voci de diversi autori, published in 1552.
• The Rost Codex, a major source of mid-17th century violin music.
• The first edition (parts) of Spohr’s Duet for Violin and Viola, Op.13, published by C.F. Peters.
• The first edition of Prout’s Harmony: Its Theory and Practice, published by Augener.
• The vocal score and complete parts for Gilbert and Sullivan’s Iolanthe, published by Chappell.
• The first edition (parts) of Cambio’s Madrigali a 5 voci, libro 2, published by Antonio Gardano.
• The first edition of Uccellini’s Sinfonie Boscarecie, Op.8, published by Phalèse.
• The first edition (parts) of Spohr’s Double String Quartet No.1, Op.65, published by C.F. Peters.
• The first edition of Prout’s Double Counterpoint and Canon, published by Augener.
• The vocal score and complete parts for Gilbert and Sullivan’s H.M.S. Pinafore, published by Metzler.
• The first edition (parts) of Cambio’s Madrigali a 4 voci, Libro 1, published by Antonio Gardano.
• The first edition of Uccellini’s Sonate over Canzoni, Op.5, published by Alessandro Vincenti.
• The first edition (parts) of Spohr’s Clarinet Concerto No.2, Op.57, published by C.F. Peters.
• The third edition of Prout’s Counterpoint, published by Augener.
• The holograph manuscript of Wagner’s Rule Britannia, WWV 42.
• The first edition (parts) of Lassus’s Selectissimae cantiones, LV 1579.3, published by Katharina Gerlach and Johann von Berg.
• The first edition of Uccellini’s Sonate, correnti et arie, Op.4, published by Alessandro Vincenti.
• The holograph manuscript of Spohr’s String Quartet No.7, Op.29 No.1.
• The second edition of Forkel’s Über die Theorie der Musik, published by Wittwe Vandenhöck.
• The holograph manuscript of Wagner’s Das Liebesmahl der Apostel, WWV 69.
• The first edition (parts) of Lassus’s Selectissimae cantiones, LV 1579.2, published by Katharina Gerlach and Johann von Berg.
• The first edition of Uccellini’s Sonate, arie et correnti, Op.3, published by Alessandro Vincenti.
• The holograph manuscript of Spohr’s String Quartet No.8, Op.29 No.2.
• The second edition of Forkel’s Allgemeine Geschichte der Musik, published by Schwickert.
• The holograph manuscript of Massenet’s 1812.
• The first edition (parts) of Lassus’s Selectissimae cantiones, LV 1568.4, published by Theodor Gerlach.
• The first edition of Caccini’s Nuove musiche e nuova maniera di scriverle, published by Zanobi Pignoni.
• The holograph manuscript of Spohr’s String Quartet No.10, Op.30.
• The second edition of Avison’s An Essay on Musical Expression, published by C. Davis.
• The holograph manuscript of Massenet’s L'adorable Bel'-Boul'.
• The first edition (parts) of Lassus’s Selectissimae cantiones, LV 1568.3, published by Theodor Gerlach.
• The first edition of Caccini’s Il primo libro delle musiche, published by Zanobi Pignoni.
• The holograph manuscript of Hummel’s Piano Concerto No.5, Op.113.
• The second edition of Burney’s Memoirs of the Life and Writings of the Abate Metastasio, published by G.G. and J. Robinson.
• The holograph manuscript of Massenet’s Amour!.
• The first edition (parts) of Lassus’s Libro de villanelle, moresche et altre canzoni, published by Pierre Phalèse.
• The first edition of Marini’s Per ogni sorte di strumento musicale, Op.22, published by Francesco Magni.
• The holograph manuscript of Hummel’s Mathilde von Guise, Op.100.
• The second edition of Burney’s The Present State of Music in France and Italy, published by
• The holograph manuscript of Massenet’s Le crucifix.
• The first edition (parts) of Lassus’s Chansons a 4 et 5 parties, LV 1564.3, published by Pierre Phalèse.
• The first edition of Marini’s Lacrime di Davide, Op.21, published by Francesco Magni.
• The holograph manuscript of Liszt’s Festpolonaise, S.230a.
• The first edition of Reicha’s Traité de mélodie, published by J. L. Scherff.
• The holograph manuscript of Massenet’s La fleur et le papillon.
• The first edition (parts) of Lassus’s Der ander Theil Teutscher Lieder, published by Adam Berg.
• The first edition of Marini’s Sonate, symphonie, canzoni, passe'mezzi, baletti, corenti, gagliarde e retornelli, Op.8, published by Bartolomeo Magni.
• The holograph manuscript of Liszt’s Du bist wie eine Blume, S.287.
• The first edition of Czerny’s translation of Reicha’s Traité de haute composition musicale, published by Diabelli.
• The holograph manuscript of Massenet’s Marche héroïque de Szabadi.
• A 1549 collection of Lamentationes Hieremiæ prophetæ, published (parts) by Johann vom Berg and Ulrich Neuber.
• The first edition of Marini’s Scherzi e canzone, Op.5, published by Anteo Viotti.
• The holograph manuscript of Liszt’s Das deutsche Vaterland II.
• Sechter’s Praktische Generalbass-Schule, Op.49, published by F.E.C. Leuckart.
• The holograph manuscript of Massenet’s Marche solennelle.
• The first edition of Morales’s Moralis Hispani et multorum, published by Girolamo Scotto.
• The first edition of Marini’s Arie madrigali et corenti, Op.3, published by Angelo Gardano.
• The holograph manuscript of Liszt’s Angiolin dal biondo crin, S.269.
• The first edition of Marpurg’s Versuch über die musikalische Temperatur, published by Johann Friedrich Korn.
• The holograph manuscript of Massenet’s Quelques chansons mauves.
• The first edition of Morales’s Missarum, Liber 1, published by Valerium Doricum.
• The first edition of Marini’s Affetti musicali, Op.1, published by Bartolomeo Magni.
• The holograph manuscript of Liszt’s Andantino pour Emile et Charlotte Loudon, S.163a/2.
• The first edition of Marpurg’s Neue Methode allerley Arten von Temperaturen dem Claviere aufs bequemste mitzuteilen, published by Gottlieb August Lange.
• The holograph manuscript of Massenet’s Les rosati.
• The Manuscript, GB-Lbl Add. MS 32377, containing works by Byrd, Lassus, and others.
• The first edition of Roger’s Toccates & suittes pour le clavessin.
• The holograph manuscript of Liszt’s Am Grabe Richard Wagners, S.135.
• The first edition of Marpurg’s Kritische Einleitung in die Geschichte und Lehrsätze der alten und neuen Musik, published by Gottlieb August Lange.
• The holograph manuscript of Massenet’s Le sylphe.
• The first edition (parts) of Marenzio’s Villanelle, Libro 5, published by Girolamo Scotto.
• The first edition of Roger’s Suittes, divers airs avec leurs variations et fugues.
• The holograph manuscript of Liszt’s "Sunt lacrimae rerum" and "Sursum Corda" from Années de pèlerinage III, S.163.
• The first edition of Marpurg’s Kritische Briefe über die Tonkunst, published by Friedrich Wilhelm Birnstiel.
• The holograph manuscript of Massenet’s Werther.
• The first edition (parts) of Marenzio’s Villanelle, Libro 3, published by Giacomo Vincenti.
• The first edition (parts) of Roger’s 14 Sonates a 2 flustes.
• The first editions (parts) of Farrenc’s 12 Etudes de dextérité, Op.41, published by A. Farrenc.
• The first edition of Marpurg’s Handbuch bey dem Generalbasse und der Composition, published by Gottlieb August Lange.
• The holograph manuscript of Weber’s Euryanthe, Op.81.
• The first edition (parts) of Marenzio’s Villanelle, Libro 1, published by Giacomo Vincenti.
• The first edition (parts) of Roger’s 12 Concerti a 5, including works by Albinoni, Vivaldi, and others.
• The first editions (parts) of Farrenc’s piano quintets (Nos. 1 and 2), published by A. Farrenc.
• The first edition of Marpurg’s Anleitung zur Singcomposition, published by Gottlieb August Lange.
• The full score of Puccini’s La rondine, SC 83, published by Sonzogno.
• The first edition (parts) of Marenzio’s Madrigali a 5 voci, Libro 9, published by Angelo Gardano.
• The first edition (parts) of Roger’s 14 Sonates ou Concerts, including works by Torelli and others.
• The holograph manuscript of Clara Schumann’s 3 Romances, Op.22.
• The first edition of Marpurg’s Anleitung zum Clavierspielen, published by A. Haude and J. C. Spener.
• The first edition full score and parts for Gounod’s Faust, published by Choudens.
• The first edition (parts) of Marenzio’s Madrigali a 5 voci, Libro 8, published by Angelo Gardano.
• The first edition of Torelli’s Scherzi Melodichi from 12 Concertino per camera, Op.4, published by Marino Silvani.
• The holograph manuscript of Clara Schumann’s Prelude and Fugue in F-sharp minor.
• The first edition of Marpurg’s Abhandlung von der Fuge, published by A. Haude and J. C. Spener.
• The autograph manuscript of Beach’s Variations on Balkan Themes, Op.60.
• The first edition (parts) of Marenzio’s Madrigali a 5 voci, Libro 7, published by Angelo Gardano.
• The first edition of Pachelbel’s Scherzi Melodichi from Hexachordum Apollinis, published by Cornelius Nicolaus Schurtz.
• The holograph manuscript of Clara Schumann’s Praeludien ICS 17.
• The first edition of Descartes’s Musicae compendium, published in 1650.
• The autograph manuscript of Beach’s Valse-Caprice, Op.4.
• The first edition (parts) of Marenzio’s Madrigali a 5 voci, Libro 6, published by Angelo Gardano.
• The first edition of Telemann’s Scherzi Melodichi from Pyrmonter Kurwoche, published by the composer.
• The holograph manuscript of Clara Schumann’s Etude in A-flat major, WoO 4.
• The first and second editions of Cerone’s Le regole più necessarie per l'introduttione del canto fermo, published by Giovanni Battista Gargano and Lucrecio Nucci.
• The autograph manuscript of Beach’s Romance, Op.23.
• The first edition (parts) of Marenzio’s Canzonette alla Napolitana, Book 2, published by Giacomo Vincenti.
• The first edition of Telemann’s Nouvelles sonatines (continuo part lost), published by the composer.
• The holograph manuscript of Schumann’s Einfache Praeludien für Schüler.
• The first and second editions of Cerone’s El melopeo y maestro, published by Giovanni Battista Gargano and Lucrecio Nucci.
• The autograph manuscript of Beach’s Piano Quintet, Op.67.
• Scotto’s Il secondo libro delle muse, published in 1562.
• The first edition of Telemann’s Musikalisches Lob Gottes, published by the composer.
• The holograph manuscript of Schumann’s Waldszenen, Op.82.
• The first and second editions of Heyden’s Musicae stoicheiōsis, published by F. Peypus.
• The autograph manuscript of Beach’s Mass in E-flat major, Op.5.
• Scotto’s Il primo libro delle muse, published in 1562.
• The first edition of Telemann’s Fugues légères & petits jeux, TWV 30:21-26, published by the composer.
• The autograph manuscript of Schumann’s Szenen aus Goethes Faust, WoO 3.
• The first and second editions of Heyden’s De arte canendi, published by Johannes Petraeum.
• The autograph manuscript of Beach’s Jephthah's Daughter, Op.53.
• Scotto’s Musica quinque vocum (possibly by Eleonora d'Este), published in 1569.
• The first edition of Telemann’s Ew'ge Quelle, milder Strom, TWV 1:546, published by the composer.
• The autograph manuscript of Schumann’s Symphony No.4, Op.120.
• The holograph manuscript of Weber’s Euryanthe, Op.81.
• The autograph manuscript of Beach’s Hermit Thrush, Op.92.
• Scotto’s Musica de' virtuosi della florida capella di Baviera, published in 1569.
• The first edition of Telemann’s Der getreue Music-Meister, published by the composer.
• The autograph manuscript of Schumann’s Phantasiestücke, Op.88.
• The first edition of Schubert’s Wehmut, D.772, published by Sauer & Leidesdorf.
• The autograph manuscript of Beach’s The Chambered Nautilus, Op.66.
• Scotto’s Motetti a 3 voci, Book 2, published in 1549.
• The first edition of Telemann’s 6 Trio Sonatas for oboe and violin, published by the composer.
• The autograph manuscript of Schumann’s Phantasie for Violin and Orchestra, Op.131.
• The first edition of Schubert’s Wandrers Nachtlied, D.224, published by Diabelli.
• The autograph manuscript of Beach’s Ballade, Op.6.
• Scotto’s 6 Missae cum quinque vocibus, published in 1542.
• The first edition of Telemann’s 6 Sonates à violon seul accompagné par le clavessin, published by the composer.
• The autograph manuscript of Schumann’s canon Fest im Takt, im Tone rein, Op.68 Anh..
• The first edition of Schubert’s Suleika, D.720, published by Sauer & Leidesdorf.
• The autograph manuscript of Beach’s Bal masqué, Op.22.
• Scotto’s Missae cum quatuor vocibus paribus decantandae, published in 1542.
• The first edition of Telemann’s 6 Sonates corellisantes, published by Blavet, Boivin, and Le Clerc.
• The autograph manuscript of Schumann’s 2 Endenicher Choräle.
• The first edition of Schubert’s Selige Welt, D.743, published by Sauer & Leidesdorf.
• The first edition (parts) of Sousa’s 4 Marches for Regimental Drums and Trumpets, published by Harry Coleman.
• Scotto’s Missae cum 4 vocibus, Liber 1, published in 1540.
• The first edition of Telemann’s 6 Sonatas, TWV 40:124-129, published by Blavet, Boivin, and Le Clerc.
• The autograph manuscript of Schumann’s Bilder aus Osten, Op.66.
• The first edition of Schubert’s Sehnsucht, D.516, published by Diabelli.
• The first edition (parts) of Sousa’s Across the Danube, Op.36, published by Harry Coleman.
• Scotto’s Magnificat cum 4 vocibus, Liber 1, published in 1542.
• The first edition of Telemann’s 6 Overtures for Clavier, TWV 32:5-10, published by Balthasar Schmid.
• The autograph manuscript of Mendelssohn’s Violin Concerto in D minor, MWV O 3.
• The first edition of Schubert’s Schäfers Klagelied, D.121, published by Diabelli.
• The first edition (parts) of Sousa’s Anchor and Star, published by Carl Fischer.
• Scotto’s I madrigali a tre voci, published in 1541.
• The first edition of Telemann’s 6 Concerts et 6 Suites, published by the composer.
• The autograph manuscript of Mendelssohn’s Piano Quartet in D minor, MWV Q 10.
• The first edition of Schubert’s Schwanengesang, D.744, published by Sauer & Leidesdorf.
• The first edition (parts) of Sousa’s Ben Bolt, published by Harry Coleman.
• Scotto’s Hymnorum musica, published in 1542.
• The first edition of Telemann’s 3 Trietti methodichi e 3 Scherzi, published by Georg Christian Grund.
• The autograph manuscript of Mendelssohn’s Piano Concerto in A minor, MWV O 2.
• The first edition of Schubert’s Schatzgräbers Begehr, D.761, published by Sauer & Leidesdorf.
• The first edition (parts) of Sousa’s Bonnie Annie Laurie, published by J.W. Pepper.
• Susato’s L’unziesme livre des chansons, published in 1549.
• The first edition of Handel’s Alexander's Feast, HWV 75, published by John Walsh.
• The autograph manuscript of Mendelssohn’s 3 Fantaisies, Op.16.
• The first edition of Schubert’s Rastlose Liebe, D.138, published by Diabelli.
• The first edition (parts) of Sousa’s Boy Scouts of America, published by T.B. Harms.
• Susato’s Le Dixiesme livre des chansons, published in 1545.
• The first edition of Handel’s Acis and Galatea, HWV 49, published by John Walsh.
• A set of early sketches for Mendelssohn’s Athalie, Op.74.
• The first edition of Schubert’s Morgenlied, D.685, published by Diabelli.
• The first edition (parts) of Sousa’s Bullets and Bayonets, published by Schirmer.
• Georg Rhau’s Officiorum (ut vocant) de Nativitate etc., Tome 1, published in 1545.
• The holograph manuscript of Bach’s Das wohltemperierte Klavier I, BWV 846-869.
• The holograph manuscript of Berlioz’s Les Troyens, H 133.
• The first edition of Schubert’s Memnon, D.541, published by Diabelli.
• The first edition (parts) of Sousa’s Comrades of the Legion, published by Sam Fox.
• Georg Rhau’s Officia Paschalia de resurrectione et ascensione Domini, published in 1539.
• The holograph manuscript of Bach’s Wir danken dir, Gott, wir danken dir, BWV 29.
• The holograph manuscript of Berlioz’s Symphonie fantastique, H 48 .
• The first edition of Schubert’s Meeres Stille, D.216, published by Diabelli.
• The first edition (parts) of Sousa’s Congress Hall, published by Harry Coleman.
• Georg Rhau’s Bicinia gallica, latina, germanica, Tomus 2, published in 1545.
• The holograph manuscript of Bach’s Wer mich liebet, der wird mein Wort halten, BWV 59.
• The holograph manuscript of Berlioz’s Harold en Italie, H 68.
• The first edition of Schubert’s Lob der Tränen, D.711, published by Diabelli.
• The first edition (parts) of Sousa’s Corcoran Cadets, published by Carl Fischer.
• Georg Rhau’s Bicinia gallica, latina, germanica, Tomus 1, published in 1545.
• The holograph manuscript of Bach’s Hunt Cantata Was mir behagt, ist nur die muntre Jagd, BWV 208.
• The holograph manuscript of Berlioz’s Grande messe des morts, H 75.
• The first edition of Schubert’s Geheimes, D.719, published by Diabelli.
• The first edition (parts) of Sousa’s Dwellers of the Western World, published by John Church.
• Georg Rhau’s Sacrorum hymnorum, Book 1, published in 1542.
• The holograph manuscript of Bach’s Was mein Gott will, das g'scheh allzeit, BWV 111.
• The holograph manuscript of Berlioz’s La damnation de Faust, H 111.
• The first edition of Schubert’s Gebet, D.815, published by Diabelli.
• The first edition (parts) of Sousa’s El Capitan March, published by John Church.
• The first edition of Sweelinck’s Chansons a 5 parties, published by Pierre Phalèse.
• The holograph manuscript of Bach’s Wär Gott nicht mit uns diese Zeit, BWV 14.
• The holograph manuscript of Berlioz’s Béatrice et Bénédict, H 138.
• The first edition of Schubert’s Erster Verlust, D.226, published by Diabelli.
• The first edition (parts) of Sousa’s Flags of Freedom, published by John Church.
• The Bergamo Organ Book, an important early source of Italian organ music.
• The holograph manuscript of Bach’s Wahrlich, wahrlich, ich sage euch, BWV 86.
• The full score and parts for Ravel’s Daphnis et Chloé, published by Durand.
• The first edition of Schubert’s Erlafsee, D.586, published by Diabelli.
• The first edition (parts) of Sousa’s From Maine to Oregon, published by John Church.
• The The Robert ap Huw Manuscript, a major source of early Welsh music.*The holograph manuscript of Bach’s Unser Mund sei voll Lachens, BWV 110.
• The full score and parts for Delibes’s Lakmé, published by Heugel.
• The first edition of Schubert’s Die Liebe hat gelogen, D.751, published by Sauer & Leidesdorf.
• The first edition (parts) of Sousa’s Invincible Eagle, published by John Church.
• The Laudario di Cortona, a major 13th-century collection of laude.
• The holograph manuscript of Bach’s Tritt auf die Glaubensbahn, BWV 152.
• The full score and parts for Donizetti’s Lucia di Lammermoor, published by Ricordi.
• The first edition of Schubert’s Die abgeblühte Linde, D.514, published by Diabelli.
• The first edition (parts) of Sousa’s Picador March, published by Harry Coleman.
• A 12th-century collection of Latin Sequences, Tropes, Cantiones, GB-Lbl AddMS.36881 housed in the British Library.
• The holograph manuscript of Bach’s lute Suite in E major, BWV 1006a.
• The first edition score and parts of Gounod’s Roméo et Juliette, published by Choudens.
• The first edition of Schubert’s Der Zwerg, D.771, published by Sauer & Leidesdorf.
• The first edition (parts) of Sousa’s Powhatan's Daughter, published by Harry Coleman.
• The Toledo Codex, including Alfonso X of Castile's Cantigas de Santa Maria.
• The holograph manuscript (parts) of Bach’s Sonata for Viola da Gamba in G major, BWV 1027.
• The first edition score and parts of Gounod’s Faust, published by Choudens.
• The first edition of Schubert’s Der Wanderer, D.489, published by Diabelli.
• The first edition (parts) of Sousa’s Semper Fidelis, published by Harry Coleman.
• The Cancionero de la Colombina, a major source for 15th-century Spanish music.
• The holograph manuscript of Bach’s Sinfonia in D major, BWV 1045.
• A condensed score sketch for Debussy’s Rapsodie for Orchestra and Saxophone.
• The first edition of Schubert’s Der Tod und das Mädchen, D.531, published by Diabelli.
• The first edition (parts) of Sousa’s Sound Off! March, published by Harry Coleman.
• Phalèse’s Carminum quae chely vel testudine canuntur, printed in 1547.
• The holograph manuscript of Bach’s Siehe, ich will viel Fischer aussenden, BWV 88.
• The first edition of Chopin’s Mazurka in A minor, B.140, published by Chabal.
• The first edition of Schubert’s Der Schäfer und der Reiter, D.517, published by Diabelli.
• The first edition (parts) of Sousa’s The Beau Ideal March, published by Harry Coleman.
• Attaingnant’s 13 Motetz nouvelement composez, printed in 1528.
• The holograph manuscript of Bach’s Siehe zu, dass deine Gottesfurcht, BWV 179.
• The first edition of Chopin’s Mazurkas, Op.7, published by Kistner.
• The first edition of Schubert’s Der König in Thule, D.367, published by Diabelli.
• The first edition (parts) of Sousa’s The Belle of Chicago, published by Harry Coleman.
• Attaingnant’s 12 Motetz musicaulx a quatre et cinq voix, printed in 1529.
• The holograph manuscript of Bach’s Sie werden euch in den Bann tun, BWV 183.
• The first edition of Chopin’s Mazurkas, Op.17, published by Schlesinger.
• The first edition of Schubert’s Der Jüngling auf dem Hügel, D.702, published by Diabelli.
• The first edition (parts) of Sousa’s The Bride-Elect March, published by John Church.
• Attaingnant’s Motettorum, Book 14, printed in 1539.
• The holograph manuscript of Bach’s Sie werden euch in den Bann tun, BWV 44.
• The first edition of Chopin’s Mazurkas, Op.24, published by Pleyel (reprinted by Schlesinger).
• The first edition of Schubert’s Der Flug der Zeit, D.515, published by Diabelli.
• The first edition (parts) of Sousa’s The Chantyman's March, published by Carl Fischer.
• Attaingnant’s Motettorum, Book 13, printed in 1534.
• The holograph manuscript of Bach’s Selig ist der Mann, BWV 57.
• The first edition of Chopin’s Mazurkas, Op.33, published by Schlesinger.
• The first edition of Schubert’s Der Fischer, D.225, published by Diabelli.
• The first edition (parts) of Sousa’s The Charlatan March, published by John Church.
• Attaingnant’s Motettorum, Book 12, printed in 1534.
• The holograph manuscript of Bach’s Quodlibet, BWV 524.
• The first edition of Chopin’s Mazurkas, Op.41, published by Troupenas.
• The first edition of Schubert’s Antigone und Oedip, D.542, published by Diabelli.
• The first edition (parts) of Sousa’s The Diplomat, published by John Church.
• Attaingnant’s Motettorum, Book 11, printed in 1534.
• The holograph manuscript of Bach’s O ewiges Feuer, o Ursprung der Liebe, BWV 34.
• The first edition of Chopin’s Mazurkas, Op.56, published by Maurice Schlesinger.
• The first edition of Schubert’s Am Strome, D.539, published by Diabelli.
• The first edition (parts) of Sousa’s The Fairest of the Fair, published by John Church.
• Attaingnant’s Motettorum, Book 10, printed in 1535.
• The first edition of Bach’s Musikalisches Opfer, BWV 1079, published by the composer.
• The first French edition of Chopin’s Mazurkas, Op.50, published by Maurice Schlesinger.
• The first edition (parts) of Schubert’s 8 Variations on a French Song, D.624, published by Diabelli.
• The first edition (parts) of Sousa’s The Free-Lance (march), published by John Church.
• Attaingnant’s Motettorum, Book 9, printed in 1535.*The holograph manuscript of Bach’s Magnificat in E-flat major, BWV 243a.
• The first edition of Chopin’s Mazurkas, Op.59, published by Maurice Schlesinger.
• The first edition (parts) of Schubert’s 38 Waltzes, Ländler and Ecossaises, D.145, published by Diabelli.
• The first edition of Sousa’s The High School Cadets, published by Harry Coleman.
• Attaingnant’s Motettorum, Book 8, printed in 1534.
• A holograph manuscript of Bach’s Jesus nahm zu sich die Zwölfe, BWV 22.
• The first edition of Chopin’s Mazurkas, Op.63, published by Brandus.
• The first edition (parts) of Schubert’s 36 Originaltänze, D.365, published by Diabelli.
• The first edition (parts) of Sousa’s The Mikado March, published by Harry Coleman.
• Attaingnant’s Motettorum, Book 7, printed in 1534.
• A holograph manuscript of Bach’s Two-part Inventions, BWV 772-786.
• The first edition of Chopin’s Mazurkas, Op.67, published by J. Meissonnier fils.
• The first edition (parts) of Boyce’s 12 Trio Sonatas, published by John Walsh.
• The first edition of Sousa’s The Washington Post, published by Harry Coleman.
• Attaingnant’s Motettorum, Book 6, printed in 1534.
• The holograph manuscript of Bach’s Ich bin vergnügt mit meinem Glücke, BWV 84.
• The first edition of Chopin’s Mazurkas, Op.68, published by J. Meissonnier fils.
• The first edition (parts) of Praetorius’s Terpsichore, Musarum Aoniarum, published by the Fürstliche Druckerei of Wolffenbüttel.
• The holograph manuscript of Sousa’s The Stars and Stripes Forever.
• Attaingnant’s Motettorum, Book 5, printed in 1534.
• The holograph manuscript of Bach’s Ich bin in mir vergnügt, BWV 204.
• The first edition of Chopin’s Nocturne in C minor, B.108, published by J. Maho.
• The first edition (parts) of Praetorius’s Polyhymnia Caduceatrix et Panegyrica, published by Elias Holwein.
• The holograph manuscript of Sousa’s The Directorate.
• Attaingnant’s Motettorum, Book 4, printed in 1534.
• The holograph manuscript of Bach’s Höchsterwünschtes Freudenfest, BWV 194.
• The first edition of Chopin’s Nocturnes, Op.15, published by Maurice Schlesinger.
• The first edition (parts) of Praetorius’s Musae Sioniae, Theil 4, published by the composer.
• The holograph manuscript of Sousa’s The Diplomat.
• Attaingnant’s Motettorum, Book 4, printed in 1534.
• The holograph manuscript of Bach’s Die Himmel erzählen die Ehre Gottes, BWV 76.
• The first edition of Chopin’s Nocturnes, Op.27, published by Maurice Schlesinger.
• The first edition (parts) of Praetorius’s Musae Sioniae, Theil 3, published by the composer.
• The holograph manuscript of Sousa’s Corcoran Cadets.
• Attaingnant’s Motettorum, Book 2, printed in 1534.
• The holograph manuscript of Bach’s Herr Jesu Christ, wahr' Mensch und Gott, BWV 127.
• The first edition of Chopin’s Nocturnes, Op.48, published by Maurice Schlesinger.
• The first edition (parts) of Praetorius’s Musae Sioniae, Theil 4, published by the composer.
• The holograph manuscript of Sousa’s El Capitan (march).
• Attaingnant’s Motettorum, Book 1, printed in 1534.
• The holograph manuscript of Bach’s Halt im Gedächtnis Jesum Christ, BWV 67.
• The first edition of Chopin’s Nocturnes, Op.62, published by Brandus.
• The first edition (parts) of Praetorius’s Musae Sioniae, Theil 2, published by the composer.
• The holograph manuscript of Sousa’s Boy Scouts of America.
• Attaingnant’s Missarum, Book 3, printed in 1540.
• The holograph manuscript of Bach’s Gott fähret auf mit Jauchzen, BWV 43.
• The first edition of Chopin’s 3 Nouvelles études, B.130, published by Maurice Schlesinger.
• The first edition (parts) of Praetorius’s Musae Sioniae, Theil 1, published by the composer.
• Attaingnant’s Missarum, Book 2, printed in 1534.
• The holograph manuscript of Bach’s Freue dich, erlöste Schar, BWV 30.
• The first edition of Chopin’s Polish Songs, Op.74, published by Gustawa Gebethnera.
• The first edition (parts) of Scheidt’s Cantiones sacrae, SSWV 1-38, published by Paul Langius.
• The holograph manuscript of Strauss Jr.’s Die Fledermaus.
• Attaingnant’s Missarum, Book 1, printed in 1534.
• The holograph manuscript of Bach’s Flute Sonata in B minor, BWV 1030.
• The first (French) edition of Chopin’s Polonaise in F-sharp minor, Op.44, published by Maurice Schlesinger.
• The first edition of Scheidt’s Das Görlitzer Tabulaturbuch, SSWV 441-540, published by Martin Herman.
• The full score and parts for Glazunov’s Saxophone Concerto, Op.109, published by Alphonse Leduc.
• Attaingnant’s Chansons musicales esleves de plusieurs livres, printed in the 1530s.
• The holograph manuscript of Bach’s Es ist euch gut, dass ich hingehe, BWV 108.
• The first (French) edition of Chopin’s Polonaises, Op.26, published by Maurice Schlesinger.
• The first and second editions of Niedt’s Musicalische Handleitung, including Mattheson's revisions, published by Benjamin Schiller.
• The full score and parts for Rachmaninoff’s Piano Concerto No.1, Op.1, published by Muzgiz and A. Gutheil.
• The Möller Manuscript, partially copied by J.S. Bach.
• The holograph manuscript of Bach’s Es ist ein trotzig und verzagt Ding, BWV 176.
• The first (French) edition of Chopin’s Polonaises, Op.40, published by Troupenas.
• Robert Schumann’s collected letters, published by Breitkopf. Edited by Friedrich Gustav Jansen.
• The full score and parts for Rachmaninoff’s Piano Concerto No.3, Op.30, published by A. Gutheil.
• The Fayrfax Manuscript, a major source for 15th century English secular music.
• The holograph manuscript of Bach’s Erfreut euch, ihr Herzen, BWV 66.
• The first (French) edition of Chopin’s Polonaises, Op.71, published by J. Meissonnier.
• The first edition of Martini’s Storia della musica, published by the Bologna Instituto delle scienze.
• The full score and complete parts for Rachmaninoff’s Aleko, published by P. Jurgenson and Muzgiz.
• The Basevi Codex, a major source for early 16th century music.
• The holograph manuscript of Bach’s Er rufet seinen Schafen mit Namen, BWV 175.
• The first (French) edition of Chopin’s Prelude in C-sharp minor, Op.45, published by Maurice Schlesinger.
• The first edition of Schubart’s Musicalische Rhapsodien, published by the Stuttgart Carlschule.
• The holograph manuscript of Bartók’s Allegro Barbaro, Sz.49.
• Both books of Petrucci’s Tenori e contrabassi intabulati col sopran in canto figurato, published in 1509 and 1511.
• The holograph manuscript of Bach’s Die Elenden sollen essen, BWV 75.
• The first (German) edition of Chopin’s Rondo à la mazur, Op.5, published by Friedrich Hofmeister.
• The first edition (parts) of Penna’s Li primi albori musicali per li principianti della musica figurata, published by Giacomo Monti.
• The holograph manuscript of Brahms’s 1864 Albumblatt für Clara Schumann.
• The first edition (1774) of Gerbert’s De cantu et musica sacra.
• The holograph manuscript of Bach’s Ein Herz, das seinen Jesum lebend weiss, BWV 134.
• The first (French) edition of Chopin’s Rondo in C minor, Op.1, published by Maurice Schlesinger.
• The first edition (parts) of Penna’s Direttorio del canto fermo, published by Eredi Cassiani.
• The holograph manuscript of Saint-Saëns’s song Danse macabre.
• The Manuscript, V-CVbav MS S. Pietro B.80, a 15th-century source of music sung in St. Peter's, Rome.
• The holograph manuscript of Bach’s Durchlauchtster Leopold, BWV 173a.
• The first (French) edition of Chopin’s Rondo in E-flat major, Op.16, published by Maurice Schlesinger.
• The first edition (parts) of Buonamente’s Varie sonate, Libro 4, published by Alessandro Vincenti.
• The holograph manuscript of Saint-Saëns’s Danse macabre, Op.40.
• The Manuscript, I-Rc MS 2856, a songbook made for Isabelle d'Este.
• The holograph manuscript of Bach’s Du wahrer Gott und Davids Sohn, BWV 23.
• The first (French) edition of Chopin’s Tarantella, Op.43, published by Troupenas.
• The first edition (parts) of Buonamente’s Varie sonate, Libro 5, published by Alessandro Vincenti.
• The holograph manuscript of Saint-Saëns’s song Les cloches de la mer.
• The Mancini Codex, an important source for Italian Trecento music.
• The holograph manuscript of Bach’s Brich dem Hungrigen dein Brot, BWV 39.
• The first (French) edition of Chopin’s Variations brillantes, Op.12, published by Maurice Schlesinger.
• The first edition and second English edition of Tosi’s Opinioni de’ cantori antichi e moderni.
• The holograph manuscript of Saint-Saëns’s song L'attente.
• The Manuscript, I-PEc MS 431, a monastic manuscript from the 1480s.
• The holograph manuscript of Bach’s Bleib bei uns, denn es will Abend werden, BWV 6.
• The first (French) edition of Chopin’s Variations sur un air national allemand, B.14, published by Maurice Schlesinger.
• The first edition of Lenz’s Beethoven et ses trois styles, published by Bernard.

Archive 8—2016

• The holograph manuscript of Saint-Saëns’s song Aimons-nous.
• The Manuscript, I-Bc MS Q.17, containing songs by Agricola, Josquin, Obrecht, and others.
• The holograph manuscript of Bach’s Bisher habt ihr nichts gebeten, BWV 87.
• 24 Cantiones, lieder, chansons, et madrigali, RISM 1573d by Lassus, published by Adam Berg.
• The holograph manuscript of Saint-Saëns’s Adagio and Andante for horn and organ.
• The Manuscript, B-Tc 476, including the Mass of Tournai.
• The holograph manuscript of Bach’s Alles nur nach Gottes Willen, BWV 72.
• The first (French) edition of Chopin’s Introduction et polonaise brillante, Op.3, published by Simon Richault.
• The first edition of Monteverdi’s Scherzi musicali, SV 246-251 (book 2), published by Bartholomeo Magni.
• The holograph manuscript of Fauré’s Vocalise-étude.
• The Manuscript, F-TLm 94, including the Mass of Toulouse.
• The holograph manuscript of Bach’s Ach Herr, mich armen Sünder, BWV 135.
• The first (French) edition of Chopin’s Impromptu No.3, Op.51, published by Maurice Schlesinger.
• The full score of Méhul’s Valentine de Milan, published by Maurice Schlesinger.
• The Manuscript, E-Bbc MS 971, including the Mass of Barcelona.
• The first edition (parts) of Clementi’s 3 Sonatas for Piano, Flute, and Cello, Op.31, published by Artaria.
• The first (French) edition of Chopin’s Impromptu No.2, Op.36, published by Maurice Schlesinger.
• The holograph manuscripts of 15 Bruckner masses and mass movements, as well as several first editions and other sources.
• The first edition of Spataro’s Tractato di musica, published by Bernardino de Vitali.
• The first edition (piano part) of Clementi’s 3 Piano Sonatas, Op.29, published by Jean André.
• The first (French) edition of Chopin’s Impromptu No.2, Op.36, published by Troupenas.
• The full score of Méhul’s Euphrosine (1791 version), published by Emile Lombard.
• The holograph manuscripts of 8 Bruckner Cantatas, as well as several first editions and other sources.
• The Squarcialupi Codex, the most important source for 14th century Italian music.
• The first edition (piano part) of Clementi’s 3 Sonatas for Piano, Violin, and Cello, Op.28, published by Jean André.
• The first (French) edition of Chopin’s Impromptu No.1, Op.29, published by Maurice Schlesinger.
• The full score of Méhul’s Joseph, published by C.F. Peters.
• The holograph manuscripts of 14 Bruckner secular choruses, as well as several first editions and other sources.
• The first edition of Banchieri’s Il virtuoso ritrovo academico, Op.49, published by Bartholomeo Magni.
• The first edition (piano part) of Clementi’s Sonata for Piano and Violin, Op.27, published by Jean André.
• The first (French) edition of Chopin’s Grande valse brillante, Op.18, published by Maurice Schlesinger.
• The first edition of Czerny’s Systematische Anleitung zum Fantasieren auf dem Pianoforte, Op.200, published by Diabelli.
• The holograph manuscripts of 10 Bruckner hymns, as well as several first editions and other sources.
• The first edition of Banchieri’s L'Organo suonarino, Opp.25, 43, published by Ricciardo Amadino.
• The first edition of Clementi’s 3 Piano Sonatas, Op.23, published by Artaria.
• The first (French) edition of Chopin’s Ballade No.3, Op.47, published by Maurice Schlesinger.
• The first edition of Vanhal’s 6 Variations sur une Polonaise, Op.62, published by Kozeluch.
• The holograph manuscript of Bruckner’s Kurze Generalbass Regeln.
• The first edition of Banchieri’s L'Organo suonarino, Op.13, published by Ricciardo Amadino.
• The first edition of Clementi’s 3 Sonatas for Piano, Flute, and Cello, Op.21, published by Jean André.
• The first (French) edition of Chopin’s Ballade No.1, Op.23, published by Maurice Schlesinger.
• The first edition of Vanhal’s 2 Sonatas for Keyboard Duet, Op.32, published by Boyer.
• The holograph manuscripts of 9 Bruckner motets, along with several first editions and copyists' manuscripts.
• The first edition (parts) of Banchieri’s Canzoni alla francese, published by Ricciardo Amadino.
• The first edition of Clementi’s Musical Characteristics, Op.19, published by Longman and Broderip.
• The first edition (parts) of Castello’s Sonate concertate in stil moderno, libro secondo, published by Bartolomeo Magni.
• The first edition of Vanhal’s 3 Caprices, Op.31.
• The holograph manuscripts of 10 Bruckner songs, along with several first editions and copyists' manuscripts.
• The first five editions of Banchieri’s Direttorio monastico di canto fermo, published by Giovanni Rossi.
• The first edition of Clementi’s 3 Piano Sonatas, Op.10, published by Artaria.
• The first edition (parts) of Castello’s Sonate concertate in stil moderno, libro primo, published by Francesco Magni.
• The first edition (parts) of Vanhal’s 3 Keyboard Sonatas, Op.30, published by Artaria.
• Several sketches and the holograph manuscript of Bruckner’s Te Deum, WAB 45.
• The first five editions of Banchieri’s Conclusioni nel suono dell’organo, Op.20, published by Giovanni Rossi.
• The first edition of Clementi’s 3 Piano Sonatas, Op.7, published by Artaria.
• The first edition of Lebègue’s Pieces de Clavessin, Livre 1, published by Baillon.
• The first edition (parts) of Vanhal’s 6 Symphonies, Op.23, published by Bailleux.
• The holograph manuscript of Bruckner’s Mass No.3 in F minor, WAB 28, and the first edition published by Doblinger.
• The first five editions of Banchieri’s Cartella Musicale, published by Giacomo and Alessandro Vincenti.
• The first edition of Spohr’s 3 String Quartets, Op.84, published by Johann André.
• The first edition (parts) of Melodia Olympica, edited by Peter Philips and published by Pierre Phalèse.
• The first edition (parts) of Vanhal’s 6 String Quartets, Op.21, published by La Chevardiere.
• The holograph manuscript of Bruckner’s Mass No.2 in E minor, WAB 27.
• Early editions of Diruta’s Il Transilvano, published by Alessandro Vincenti.
• The first edition of Spohr’s 3 String Quartets, Op.82, published by Schlesinger.
• The first edition (parts) of Philips’s Cantiones sacrae octonis vocibus, published by Pierre Phalèse.
• The first edition (parts) of Vanhal’s 3 Caprices, Op.15, published by J.J. Hummel.
• The holograph manuscript and first edition of Bruckner’s Mass No.1 in D minor, WAB 26, first edition published by Johann Gross.
• The first edition of Loulié’s Éléments ou principes de musique, published by Christophe Ballard.
• The first edition of Spohr’s 2 String Quartets, Op.15, published by C.F. Peters.
• The first edition (parts) of Morley’s Madrigals to 4 voyces, Book 1, published by Thomas East.
• The first edition (parts) of Vanhal’s 6 String Quartets, Op.13, published by Huberty.
• The holograph manuscript of Debussy’s Sonata for Flute, Viola and Harp.
• The first edition of Cowell’s 6 Ings, published by Breitkopf & Härtel.
• The first edition of Spohr’s 6 Salonstücke, Op.135, published by Schuberth.
• The first edition (parts) of Morley’s Balletts to Five Voyces, Book 1, published by Thomas Este.
• The first edition (parts) of Vanhal’s 3 Harpsichord Quintets, Op.12 , published by Schuberth.
• The holograph manuscript of Debussy’s Première rhapsodie.
• The first edition of Cowell’s Fabric, published by Breitkopf & Härtel.
• The first edition (parts) of Spohr’s String Quintet No.3, Op.69, published by C.F. Peters.
• The first editions (parts) of Byrd’s masses.
• The first edition (parts) of Vanhal’s 6 Oboe Quartets, Op.7, published by Sieber.
• The holograph manuscript of Debussy’s Pelléas et Mélisande.
• The first edition of Cowell’s Exultation, published by Breitkopf & Härtel.
• The first edition of Spohr’s String Quintet No.1, Op.33 No.1, published by Tobias Haslinger.
• The first edition of Vanhal’s 6 String Quartets, Op.6, published by Huberty.
• The second edition (parts) of Palestrina’s Motettorum, Liber 5, published by Alessandro Gardano.
• The holograph manuscript of Debussy’s Noël des enfants qui n'ont plus de maisons.
• The first edition of Cowell’s Episode No.3, published by Breitkopf & Härtel.
• The first edition of Spohr’s Symphony No.9, Op.143, published by Schuberth.
• The first edition of Vanhal’s 6 Harpsichord Trios, Op.1, published by Johann André.
• The second edition (parts) of Palestrina’s Motettorum, Liber 4, published by Angelo Gardano.
• The holograph manuscript of Debussy’s La plus que lente.
• The first edition of Cowell’s Dynamic Motion, published by Breitkopf & Härtel.
• The first edition of Spohr’s Symphony No.8, Op.137 , published by C.F. Peters.
• The holograph score of Jommelli’s Semiramide.
• The first edition (parts) of Palestrina’s Motettorum, Liber 3, published by Girolamo Scotto.
• The holograph manuscript of Debussy’s La boîte à joujoux.
• The first edition of Cowell’s 3 Irish Legends, published by Breitkopf & Härtel.
• The first edition (parts) of Spohr’s Symphony No.6, Op.116, published by Pietro Mechetti.
• The holograph score of Jommelli’s Lucio Vero.
• The third edition (parts) of Palestrina’s Motettorum, Liber 2, published by Girolamo Scotto.
• The holograph manuscript of Debussy’s Jeux.
• The first edition of Veracini’s 12 Sonate accademiche, Op.2, published by the composer.
• The first edition (reduction and parts) of Spohr’s Symphony No.2, Op.49, published by C.F. Peters.
• The holograph score of Jommelli’s Il Demetrio.
• The second edition (parts) of Palestrina’s Motettorum, Liber 1, published by Angelo Gardano.
• The holograph manuscript of Debussy’s Estampes.
• The holograph score of Telemann’s Concerto for 2 Flutes, TWV 52:e2 from the National Library of France.
• The first edition of Spohr’s Septet, Op.147, published by C.F. Peters.
• The holograph score of Jommelli’s Ezio (1741 Bologna Version).
• The first edition (parts) of Palestrina’s Missarum, Liber 4, published by Francesco and Simon Tini.
• The first edition (parts) of Torelli’s Concerti musicali, Op.6, published by Lorenzo Kroniger.
• The holograph manuscript of Debussy’s Children's Corner.
• The first edition of Spohr’s Piano Sonata, Op.125, published by Pietro Mechetti.
• The incomplete holograph score of Jommelli’s Eumene (1742 Bologna Version).
• The first edition (parts) of Palestrina’s Missarum, Liber 2, published by Valerio and Luigi Dorico.
• The first edition (parts) of Torelli’s 12 Concerti grossi con una pastorale, Op.8, published by Marino Silvani.
• The holograph manuscript of Debussy’s 6 Épigraphes antiques.
• Three holograph scores of Jommelli’s Demofoonte (1743, 1753 and 1764 Versions).
• The second edition (parts) of Le Jeune’s Dodecacorde avec paroles morales, published by Ballard.
• The manuscript of Bononcini’s Il ritorno di Giulio Cesare.
• The holograph manuscript of Debussy’s 3 Chansons de France.
• The first edition of Weber’s 5 Deutsche Lieder, Op.25, published by Gröbenschütz und Seiler.
• The holograph score of Jommelli’s Creso.
• The first edition (parts) of Artusi’s Canzonette a quattro voci, published by Giacomo Vincenti.
• The manuscript of Bononcini’s 1721 Mario fuggitivo .
• The holograph manuscript of Debussy’s 3 Chansons de Charles d'Orléans.
• The first edition (parts) of Gassmann’s 6 String Quartets, H.451-6, published by the Paris Bureau d'Abonnement de Musique.
• The holograph score of Jommelli’s Didone abbandonata (1763 Stuttgart Version).
• The first edition of Bononcini’s 1721 Cantate e Duetti, published by the composer.
• The first edition of Forkel’s Musikalisch-kritische Bibliothek, published by Schwickert.
• The holograph manuscript of Debussy’s Petite suite.
• The first edition (parts) of Gassmann’s 6 Quintets, H.501–6 (Op.2), published by the Paris Bureau d'Abonnement de Musique.
• The first edition (parts) of Dering’s Cantica sacra I, published by John Playford.
• The holograph manuscript (parts, one part lost) of Vivaldi’s La cetra (manuscript set) composed in 1728.
• The first edition of Forkel’s Allgemeine Litteratur der Musik, published by Schwickert.
• The holograph manuscript of Debussy’s Nocturnes.
• The first edition (parts) of Gassmann’s 6 Quartets, H.431-6 (Op.1), published by J.J. Hummel.
• Gibbons’s Complete Keyboard Works, published by Stainer & Bell. Edited by Margaret Henrietta Glyn.
• The holograph manuscript of Vivaldi’s La Sena festeggiante, RV 693.
• The first edition of Halm’s Die Symphonie Anton Bruckners, published by Georg Müller.
• The holograph manuscript of Debussy’s 2 Arabesques.
• The first edition of Haydn’s Die Jahreszeiten, Hob.XXI:3, published by Breitkopf und Härtel.
• The first edition (parts) of Gibbons’s Madrigals and Motets for 5 Voices (Part I), published by Thomas Snodham.
• The holograph manuscript of Vivaldi’s L'Olimpiade, RV 725.
• The first edition of Riemann’s Liederhort, published by Steingräber.
• The holograph manuscript of Debussy’s 3 Ballades de François Villon.
• The first edition of Beethoven’s 11 Bagatelles, Op.119, published by the Sauer & Leidesdorf.
• The first edition of Playford’s Select Musicall Ayres and Dialogues, published in 1653.
• The first edition of Gasparini’s L'Armonico Pratico al Cimbalo, published by Giusseppe Antonio Silvani.
• The first edition of Riemann’s Wie hören wir Musik?, published by Max Hesse.*The holograph manuscript of Debussy’s 3 Poèmes de Stéphane Mallarmé.
• The first edition of Beethoven’s 7 Bagatelles, Op.33, published by the Vienna Bureau des Arts et d'Industrie.
• The first edition (parts) of Muffat’s Armonico tributo, published by J.B. Mayr.
• The first edition of Baena’s Arte novamente inventada para aprender a tanger, published by German Galhard.
• The second edition of Albrechtsberger’s Kurze Regeln des reinsten Satzes, published by Tobias Haslinger.
• The full score and parts for Dvořák’s complete concertos with opus numbers, published by Supraphon and Simrock.
• Beethoven’s Studien im Generalbass, Contrapunkt und in der Compositionslehre, in the second edition published by Schuberth.
• The Trios de la Chambre du Roi, LWV 35 by Lully and Marais, collected by Philidor.
• The first edition (parts) of the Intermedii et concerti "La Pellegrina," published by Giacomo Vincenti.
• The first edition of Albrechtsberger’s Gründliche Anweisung zur Composition, published by Breitkopf.
• The full score and parts for Dvořák’s complete symphonies, published by Supraphon and Simrock.
• An early sketch for Mozart’s Quintet in E-flat major, K.452, transcribed by Paul Graf Waldersee for Breitkopf und Härtel.
• The first edition of Langdon’s Divine Harmony, published by Longman, Lukey & Company.
• The first French edition of Pergolesi’s Livietta e Tracollo.
• The fourth (last) edition and standard English translation of Helmholtz’s Die Lehre von den Tonempfindungen, published by Friedrich Vieweg and Longmans.
• The first edition of Tcherepnin’s Le Pavillon d'Armide, Op.29, published by M.P. Belaieff.
• The full score for Szymanowski’s Violin Concerto No.1, Op.35, published by PWM.
• The first edition score and parts for Dowland’s Lachrimae, or Seven Tears, published by John Windet.
• Rousseau’s copy of Pergolesi’s L'Olimpiade, P.145.*An early edition of Kirnberger’s Die wahren Grundsätze zum Gebrauch der Harmonie, published by Tobias Haslinger.
• The first edition of Webern’s 4 Pieces for Violin and Piano, Op.7, published by Universal Edition.
• The full score, vocal score, and parts for Verdi’s Requiem, published by Eulenburg, Peters, and Ricordi.
• The first edition (parts) of Claudin de Sermisy's Nova & prima motettorum, Liber 1, published by Attaignant.
• The holograph score of Pergolesi’s La morte di San Giuseppe.
• The first edition of Kirnberger’s Gedanken über die verschiedenen Lehrarten in der Komposition, published by the author.*The first edition of Webern’s 5 Movements, Op.5, published by Universal Edition.
• The parts for Massenet’s Marie-Magdeleine, published by Heugel.
• An early edition of Porpora’s 12 Violin Sonatas, Op.12, published by Federico Bernardi.
• The first edition of Brossard’s Airs de cour (Books 1–6), published by Ballard.
• The first edition of Sorge’s Vorgemach der musicalischen Composition, published by the author.
• The first edition of Webern’s 5 Lieder aus Der siebente Ring, Op.3, published by Universal Edition.
• The score and parts for Bizet’s Carmen, published by Choudens.
• An early edition of Porpora’s 12 cantate da camera, published by the composer.
• The first editions (parts) of Antico’s Motetti novi e chanzoni franciose a quatro sopra doi.
• The first edition of Sorge’s Compendium Harmonicum, published by the author.
• The first edition of Webern’s Entflieht auf leichten Kähnen, Op.2, published by Universal Edition.
• The score and parts for Beethoven’s Christus am Ölberge, Op.85, published by Breitkopf und Härtel.
• An early edition of Hasse’s 6 Flute Sonatas, Op.5, published by John Walsh.
• The first editions (parts) of Petrucci’s Harmonice Musices Odhecaton (Canti A, B, and C).
• The first edition of Sorge’s Anleitung zur Fantasie, published by the author.
• The score and parts of Webern’s Passacaglia, Op.1, published by Universal Edition.
• The holograph manuscript of Beethoven’s String Quartet No.11, Op.95 ("Serioso").
• An early edition of Hasse’s 6 Concertos, Op.4, published by John Walsh.
• Five Masses by Ghiselin, published by Ottaviano Petrucci.
• The first edition of Sorge’s Anleitung zum Generalbass und zur Composition, published by Gottlieb August Lange.
• The full score of Mascagni’s Cavalleria rusticana, published by Bote & Bock.
• The holograph manuscript of Beethoven’s String Quartet No.15, Op.132.
• An early edition of Hasse’s 12 Flute Concertos, Op.3, published by John Walsh.
• The full score and complete parts for Gluck’s Orfeo ed Euridice, published by Bärenreiter.
• The first edition of Choron’s Dictionnaire Historique des Musiciens, published by Valade.
• The complete parts for Bartók’s 4 Pieces, Op.12, published by Universal Edition.
• The holograph manuscripts of Beethoven’s "Razumovsky" Quartets (Nos. 7, 8, and 9).
• An early edition of Hasse’s 12 Flute Sonatas, Op.1, published by Le Clerc.
• The full score and complete parts for Gounod’s Roméo et Juliette, published by Choudens.
• The first edition of Choron’s Principes de composition des écoles d'Italie, published by Auguste Le Duc et Companie.
• The complete parts for Bartók’s Rhapsody for Piano and Orchestra, Sz.27, published by Rozsavölgyi.
• The holograph manuscript of Beethoven’s Violin Sonata No.5, Op.24 ("Spring").
• An early edition of Hasse’s 6 Trio Sonatas, Op.2, published by Le Clerc.
• The full score and complete parts for Donizetti’s Don Pasquale, published by Ricordi.
• The first edition of Frescobaldi’s Capricci, Libro 1, published by Luca Antonio Soldi.
• The complete parts for Bartók’s suites for orchestra (nos. 1 and 2), published by Rozsavölgyi and Universal Edition.
• The holograph manuscript of Beethoven’s Violin Concerto in D major, Op.61.
• The manuscript score, parts and printed libretto of Caldara’s Santa Ferma from Österreichische Nationalbibliothek.
• The full score and complete parts for Donizetti’s L'elisir d'amore, published by Ricordi.
• The Bologna MS Q21 (parts), an important source for the early madrigal.
• The only extant manuscript of Hasse’s Antonio e Cleopatra from Österreichische Nationalbibliothek.
• The holograph manuscript of Beethoven’s Coriolan, Op.62.
• The full score and parts for Bartók’s 2 Images, Op.10, published by Rozsavölgyi.
• The complete parts for Rossini’s L'italiana in Algeri, published by Ricordi.
• An early edition (parts) of Vivaldi’s La cetra, Op.9, published by Michel-Charles le Cene.
• The Liber selectarum cantionum quas vulgo mutetas appellant, including works by Josquin and Obrecht. Published by Sigmund Grimm & Marx Wirsung.
• The holograph manuscript of Beethoven’s König Stephan, Op.117.
• The full score and parts for Bartók’s 2 Portraits, Op.5, published by Rozsnyai Károly.
• The full score and complete parts for Puccini’s Tosca, published by Ricordi.
• An early edition (parts) of Vivaldi’s 6 Concerti, Op.6, published by Estienne Roger.
• The first edition (parts) of Vecchi’s Le Veglie di Siena, overo i Varii Humori della Musica, published by Angelo Gardano.

Archive 7—2015

• The holograph manuscript of Beethoven’s Piano Concerto No.1, Op.15.
• The full score and complete parts for Puccini’s Madama Butterfly, published by Ricordi.
• An early edition (parts) of Vivaldi’s La stravaganza, Op.4, published by Estienne Roger.
• The first edition (parts) of Vecchi’s Selva di varia ricreatione, published by Angelo Gardano.
• The holograph manuscript of Beethoven’s Piano Concerto No.3, Op.37.
• The autograph manuscript of Wilhelm Friedemann Bach's Wir sind Gottes Werke, F.74.
• The full score and complete parts for Puccini’s La bohème, published by Ricordi.
• An early edition (parts) of Vivaldi’s 12 Violin Sonatas, Op.2, published by Estienne Roger.
• The first edition (parts) of Marenzio’s Madrigali spirituali, Libro 1, published by Angelo Gardano.
• The holograph manuscript of Beethoven’s Piano Sonata No.23, Op.57 ("Appasionata").
• The autograph manuscript of Wilhelm Friedemann Bach's Der Herr zu deiner Rechten, F.73.
• The full score and complete parts for Verdi’s La traviata, published by Ricordi.
• An early edition (parts) of Vivaldi’s 12 Trio Sonatas, Op.1, published by Estienne Roger.
• The first editions (parts) of Marenzio’s 5-voice madrigals, books 1 and 2, published by Angelo Gardano.
• The holograph manuscript of Beethoven’s Piano Sonata No.31, Op.110.
• The autograph manuscript of Wilhelm Friedemann Bach's Der Herr wird mit Gerechtigkeit, F.81.
• The full score and complete parts for Verdi’s Nabucco, published by Ricordi.
• The first edition (parts) of Vivaldi’s Il cimento dell'armonia e dell'inventione, Op.8 (including The Four Seasons), published by Michel-Charles Le Cène.
• The first edition of Luzzaschi’s 12 Madrigali per cantare e sonare, published by Simone Verovio.
• The holograph manuscript of Beethoven’s Piano Sonata No.32, Op.111.
• The autograph manuscript of Wilhelm Friedemann Bach's Heilig ist Gott, der Herr Zebaoth, F.78a.
• The full score and complete parts for Verdi’s Rigoletto, published by Ricordi.
• The first edition of Marais’s Sémélé, published by Foucaut.
• The first edition (parts) of Antico’s collection Canzoni nove con alcune scelte de varii libri di canto.
• The full score and complete parts for Mozart’s Die Zauberflöte, K.620, published by Breitkopf.
• The autograph manuscript of Wilhelm Friedemann Bach's Gott fähret auf mit Jauchzen, F.75.
• The full score and complete parts for Verdi’s Falstaff, published by Ricordi.
• The first edition of Marais’s Ariane et Bacchus, published by Ballard.
• The autograph manuscript of Haydn’s String Quartet Op. 64, No. 6.
• The full score and complete parts for Mozart’s Così fan tutte, K.588, published by Breitkopf.
• The autograph manuscript of Wilhelm Friedemann Bach's Es ist eine Stimme eines Predigers, F.89.
• The first editions of Martin Agricola’s Musica Choralis Deudsch, Musica Figuralis Deudsch, and Musica instrumentalis Deudsch, published by George Rhaw.
• The first edition of Marais’s Alcyone, published by the composer.
• The autograph manuscript of Haydn’s L'Anima del Filosofo, Hob.XXVIII:13.
• The full score and complete parts for Tchaikovsky’s Eugene Onegin, Op.24, published by Jurgenson and Muzyka.
• The autograph manuscript of Wilhelm Friedemann Bach's Ach Gott vom Himmel sieh darein, F.96.
• The first edition of Martin Agricola’s Deutsche Musica und Gesangbüchlin, published by Johann vom Berg and Ulrich Newber.
• The first edition (parts) of Goudimel’s 150 Pseaumes de David, 1568, published by Pierre de Saint-André.
• The autograph manuscript of Haydn’s Piano Trio in E-flat minor, Hob.XV:31.
• The score and parts for Liszt’s Mephisto Waltz (orchestral version), published by Breitkopf und Härtel.
• The first edition of Bononcini’s Musico prattico, Op.8, published by Giacomo Monti.
• Sweelinck’s complete works, published by Breitkopf und Härtel and Nijhoff. Edited by Max Seiffert and Hermann Gehrmann.
• The first edition of Dowland’s A Pilgrimes Solace, published by William Barley.
• The autograph manuscript of Haydn’s Keyboard Sonata in E major, Hob.XVI:22.
• The score and parts for Liszt’s piano concertos (Nos. 1 and 2), published by Breitkopf und Härtel.
• The first edition of Mattheson’s Plus Ultra, published by Johann Adolph Martini.
• Victoria’s complete works, published by Breitkopf und Härtel. Edited by Felipe Pedrell.
• The first editions of Dowland’s books of songs (1, 2, and 3), published by Peter Short, George Eastland, and Thomas Adams.
• An early edition (parts) of Haydn’s Keyboard Concerto in D major, Hob.XVIII:11, published by Boyer.
• The first edition of Gounod’s Roméo et Juliette, published by Choudens.
• The first edition of Mattheson’s Grundlage einer Ehren-Pforte, published by the author.
• Obrecht’s complete works, published by Breitkopf und Härtel. Edited by Johannes Wolf (editorial material like prefaces may not be public domain in the EU).
• The first and third editions of Purcell’s A Choice Collection of Lessons for the Harpsichord or Spinnet, published by Henry Playford.
• The first edition of Haydn’s Mass in C major, Hob.XXII:5, published by Breitkopf und Härtel.
• The full score of Puccini’s Le villi, published by Ricordi.
• The first edition of Mattheson’s Abhandlung von den Pantomimen, published by Geißler.
• The first edition (parts) of Willaert’s Musica quatuor vocum, Liber 1, published by Girolamo Scotto.
• The first edition (parts) of Schütz’s Symphoniae sacrae III, Op.12, published by Christian and Melchior Berg.
• The holograph manuscript of Haydn’s Harmoniemesse.
• The full score of Puccini’s Edgar, published by Ricordi.
• The first edition of Mattheson’s Der brauchbare Virtuoso, published by B. Schiller.
• Cipriano de Rore's complete 4-part madrigals, published in score by Antonio Gardano.
• The first edition (parts) of Schütz’s Psalmen Davids sampt etlichen Moteten und Concerten, Op.2, published by the composer.
• The manuscript of Vivaldi’s Teuzzone, RV 736 from the Berlin State Library.
• An early French edition of Rossini’s Otello, published by Castil-Blaze.
• The first edition of Mattheson’s Das neu-eröffnete Orchestre, published by B. Schiller.
• The first edition of books I-III of Francesco da Milano's Intabolatura de lauto, published by Antonio Gardano.
• The first edition (parts) of Schütz’s Symphoniae sacrae II, Op.10.
• The first edition of Chopin’s Mazurkas, Op.6, published by Kistner.
• The first edition full score of Rossini’s Guillaume Tell, published by Troupenas.
• The first edition of Mattheson’s Kern Melodischer Wissenschafft, published by Christian Herold.
• The 15th-century Modena Codex, an important source for the music of Matteo da Perugia.
• The first edition (parts) of Schütz’s Cantiones sacrae, Op.4, published by Georg Hoffman.
• The first (German) edition of Chopin’s Bolero, Op.19, published by Peters.
• The first edition score and parts for Suk’s Symphony No.1, Op.14, published by Simrock.
• The first edition of Mattheson’s Der musicalische Patriot, published by the author.
• The Codex Faenza, one of the oldest preserved collections to include keyboard music.
• The first edition of Schütz’s Becker Psalter, Op.5, published by Georg Hoffman.
• The first edition of Chopin’s Barcarolle, Op.60, published by Schlesinger.
• The score and parts for D'Indy's Suite dans le style ancien, Op.24, published by Hamelle.
• The first edition of Mattheson’s Der vollkommene Capellmeister, published by Christian Herold.
• The holograph score of Jommelli’s Demofoonte.
• The first edition (parts) of Schütz’s Kleine geistliche Konzerte II, Op.9, published by Gimel Bergen.
• The first (German) edition of Chopin’s Ballade No.2, Op.38, published by Breitkopf und Härtel.
• The full score and parts for Bruch’s Romanze for Viola and Orchestra, Op.85.
• The first edition of Rameau’s Traité des accords et de leur succession selon le systéme de la Basse-fondamentale .
• The holograph score of Jommelli’s Demetrio.
• The first edition (parts) of Schütz’s Geistliche Chor-Music, Op.11, published by Johann Klemmens.
• The first edition of Chopin’s Allegro de concert, Op.46, published by Schlesinger.
• The autograph manuscript of Grieg’s Holberg Cantata, EG 171.
• The first edition of Rameau’s Suite des Erreurs sur la musique dans l'Encyclopédie, published by Jorry.
• The holograph score of Jommelli’s Creso.
• Lambert’s Airs, published by the composer.
• The first edition of Chopin’s Scherzo No.1, Op.20, published by Schlesinger.
• The autograph manuscript of Grieg’s Old Norwegian Melody with Variations, Op.51.
• The first edition of Rameau’s Réponse de M. Rameau à MM. les éditeurs de l'Encyclopédie sur leur dernier avertissement, published by Sébastien Jorry.
• The holograph score of Jommelli’s Merope.
• The first edition (parts) of Viadana’s Per sonar nel'organo li cento concerti ecclesiastici, published by Giacomo Vincenti.
• The first (English) edition of Chopin’s Polonaise-fantaisie, Op.61, published by Wessel & Co.
• The autograph manuscript of Grieg’s 4 Psalms, Op.74.
• The first edition of Rameau’s Origine des sciences, published by Le Jorry.
• The first edition of Grétry’s Les événemens imprévus, published by Le Duc.
• The manuscript of Scarlatti’s Il prigioniero fortunato, R.346.36.
• First editions of Chopin’s complete piano sonatas, published by Schlesinger and Breitkopf.
• The autograph manuscript of Grieg’s Violin Sonata No.3, Op.45.
• The first edition of Rameau’s Observations sur notre instinct pour la musique, et sur son principe, published by Prault.
• The first edition of Grétry’s L'épreuve villageoise, published by Houbaut.
• The manuscript of Scarlatti’s La Donna ancora è fedele, R.346.35.
• The first edition of Chopin’s Nocturnes, Op.55, published by Schlesinger.
• The first edition of Rameau’s Nouvelles réflexions de M. Rameau sur sa Démonstration du principe de l'harmonie, published by Durand and Pissot.
• The first edition of Grétry’s Les deux avares, published by Dezauche.
• The manuscript of Scarlatti’s La caduta de’ Decemviri.
• The first edition of Chopin’s Nocturnes, Op.32, published by Schlesinger.
• The first editions of Raff’s symphonies Nos. 1, 2, and 3, published by Schuberth, Schott, and Kistner.
• The first edition of Rameau’s Erreurs sur la musique dans l'Encyclopédie, published by Sebastien Jorry.
• The first edition of Grétry’s La caravane du Caire.
• The manuscript of Scarlatti’s Il martirio di S. Orsola.
• The first edition of Chopin’s Nocturnes, Op.9, published by Kistner.
• The holograph manuscript of Raff’s Die Eifersüchtigen, WoO.54.
• The first edition of Rameau’s Dissertation sur les différentes méthodes d'accompagnement, published by Boivin and Le Clair.
• The first edition of Grétry’s L'amant jaloux, published by le Sr. Huguet.
• The holograph manuscript of Scarlatti’s Cain, overo Il primo omicidio.
• The holograph manuscript of Chopin’s Étude, Op. 10 No. 7.
• The holograph manuscript of Delibes’s Le jardinier et son seigneur.
• The first and second editions (parts) of Kriesstein’s Cantiones septem, sex et quinque vocum.
• The first edition of Rameau’s Démonstration du principe de l'harmonie, published by Durand and Pissot.
• The holograph manuscript of Bruckner’s Perger Präludium in C major, WAB 129.
• The holograph manuscript of Delibes’s Le roi s'amuse.
• The second edition (parts) of Byrd’s Gradualia ac cantiones sacrae I, published by Richard Redmer.
• The first edition of Rameau’s Code de musique practique, ou méthodes, published by the Imprimerie Royale.
• Czerny’s translation of Reicha’s Art du compositeur dramatique, published by Diabelli.
• The first edition of Schmelzer’s Sonatae Unarum Fidium, published by Michael Endter.
• The full score of Massenet’s Thérèse, published by Heugel.
• The first edition (parts) of Byrd and Tallis’s Cantiones Sacrae, published by Thomas Vautrollerius.
• The first edition of Rameau’s Génération harmonique, ou Traité de musique théorique et pratique, published by Prault.
• The first edition of Czerny’s Briefe über den Unterricht auf dem Pianoforte, published by Diabelli.
• Zelenka’s copy of Frescobaldi’s Fiori Musicali, Op.12.
• The autograph manuscript of Massenet’s Le mage.
• The first edition (parts) of Byrd’s Cantiones Sacrae I, published by Thomas East.
• The first edition of Rameau’s Nouveau systême de musique théorique, published by Ballard.
• The first edition of Méreaux’s Etudes, Op.63, published by Richault.
• The holograph manuscript of Zelenka’s Il diamante, ZWV 177.
• The autograph manuscript of Massenet’s Le jongleur de Notre-Dame.*The manuscript of Lassus’s Choirbook, D-Mbs Mus. MS A, including the Psalmi Davidis poenitentiales.
• The second edition of Fétis’s Biographie universelle des musiciens, published by Firmin Didot Frères.
• Rameau’s complete Motets, published as volume 4 of J.P. Rameau: Oeuvres Complètes by Breitkopf und Härtel. Edited by Charles Malherbe.
• The holograph manuscript of Bach’s Sei Lob und Ehr dem höchsten Gut, BWV 117.
• The full score of Massenet’s Hérodiade, published by Heugel.
• The Montpellier Codex, an important source for 13th century music.
• The first edition of Koch’s Handbuch bey dem Studium der Harmonie, published by Johann Friedrich Hartknoch.
• The first edition of Cavalli’s Musiche Sacre, published by Alessandro Vincenti.
• The holograph manuscript of Bach’s Schwingt freudig euch empor, BWV 36.
• The full score of Massenet’s Cléopâtre, published by Heugel.
• The first edition of Narváez’s Los seys libros del delphín, published by Diego Hernãdez de Cordova.
• The first edition of Koch’s Musikalisches Lexikon, published by August Hermann der Jüngere.
• The holograph manuscript of Cavalli’s L'Egisto.
• The holograph manuscript of Bach’s Prelude and Fugue in B minor, BWV 544.
• The full score of Massenet’s Amadis, published by Heugel.
• Petrucci’s edition (parts) of Josquin masses (books 1, 2, and 3).
• The first edition of Adolf Bernhard Marx’s Vollständige Chorschule, published by Breitkopf.
• The manuscript of Alessandro Scarlatti’s Il Cambise, R.356.64.
• The holograph manuscript of Bach’s Nimm, was dein ist, und gehe hin, BWV 144.
• The full score of Rimsky-Korsakov’s The Tale of Tsar Saltan (suite), Op.57, published by Muzgiz.
• The first edition flute parts for Vivaldi’s 6 Concerti a flauto traverso, Op.10, published by Michel-Charles Le Cène.
• The first edition of Adolf Bernhard Marx’s Die Musik des neunzehnten Jahrhunderts und ihre Pflege, published by Robert Cocks and Co.
• The holograph manuscript of Alessandro Scarlatti’s Telemaco, R.355.62.
• The holograph manuscript of Bach’s Meinen Jesum lass ich nicht, BWV 124.
• The full score of Rimsky-Korsakov’s The Invisible City of Kitezh (opera), published as volume 14 of Polnoe sobranie sochinenij by Muzgiz. Edited by Georgy Kirkor.
• The manuscript of the second version of Porpora’s Semiramide riconosciuta.
• The second edition of Adolf Bernhard Marx’s Anleitung zum Vortrag Beethovenscher Klavierwerke, published by Otto Janke. Edited by Gustav Behncke.
• The first edition of Cavalieri’s Rappresentatione di Anima e di Corpo, published by Nicolò Mutij.
• The holograph manuscript of Bach’s Meine Seufzer, meine Tränen, BWV 13.
• The first edition of Reinecke’s Sonata 'Undine', Op.167, published by Robert Forberg.
• The manuscript of Porpora’s Germanico in Germania.
• The first english translation of Adolf Bernhard Marx’s Allgemeine Musiklehre (fifth edition), published by Robert Cocks and Co.
• The first edition of Schubert’s Wandrers Nachtlied, D.224, published by Diabelli.
• The holograph manuscript of Bach’s Mein Herze schwimmt im Blut, BWV 199.
• The particelle (first draft) of Debussy’s Prélude à l'après-midi d'un faune.
• The manuscript of Porpora’s Carlo il Calvo.
• The first edition of Türk’s Klavierschule, published by Schwickert; Hemmerde und Schwetschke.
• The first edition of Schubert’s Suleika, D.720, published by Diabelli.
• The holograph manuscript of Bach’s Mein Gott, wie lang, ach lange, BWV 155.
• The parts for Stenhammar’s complete string quartets.
• The holograph manuscript of Paisiello’s Andromaca, R.1.90.
• Czerny’s edition of nearly 200 of Scarlatti’s sonatas, published by Haslinger.
• The first edition (parts) of Schubert’s String Quartet No.15, D.887, published by Diabelli.
• The holograph manuscript of Bach’s Mass in G major, BWV 236.
• The first edition of Granados’s Goyescas (piano suite), published by Casa Dotesio.
• The holograph manuscript of Paisiello’s Alcide al bivio, R.1.62.
• The first edition of Charpentier’s David et Jonathas, H.490, published by Philidor.
• The first edition of Schubert’s Jägers Abendlied, D.368, published by Diabelli.
• The holograph manuscript of Bach’s Mass in A major, BWV 234.
• The full score of Smetana’s The Two Widows, JB 1:108, published by the Společnost Bedřicha Smetany.
• The holograph manuscript of Paisiello’s Achille in Sciro, R.1.56.
• Zelter’s biography of Karl Friedrich Christian Fasch, published by Johann Friedrich Unger.
• The first edition of Schubert’s Heidenröslein, D.257, published by Diabelli.
• The holograph manuscript of Bach’s Liebster Jesu, mein Verlangen, BWV 32.
• The full score of Smetana’s Libuše, JB 1:102, published by Orbis.
• The holograph manuscript of Paisiello’s Annibale in Torino, R.1.26.
• Zelter’s Sämtliche Lieder, Balladen und Romanzen, Z.124, published by the Berlin Kunst und Industrie-Comptoir.
• The first edition of Schubert’s Der Tod und das Mädchen, D.531, published by Diabelli.
• The holograph manuscript of Bach’s Jesus schläft, was soll ich hoffen?, BWV 81.
• The full score of Smetana’s The Devil's Wall, JB 1:122, published by Orbis.
• The first edition of Melchior Franck’s Opusculum etlicher newer und alter Reuterliedlein, published by Conrad Baurn.
• The holograph manuscript of Chopin’s Cantabile in B-flat major, B.84.
• The scores and parts for Berg’s String Quartet, Op.3, published by Universal Edition.
• The holograph manuscript of Bach’s Jesu, nun sei gepreiset, BWV 41.
• The full score of Smetana’s Dalibor, JB 1:101, published by Orbis.
• The first edition of Tye’s The Actes of the Apostles, published by Wyllyam Seres.
• The first edition (parts) of Clementi’s 2 Symphonies, Op.18, published by Imbault.
• The Bauyn Manuscript, the most important collection of French harpsichord music, including nearly all of the surviving works of Chambonnières and Louis Couperin.
• The holograph manuscript of Bach’s Ich liebe den Höchsten von ganzem Gemüte, BWV 174.
• The holograph manuscript of Massenet’s ballet Espada.
• The first edition of Ravenscroft’s A Briefe Discourse, published by Edward Alde for Thomas Adams.
• Cramer’s Studio per il pianoforte, Op.50, published by Peters.
• The first edition of D'Anglebert's Pièces de clavecin, published by the composer.
• The holograph manuscript of Bach’s Ich habe genug, BWV 82.
• The holograph manuscript of Massenet’s incidental music for Phèdre.
• The first edition of Ravenscroft’s The Whole Booke of Psalmes, published by the London Company of Stationers.
• The parts for "Haydn’s" 6 Flute Quartets, Op.5, a set of contemporary arrangements of his works published by J. J. Hummel.
• The manuscript of Porpora’s Il martirio di S. Giovanni Nepomuceno from Berlin State Library.
• The holograph manuscript of Bach’s Ich hab in Gottes Herz und Sinn, BWV 92.
• The holograph manuscript of Massenet’s Werther.
• The first editions of Ravenscroft’s Deuteromelia, Melismata, and Pammelia, published by Thomas Adams and William Barley.
• The first edition of Mondonville’s Titon et l'Aurore, Op.7, published by Boivin and Le Clerc.
• The autograph manuscript of Satie’s first Gymnopédie.
• The autograph manuscript of Bach’s Ich geh' und suche mit Verlangen, BWV 49.
• Nielsen’s Maskarade, FS 39, published as No.1-3 of Series I of Carl Nielsen: Vaerker by the Carl Nielsen Udgaven and Det Kongelige Bibliotek. Made available by courtesy of the Danish Centre for Music Publication.
• The first edition of Billings’s The New England Psalm-Singer and The Psalm-Singer's Amusement, published by Edes and Gill and the composer.
• Schmelzer’s Trio Sonatas and Violin Sonatas, published as volumes 93 and 105 of Denkmäler der Tonkunst in Österreich by the Österreichischer Bundesverlag.
• The autograph manuscript of Debussy’s String Quartet in G minor, Op.10.
• The autograph manuscript of Bach’s Herr Gott, dich loben wir, BWV 16.
• The full scores of Nielsen’s complete concerti (for clarinet, flute, and violin), published by Carl Nielsen Udgaven with Det Kongelige Bibliotek, and Wilhelm Hansen.
• The first edition of Billings’s Music in Miniature, published by the composer.
• The first editions of Corrette’s methods for flute, harpsichord, mandolin, vielle, violin, and violoncello, published by the author.
• The first edition of Gounod’s Faust, published by Choudens.
• The autograph manuscript of Bach’s Gott soll allein mein Herze haben, BWV 169.
• The full score for Chaminade’s Konzertstück, Op.40 suite, published by Enoch & Cie.
• The manuscript of Graun’s Merope, GraunWV B:I:32 from Österreichische Nationalbibliothek.
• The first edition of Berlioz’s Tristia, Op.18, H 119, published by Richault.
• The autograph manuscript of Caldara’s Gloria in C major from Österreichische Nationalbibliothek.
• The full score for Chaminade’s Callirhoë, Op.37 suite, published by Enoch & Cie.
• The manuscript of Caldara’s Adriano in Siria from The National Library of France.
• Indy’s 88 Chansons populaires du Vivarais, Op.52 and Chansons Populaires recueillies dans le Vivarais et le Vercors, published by Durand and Heugel.
• The first edition of Berlioz’s overture to Les francs-juges, H 23, published by Richault.
• The autograph manuscript of Piccinni’s Demetrio.
• The full score and parts for Chaminade’s Concertino pour Flûte, Op.107, published by Enoch & Cie.
• The autograph manuscript of Bach’s Gloria in excelsis Deo, BWV 191.
• The full score of Lekeu’s Fantaisie pour orchestre sur deux airs populaires angevins, published by Rouart, Lerolle & Cie.
• The full score of Spontini’s Milton, published by Erard.
• The first edition of Corrette’s L'école d'Orphée, Op.18, published by the author, Boivin, and Le Clerc.
• The autograph manuscript of Sinding’s Der Heilige Berg, Op.111.
• The autograph manuscript of Bach’s Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18.
• The full score of Chausson’s Poème de l'amour et de la mer, Op.19, published by Salabert.
• The full score of Cherubini’s Lodoïska, published by Naderman.
• John Watts' The Musical Miscellany, published around 1730.
• The autograph manuscripts of Sinding’s symphonies Nos. 1, 3, and 4.

Archive 6—2014